New York Observer's Scores

  • Movies
For 510 reviews, this publication has graded:
  • 47% higher than the average critic
  • 1% same as the average critic
  • 52% lower than the average critic
On average, this publication grades 6.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 Mother and Child
Lowest review score: 0 Tammy
Score distribution:
510 movie reviews
    • 51 Metascore
    • 88 Critic Score
    Lovelace may be a movie about a porn star, but it’s not pornographic. At least, not sexually.
    • 74 Metascore
    • 88 Critic Score
    What is truly amazing, especially in this age of Ponzi schemes and the misappropriation of people’s life savings, is the fact that Herb and Dorothy have never sold a single piece in their collection.
  1. Mr. Hanks, in yet another in a long line of diverse character studies, does a beautiful job as the voice of reason and logic, trying to inspire bravery and maintain order amid the noise and panic. In the big emotional scenes, as well as the small, nerve-jangling scenes, he is an artist at the top of his skill.
  2. The movie is wrenchingly slow — you know from the start that nothing is ever going to happen — but Nebraska has a charm that grows on you like a lichen, a wicked sense of humor that makes you laugh in spite of yourself, a concealed heart soft as a Hostess Twinkie, and a generous, welcome respect for the basic decency of the human race, more valuable than any lottery ticket.
  3. American Hustle is an essay on the brilliance of corruption.
  4. This is their story. It is true. It is history. As a film, it is riveting, suspenseful, harrowing and exciting, and somehow, it also manages to be something rare among war pictures—a big-scale entertainment.
  5. The end result of this stoned-cold picnic is both haphazardly successful and somewhat disappointing, but it’s worth seeing, thanks enormously to the tremendous charisma of Sam Rockwell.
  6. An upscale, high-concept $40 million futuristic epic by the visionary South Korean director Bong Joon-ho. It’s too gruesome to recommend to everyone without reservation, but if you love movies, you can’t afford to miss it.

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