New York Observer's Scores

  • Movies
For 585 reviews, this publication has graded:
  • 46% higher than the average critic
  • 1% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 6 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 12 Years a Slave
Lowest review score: 0 Murder of a Cat
Score distribution:
585 movie reviews
  1. There are humorous intrusions (e.g., an art show at Jeanne’s gallery that includes Nazi symbols constructed from penises), and great performances throughout.
  2. Artificial, irresponsible, filthy and forgettable, it knocks itself cross-eyed trying to make you roar with laughter at chemotherapy, with the nauseating Seth Rogen milking most of the yuks. But a stoner comedy about cancer? I don't think so.
  3. The best thing about Super 8, by far, are the kids, all perfectly cast. The script does a much better job making them believable and real than the adults...The rest of the movie steals shamelessly from...
  4. War Horse is a don't-miss Spielberg classic that reaches true perfection.
  5. This three-hander has an honesty and a momentum that I found grudgingly rewarding.
  6. Director McQueen shares no primal truths, offers no resolutions, and the movie seems pointless. It seems almost wicked to spread on all that enticement and titillation, and then throw the sandwich away.
  7. This is the extraordinary biopic about the fascinating, complex and inspirational example set by genius cosmologist and physicist Stephen Hawking.
  8. Lena Dunham makes a 98-minute home video seem like 98 days of hard labor.
  9. Ms. Moore shares her journey with boundless generosity. She makes you feel what it’s like to lose the wind beneath your wings.
  10. It’s far superior to what usually comes out of the British slums in the genre of gangland thrillers.
  11. It's a fatiguing, low-key character study that drags along annoyingly and pleads for patience, but stick with it and you'll find the engrossing centerpiece performance by Ms. Theron a captivating reward that is well worth the effort.
  12. The great screenwriter Steven Zaillian's elaborate, convoluted script, so muddled that even after it's over you still don't know what it's all about, is a drawback - but the movie is a master class in sinister style, tense and deeply uncomfortable.
  13. Not everything from Ireland travels as well as the whiskey. Like mud-thick porridge, Shadow Dancer, another dreary, confusing conspiracy thriller about the Irish “troubles,” is one of them.
  14. It overcomes inescapable boxing and martial arts clichés and leaves you thoroughly sated, energized and wanting more.
    • 71 Metascore
    • 88 Critic Score
    Laugh-out-loud funny and somewhat melancholic.
  15. As much as I liked it, I have to admit Run & Jump is a work of no action — of love unrequited, feelings unexpressed and goals never reached. Sitting through it requires great patience. I don’t think this is an Ireland that would interest John Ford.
  16. Unlike most alleged Hollywood rom-coms, Like Crazy is delicate, uplifting and definitely worth investigating.
    • 70 Metascore
    • 25 Critic Score
    By the time the end finally comes, there's no relief. You're left with the vague recollection of an interesting movie you were watching before you got kidnapped and subjected to over an hour of torture porn starring a fat, sadistic clown.
  17. Sleep Tight is a creepy - but highly effective and superbly made - horror movie from Spain in which the monster is spine-tinglingly human.
  18. Director Dolan gets the feeling of emptiness so right that anyone who has ever known the heartbreak of a crushing affair can easily identify, even with subtitles.
  19. Surreal but disappointingly drab, it's still not the best Almodovar in years. Despite the usual Almodovar plot twists, kinky sex and themes of sexual identity reversal, gender bending and mad desire, the cult auteur has gone off the tracks and lost his compass.
  20. The film works because of Mr. Harrelson's magnetism.
  21. I found Contagion both flawed and fascinating, but it's not an entertainment.
  22. Unfortunately, Hide Your Smiling Faces is so slow it could use a few action sequences to speed things up.
  23. The results are variable, exasperating, challenging, often both disappointing and exhilarating. These elements surface throughout Happy Christmas, often simultaneously. Mr. Swanberg is not a total amateur, but he is called “a doodler” for obvious reasons, all of them on red alert here.
  24. Mr. Franco must have had a very boring adolescence, because Palo Alto is a very boring movie.
  25. What some critics praise as astute and compelling, I find juvenile and fraught with hysteria. There's no arc here, no real pathos, and the direction is like watching snow melt on the side of a road.
  26. Another example of concept over coherence, but the entertainment value is considerable.
  27. Solitary Man comes on the heels of last year's "A Serious Man" and "A Single Man," so it's small wonder that confusion reigns. But this film, co-directed by David Levien and Brian Koppelman (who also wrote the screenplay), is the best of the three.
  28. It’s one of the most powerful films about the Arab-Israeli conflict that has ever been attempted on the screen.

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