Miami Herald's Scores

For 528 reviews, this publication has graded:
  • 53% higher than the average critic
  • 1% same as the average critic
  • 46% lower than the average critic
On average, this publication grades 7.9 points lower than other critics. (0-100 point scale)
Average TV Show review score: 57
Highest review score: 100 The Shield: Season 1
Lowest review score: 0 Just Legal: Season 1
Score distribution:
  1. Mixed: 0 out of 277
  2. Negative: 0 out of 277
277 tv reviews
  1. A hollow imitation of a sitcom.
  2. This show just isn't funny. At all. Ever. Under any circumstances.
  3. Yet another doomed and dreadful attempt to bring improv comedy to television.
  4. A giant bore.
  5. As for the lack of laughs, you're just going to have to take my word for it, unless you want to risk serious brain damage.
  6. Kelley's compulsive fascination with erratic eroticism turns everything in Swingtown into hypersexualized sleaze.
  7. The Beast is singularly unimaginative, a collection of set-pieces barely bound together by a narrative thread, substituting attitude for substance and coyness for coherence.
  8. To the extent this sounds interesting, it isn't: Half the dialogue seems to have been written for barking dogs, the other half for mewling kittens, and the cast performs accordingly.
  9. The tedium and unoriginality of this new ABC sitcom, the latest entry in the vastly overworked motherhood-as-martyrdom genre, has to be seen to be believed, though my strong and sincere suggestion is that you just take my word for it.
  10. Why anybody is paying the writers and cast of Surviving Suburbia for what is essentially an amateur-hour production is just one more of those eternal television mysteries.
  11. Pointless, charmless and bound to be viewerless after the first half-hour or so, The Philanthropist recalls such epochal television bombs as Manimal (a scientist who could turn into a crime-fighting dolphin) or It's About Time (astronauts break the time barrier and frolick happily with cavemen) in its conceptual imbecility.
  12. Kolchak's ridiculously precious writing is not the only thing that rings false about Night Stalker.
  13. The WB is lying when it boasts that Pepper Dennis signifies a new television life form, the one-hour comedy. Boring, yes; witless, definitely; trashy, oh my God yes. Comedy? Dream on, guys.
  14. Cougar Town (which doesn't debut until Wednesday, but I wanted to give you time to disconnect your TV set) is downright unwatchable, an agonizingly unfunny gutter-ball that will almost certainly be the first of the new season's shows to be canceled.
    • 43 Metascore
    • 10 Critic Score
    Easily the worst of the bunch--in fact, there's a good argument to be made that it's one of the most atrocious TV shows of all time--is NBC's Breakthrough with Tony Robbins.
  15. Silly, hackneyed and suffering from a lethal overdose of Hollywood political smugness, it's the biggest lawyer joke of all.
  16. It is uniquely stupid, profoundly stupid, an ecstatic nirvana of stupidity, a stupidity that defies all previous boundaries of time and space.
  17. The Real Housewives Of Miami is even more egregiously fake than the average reality show, so much so that the producers haven't even bothered to remove bloopers in which cast members forget what day it's supposed to be.
  18. Vulgarian avarice, unfortunately, is one of the high points of Shedding For The Wedding. Far more disconcerting is the number of couples who say they want to lose weight because sex between fat people is--well, let's spare the details and just say "yucky."
  19. Stripped of the novelty and the jiggle factor--these Angels are fully equipped with functioning underwear--the remake is reduced to its essential self, which is a comic book for the slow-witted.
  20. Funny and talented, she [Rachel Bilson] tries painfully hard to make the show work and occasionally comes close to overcoming some of the worst writing since Gutenberg invented movable type.
  21. No show in the history of television has more relentlessly defamed the male gender as ABC's Man Up!, an alleged sitcom that debuts Tuesday and with any luck will be dead and buried, along with its producers, by Wednesday.
  22. Allen Gregory is not funny--not even a little bit--and it is not remotely entertaining.
  23. Partners is witless, predictable and much closer to creepy than funny.
  24. Think Gray's Anatomy with unpretty people; then think of something else to watch.
  25. Ben and Kate is sometimes shrill, sometimes belligerent and sometimes (well, a lot of times) merely stupid. It is never funny.
  26. Liz & Dick alternates between imbecile fatuity (particularly in its device of intercutting scenes of a black-clad Taylor and Burton musing on their relationship like characters who've wandered in from an East German experimental film) and stupefying literalness.
  27. It’s an insidious whitewash of a convicted killer and an infamous smear of his victim. It’s a shame on all involved.... The closest thing to fairness in Phil Spector is the blow-you-away performance by Al Pacino in the title role.
  28. Full House is your standard-issue, cheap-laugh, bankrupt- of-new-ideas, claustrophobic, one-note-samba sitcom. It's enough to make you wish "Webster" were back. For provoking that sentiment alone, it should be razed. [22 Sept 1987, p.C1]
    • Miami Herald
  29. Wretched. [16 Apr 1993, p.E5]
    • Miami Herald

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