Philadelphia Inquirer's Scores

  • Movies
  • TV
For 3,606 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 5.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Requiem for a Dream
Lowest review score: 0 Isn't She Great
Score distribution:
3,606 movie reviews
  1. At once guileless and profound.
    • Philadelphia Inquirer
  2. An overpowering and original piece of bravura filmmaking that constitutes one of the most breathtaking and impressive directing debuts in years.
    • Philadelphia Inquirer
  3. It's a feminist nightmare, the world brought to life -- in hard-hitting documentary style.
  4. The Salt of the Earth, has the power to draw you into its world, transfix, and perhaps eventually transform you.
  5. The result is more exciting than the last four ST pictures put together, more fun than a barrel of Tribbles, and the most satisfying action-adventure since last year's "Iron Man."
  6. Beautifully observed, and beautifully acted by the novice thespian Polanco (culled from a New York City public school), Chop Shop is at once a heartbreaker and a story of hope and the American Dream.
  7. '71
    1971 is a testament to a generation's idealism, heroism, foolhardiness, fearlessness.
  8. Very few of us would like to think about the physical and emotional toll that life in captivity takes on these magnificent creatures. Gabriela Cowperthwaite's powerful, heartbreaking, and beautifully crafted documentary, Blackfish, forces us to do just that.
  9. Easily the best stop-motion animated necrophiliac musical romantic comedy of all time. It is also just simply, wonderful: a morbid, merry tale of true love that dazzles the eyes and delights the soul.
  10. Nim is as unforgettable as the treatment of him is unspeakable.
    • 83 Metascore
    • 88 Critic Score
    If you're a fan of the indomitable Canadian rocker - high-pitched voice, proto-grunge guitar, total immersion in the music - then you want to see Neil Young Trunk Show on the big screen, for sure.
  11. Marwencol is about Hogancamp and his miniature alter-ego, about his photographs and his creative process. But it is also, on a deeper level, about how we process our experiences - good and bad, violent and mysterious - and how we try to build safe places in our lives.
  12. I also like that when Our Hero starts swinging from skyscrapers, he's not just emulating Tarzan, but is working out the Newtonian physics of action and reaction.
  13. The fluid film cinematography of Christopher Doyle and Rain Kathy Li, intercut with grainy Super-8 shots of park regulars, tracks the skaters in their free-flying, free-styling and free-falling grace. In these privileged moments, the film is close to transcendence, defying time, space and gravity.
  14. The real 3-D experience of the season is Pina, Wim Wenders' shockingly beautiful and moving tribute to the late German choreographer Pina Bausch.
  15. Like "The Square," the startling Down Under noir released a few months ago, Animal Kingdom explores the down and dirty side of human nature, fraught with greed, suspicion, and betrayal.
  16. What about the kids and families who have no connection to Méliès, little familiarity with Charlie Chaplin or Buster Keaton? Will Hugo keep them in their seats? I'm not sure.
  17. Captain Phillips is harrowing, inspiring, a must-see piece of moviemaking.
  18. Gloria, spare and keenly observed, plays like a short story - there is no sweeping narrative arc, no momentous triumph or calamity. But there is a bit of justice meted out, and the act of its meting brings a slow, small smile to Gloria's face.
  19. Spider is a difficult film, but an inspired one, the movie equivalent of eating a meal of artfully prepared eel or sea urchin. It's for those with adventurous tastes and no fear of squishy textures.
  20. A Raimi-esque mix of gross-out madness and sick laughs.
  21. The polar opposite of the J.K. Simmons character in "Whiplash."
  22. Ryan may not be admirable, but Clooney makes him relatable. It's his deepest and nakedest performance.
  23. It is the more satisfying of the two installments - less over-the-top, arterial-gushing violence and more investigation into character, motives, back-story.
  24. It does a masterful job of capturing a specific time and place while reminding us how timeless the abortion dialogue is.
  25. Like Hitchcock, only creepier, Haneke slowly cranks up the suspense.
  26. A film of haunting eloquence and justifiable fury.
  27. A masterfully creepy and beautifully turned variation on the teen horror formula.
  28. With Sweeney Todd: The Demon Barber of Fleet Street, Tim Burton gives new meaning to the term "director's cut."
  29. It's a wondrous mix of the momentous and mundane, the profound and the perverse, with Cave blues-talking his way through the goofy juxtapositions, the darkness, and the light.

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