New York Post's Scores

  • Movies
  • TV
For 6,650 reviews, this publication has graded:
  • 44% higher than the average critic
  • 2% same as the average critic
  • 54% lower than the average critic
On average, this publication grades 6.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 55
Highest review score: 100 56 Up
Lowest review score: 0 InAPPropriate Comedy
Score distribution:
6,650 movie reviews
  1. The autobiographical script meanders and the acting never solidifies. Besides, the leads look too old to be in high school - maybe even college.
  2. I wouldn't have thought it was possible to make a prison picture as utterly boring as Jailbait.
  3. Pulse bears more than a slight resemblance to a 1994 American horror called "Ghost in the Machine." They didn't screen that stinker in advance for critics, either.
  4. A British indie as tepid as yesterday morning's tea.
  5. Tucker's message is sometimes on target, even if his film isn't.
  6. A repugnant little indie black comedy, poorly acted in hideous-looking digital video, guaranteed to send audiences fleeing for the nearest shower.
  7. There's potential here, but the script is entirely too, shall we say, Hollywood. There's even a dog-poop joke.
  8. This ludicrous Quentin Tarantino-chosen low-budget movie features choppy editing and an amateurish script, and it switches strangely back and forth between dubbing and subtitles.
  9. A movie bursting with nothingness.
  10. A strained, ultra-predictable and headache-inducing mockumentary.
  11. The movie's one-star rating is solely for Mary Elizabeth Winstead, who provides eye candy as Morris' film-student granddaughter, Lisa.
  12. The sort of lowbrow sports comedy best enjoyed on a 50-inch screen with a six-pack, a bucket of wings and a fast-forward button.
  13. You must lead a dull life if it would be enlivened by 76 minutes' worth of Old Joy.
  14. An excellent case for euthanizing the entire talking-animals genre.
  15. School for Scoundrels teaches one important lesson: Avoid any thing carrying the banner of The Weinstein Co., which is to the multiplex what bagged spinach is to the produce aisle.
  16. Lou Diamond Phillips is let down by an uninspired supporting cast, including Bruce Weitz as a crippled con artist and Tracy Middendorf as the requisite femme fatale, a clichéd script, and flat direction by Stephen Purvis.
  17. Halfway through, the jokes stop - the laughs never began - and give way to a tiresome thriller.
  18. The movie's prideful silliness makes it semi-watchable in the manner of Saturday afternoon cable flicks like "Delta Force."
  19. There's plenty of material here for a dark comedy, but director Martin Curland isn't up to the job. His film - like Luke - plods along, unsure of exactly what it's supposed to be.
  20. We keep waiting for one of those outlandish musical treats to bring some life to the clichéd script. Kunder throws in a few breaks, but they're tepid and brief.
  21. There are a couple of grams of interesting stories about Miami's drug traffic in Cocaine Cowboys, but the good stuff is cut with 50 kilos of cinematic baking soda.
  22. Relentlessly grim.
  23. Rarely has a documentary been so pleased with itself - with so little justification.
  24. One of the year's worst movies.
  25. You will be so put off by the bland couple (what do you expect from people named Joe and Jane?) and their dumb arguing - not to mention the grating score - that you won't really care.
  26. A deadly dull, by-the-numbers rendition of the Nativity story.
  27. Though nothing much happens, all of the actors get to do lots of teary close-ups.
  28. If your film is as downbeat and deflated as this one, you had better be leading up to a more interesting insight than, "The older I get, the more I know that I don't know anyone."
  29. The latest catastrophe from the Weinstein Co.
  30. An ugly, unfunny, headache-inducing fairy-tale spoof.

Top Trailers