Philadelphia Daily News' Scores

  • TV
For 597 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 3.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 61
Highest review score: 100 The Wire: Season 4
Lowest review score: 0 Big Shots: Season 1
Score distribution:
  1. Mixed: 0 out of 316
  2. Negative: 0 out of 316
316 tv reviews
  1. The show will skip hours here and there, but the "24" clock will continue to run, and if the first two hours are any indication, the time away has been good for the franchise.
  2. Grim it sounds and grim it is, but in choosing to focus on the kind of survival stories that no one signs up for but that to some extent eventually shape us all, it can be unexpectedly eloquent about love and loss.
  3. Showing people having sex while wired up to machines may have gotten viewers in the door, but it's the characters and the performances that should keep them there.
  4. The Honorable Woman" doesn't give itself away easily--I was well into the eight episodes before a few things began to be clearer--but Blick uses his other characters so effectively that the wait doesn't seem wasted.
  5. Adventure lovers of both sexes should want Outlander.
  6. And though there are a few clunkers along the way... the largely theater-trained cast is as solid as the writing, which only grows stronger in two subsequent episodes.
  7. As long as "Studio 60" stays backstage, though - while finding something a little more interesting for the genuinely funny D.L. Hughley to do - I'm likely to keep tuning in.
  8. An emotionally grounded thriller that might just spirit you away.
  9. In a season overrun with "Lost" wannabes, "Heroes" zigs where so many zag, keeping the ethnic diversity, the hidden connections between the characters and, of course, the overarching mystery, but infusing them with something that feels entirely fresh and yet whose appeal is as old as comic books.
  10. Engaging.
  11. In a season crowded with quality dramas that all seem to come from very dark places, ABC's plucky "Ugly Betty" shines as bright as the honking big braces young Betty Suarez wears.
  12. It's surprisingly charming, not to mention funny.
  13. What they'll see is a film that feels bigger, if not necessarily better, than the original.
  14. "The O.C." team of Josh Schwartz and McG keep this one fast and mostly funny, but it's no "Heroes."
  15. But Cane--and, yes, I'd say you're also supposed to think of it as "Cain"--has a darker purpose, and one that might not fit as easily on crime-and punishment-oriented CBS, whose viewers may not all be ready to see Smits as a guy with more than a touch of Tony Soprano. I want to believe, but I'm not there yet.
  16. Peter Krause, who looks as if he's finally going to have at least a little fun for a change as he plays a character immersing himself, however reluctantly, in the world of the ultra-rich and ultra-irresponsible.
  17. It's like a miniseries built out of spare parts. Yet there's a reason those parts get chosen over and over, and thanks to Deschanel, whose DG plays it straight in a script that's one long wink, Tin Man brings them together to a place that feels a bit like home.
  18. Breaking Bad is a bit of a load, more weighted than wacky, and surprisingly predictable for a show whose main character is first discovered wearing a gas mask but no trousers.
  19. Though I took a strong dislike to tonight's patient, Laura--and was more than casually interested in no one but Wednesday's patient, Sophie--I've somehow made it through 23 episodes so far, and found something in each that advances the storyline.
  20. New Amsterdam's pilot, directed by Lasse Hallstrom, who's also one of the show's executive producers, is as well-executed as any I've seen this season.
  21. This is a season of politics and principles, of might and martyrdom. If you're here just for the sex, you're likely to be disappointed, unless the trysts of relatively minor characters interest you as much as Henry's.
  22. To be honest, I'm weary of Baltar and his endless visions/hallucinations, as I am of the fleet's wandering as the surviving colonists try, somewhat fitfully, to find their way back to a home planet none of them remembers.
  23. Aided by her 13-year-old neighbor, Maria (Yasmin Paige), Sarah Jane faces down baddies every bit as big as those "Torchwood" takes on, but with (a lot) fewer sexual overtones. Could be just what The Doctor ordered.
  24. As the season's eight episodes progress, and she's forced to open her life to a bit of outside scrutiny, cracks begin to appear in the facade. And while that's not enough to turn her into a victim--we're not talking Lifetime here--it does gradually transform her into the character Showtime most needs her to be: someone whose company might actually be worth paying for.
  25. I nearly wrote off Skins after the first episode. But as it continued--I've now seen three, the first two of which will air back-to-back on Sunday--I found some of the characters, including a dreamy anorexic named Cassie (Hannah Murray), starting to get under my own skin.
  26. So while the plot points might be as far-fetched, the emotions aren't.
  27. The Mentalist is anything but irksome, proving once again that watchable television isn't so much about originality--if something hasn't been done before, there might be a reason--as it is about execution.
  28. ABC sticks its neck out a bit further with Life on Mars, a pretty good remake of a remarkable series that also appeared on BBC America
  29. The plot of tonight's pilot, which involves cloning, hews closely to the original's first, dark episode. A second, included for review, seems more like a CBS show, a murder mystery I'd like to think any of the network's three "CSIs" could've knocked off as easily.
  30. Eli is hard not to like, whether or not you buy him as a prophet.

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