Movieline's Scores

  • Movies
For 693 reviews, this publication has graded:
  • 69% higher than the average critic
  • 2% same as the average critic
  • 29% lower than the average critic
On average, this publication grades 3.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 The Artist
Lowest review score: 5 The Roommate
Score distribution:
  1. Negative: 41 out of 693
693 movie reviews
  1. A moneygrubbing extravaganza, ugly to look at and interminable to sit through. No movie about the evils of excessive taxation should be this taxing.
  2. The problem is, whether real, not real, or some Spector-headed stepchild of the two, meltdowns are still not inherently interesting.
    • 37 Metascore
    • 35 Critic Score
    Sorry to disappoint the fanboys, but this is the first film in the Resident Evil series in which Milla Jovovich neither begins nor ends the movie stark naked.
  3. Aside from a few arresting visuals, Red Riding Hood is just a slog through the woods.
  4. Peep World barely seems like a movie. Withered and shrunken, it feels even too small for TV.
  5. It's not the addition of airships and male dangly earrings that make Paul W.S. Anderson's take on Alexandre Dumas' classic, much-adapted adventure such a drag, it's everything else - the incoherence, the anvil-heavy dialogue, the lack of anything beyond the broadest of characterizations.
  6. 13
    This is a lumpy, dumb, suspenseless thing that sometimes scarcely feels finished.
  7. The film has the feel of something conceived and whipped together in very little time, perhaps to make its own built-in deadline.
  8. In another light the group's - and the film's - portentous resolution looks a lot like quitting, in true slacker style.
  9. Murky and perpetually bluish in tinge, Underworld: Awakening does and gets little with the 3-D in which it's being offered, and ends by shamelessly setting up a further and fatally unnecessary installment.
  10. The plot might be summed up this way: America's having a war, and everybody's invited!
  11. Crazy Eyes is the third directorial effort from Adam Sherman, and is, like his 2010 "Happiness Runs," based on his own personal experiences, suggesting he either has a staggering sense of self-laceration or a just as noteworthy lack of awareness about audience empathy.
  12. It isn't a movie - it's more like the world's most expensive, elaborate viral video, making a detour to the big screen before being broken up into more easily consumable segments to be consumed on YouTube.
  13. Big-name star Liam Neeson looks on, trying to add some class to the joint, though even he seems to know it's a losing battle.
  14. Everything he (Nolan) does is forced and overthought, and Inception, far from being his ticket into hall-of-fame greatness, is a very expensive-looking, elephantine film whose myriad so-called complexities -- of both the emotional and intellectual sort -- add up to a kind of ADD tedium.
  15. With Scott Pilgrim, Wright leaps over the line from chattery cleverness to all-out self-consciousness.
  16. The whole exercise has the trying-too-hard vibe of a bad toupee.
    • 40 Metascore
    • 30 Critic Score
    The Virginity Hit feels forced, hollow and ultimately scattershot. Never has watching an on-screen teen trying to lose "it" seemed so empty.
    • 44 Metascore
    • 30 Critic Score
    Devil packs a lot of business into 80 brisk minutes but is shockingly short on fun or fright.
  17. Infinitely worse than you dared to hope it wouldn't be, You Again dumbfounded and then defeated me.
  18. It takes too long for the story to come around to the fact that Will is just plain nuts - and even then, he gets over it in a heartbeat.
  19. If you've ever wondered how a bunch of blockheaded white boys would handle a bullet wound, you're in for a treat.
    • 51 Metascore
    • 30 Critic Score
    As you might have guessed from its title, Drinkers is as full of cheap sentimentality and predictable behavior as a Hell's Kitchen bar would have been in the 1970s.
    • 33 Metascore
    • 30 Critic Score
    Punch manages to cram more slow motion into its first few minutes than a season of NFL highlights, all of "Inception" and every one of those NBC promos where the casts of whatever failing police procedural walk menacingly towards the camera.
  20. Hop
    There's nothing in it to inspire excitement or even a mild glimmer of delight; it's almost offensive in its dullness.
  21. To describe what unfolds as a slow burn is to be awfully generous.
  22. That Bucky Larson's humor is stuck at a toilet-centric grade school level is less damning than how little of that or any humor it contains - the film, directed by Tom Brady (The Hot Chick), sets up scene after scene that wanders around in the general vicinity of a joke idea without ever approaching anything like a punchline.
  23. As played by Heigl, Stephanie is mind-blowingly charmless.
  24. A party disaster movie targeted at kids who find the "Hangover" franchise too sophisticated.
  25. An incomprehensibly garbled, derivative attempt at a horror flick from first-time writer-director Todd Lincoln.

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