Miami Herald's Scores

For 535 reviews, this publication has graded:
  • 53% higher than the average critic
  • 1% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 8 points lower than other critics. (0-100 point scale)
Average TV Show review score: 57
Highest review score: 100 My Name Is Earl: Season 1
Lowest review score: 0 Last Man Standing (2011): Season 1
Score distribution:
  1. Mixed: 0 out of 279
  2. Negative: 0 out of 279
279 tv reviews
  1. The Cho Show is the television equivalent of anti-matter: no scripts, no punch lines, just Cho hanging out with her self-consciously weird entourage. What a waste of one of the most scandalously funny comedians in America!
  2. Chemistry is just one of the ingredients lacking in the Canadian-made The Listener, NBC's new drama about a psychic paramedic. Others include but are not limited to plot, dialogue and acting skill.
  3. A live-action version of Beavis & Butthead, except with a cast that's considerably less life-like, Modern Men is from the Guys Are Loathsome Pigs And Chicks Must Civilize Them genre that produced Men Behaving Badly, Champs and a bunch of other unwatched and unremembered shows, of which this will soon be one.
  4. This kind of comedy only stands a dim ghost of a chance if it has a lot of gratuitous nudity and substance abuse, along with the words ''National Lampoon'' in the title.
  5. Cougar Town (which doesn't debut until Wednesday, but I wanted to give you time to disconnect your TV set) is downright unwatchable, an agonizingly unfunny gutter-ball that will almost certainly be the first of the new season's shows to be canceled.
  6. CBS' crummiest imitation of CSI yet.
  7. The Real Housewives Of Miami is even more egregiously fake than the average reality show, so much so that the producers haven't even bothered to remove bloopers in which cast members forget what day it's supposed to be.
  8. Wretched. [16 Apr 1993, p.E5]
    • Miami Herald
  9. Pointless, charmless and bound to be viewerless after the first half-hour or so, The Philanthropist recalls such epochal television bombs as Manimal (a scientist who could turn into a crime-fighting dolphin) or It's About Time (astronauts break the time barrier and frolick happily with cavemen) in its conceptual imbecility.
  10. As for the lack of laughs, you're just going to have to take my word for it, unless you want to risk serious brain damage.
  11. Allen Gregory is not funny--not even a little bit--and it is not remotely entertaining.
  12. Tr[ies] to distract you from [its] essential awfulness by manipulating the daylights out of you.
  13. A giant bore.
  14. To the extent this sounds interesting, it isn't: Half the dialogue seems to have been written for barking dogs, the other half for mewling kittens, and the cast performs accordingly.
  15. Think Gray's Anatomy with unpretty people; then think of something else to watch.
  16. Why anybody is paying the writers and cast of Surviving Suburbia for what is essentially an amateur-hour production is just one more of those eternal television mysteries.
  17. Ben and Kate is sometimes shrill, sometimes belligerent and sometimes (well, a lot of times) merely stupid. It is never funny.
  18. Yet another doomed and dreadful attempt to bring improv comedy to television.
  19. Funny and talented, she [Rachel Bilson] tries painfully hard to make the show work and occasionally comes close to overcoming some of the worst writing since Gutenberg invented movable type.
  20. A hollow imitation of a sitcom.
  21. The WB is lying when it boasts that Pepper Dennis signifies a new television life form, the one-hour comedy. Boring, yes; witless, definitely; trashy, oh my God yes. Comedy? Dream on, guys.
    • 43 Metascore
    • 10 Critic Score
    Easily the worst of the bunch--in fact, there's a good argument to be made that it's one of the most atrocious TV shows of all time--is NBC's Breakthrough with Tony Robbins.
  22. A purported sitcom, it draws no laughs... but does manage the impressive achievement of making Stockard Channing and Henry Winkler, playing Gorham's parents, thoroughly unlikable.
  23. The network thinks this is razor's-edge television because the characters turn to address the audience during cut-ins. But all the bellowing is straight from The Honeymooners, the jokes from Mandingo and the dialogue... from about sixth grade.
  24. Stripped of the novelty and the jiggle factor--these Angels are fully equipped with functioning underwear--the remake is reduced to its essential self, which is a comic book for the slow-witted.
  25. Well, call me a party pooper, but I was bored to tears by the thing. It's just the type of silly gimmick that I'm quite susceptible to. Yet I found ALF shrill, predictable and not in the least bit funny. I'm pretty sure that's because it is shrill, predictable and not in the least bit funny. [22 Sept 1986, p.C1]
    • Miami Herald
  26. An exercise in moronity.
  27. The Beast is singularly unimaginative, a collection of set-pieces barely bound together by a narrative thread, substituting attitude for substance and coyness for coherence.
  28. No show in the history of television has more relentlessly defamed the male gender as ABC's Man Up!, an alleged sitcom that debuts Tuesday and with any luck will be dead and buried, along with its producers, by Wednesday.
  29. With the debut of Julia Louis-Dreyfus' show tonight, [Seinfeld] has now spawned five relentlessly unfunny and compulsively unwatchable sitcoms.

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