Philadelphia Inquirer's Scores

  • Movies
  • TV
For 3,499 reviews, this publication has graded:
  • 70% higher than the average critic
  • 3% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 5.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 Song of the Sea
Lowest review score: 0 Rambo
Score distribution:
3,499 movie reviews
  1. A baseball movie, a stranger-in-a-strange-land movie, a movie about real people facing real challenges in the real world, Sugar is all that and more.
  2. Gripping, powerful, heart-breaking.
  3. Whatever number it is chronologically on the P&P parade, Wright's film ranks first in verve. Quite simply, it is the essential P&P.
  4. Suffice it to say I prefer the original conclusion, and I think most Exorcist fans will agree
    • Philadelphia Inquirer
  5. The results are exhilarating, thrilling, and extend the wingspan.
  6. Insightful, funny-sad memoir of divorce, intellectual style and emotional rebirth.
  7. It's one of the great have-your-cake-and-eat-it-too performances of the year.
  8. It's a tearjerker, sometimes, and sweetly funny at other moments. It's near perfect.
  9. Hunger is daunting and powerful work.
    • 82 Metascore
    • 88 Critic Score
    For Kudlow, for whom "music lives forever" - it's never over. And the opportunity to seize the day continues to present itself in this deeply human documentary.
  10. It's a relentless and relentlessly funny game of one-upmanship as the two men, playing somewhat exaggerated versions of themselves, roam the hills and dales, posh inns and poetic ruins of England's Lake District.
  11. In the end, Harry Potter and The Prisoner of Azkaban offers what neither of its predecessors, for all their wand-waving and witch-brooms, had: real magic.
  12. La Promesse is a compelling look at issues that - in a world where ethnic frictions grow more tense, even as national boundaries disappear - really are universal.
  13. After Clooney, who gives a sterling performance as a tarnished figure, the standout performance belongs to Wilkinson, a geyser of manic eloquence. Also quite fine are Swinton and Sydney Pollack.
  14. Has the arc of a Shakespearean tragedy, and all the essential components therein: loyalty and betrayal, conspiracy and delusion, self-destruction.
  15. The Spectacular Now feels genuine in almost every respect, from the unflashy cinematography and the sparingly deployed music cues to the natural, unhurried performances of its two stars. They will get to you, truly.
  16. Funny, fear-inducing, with periods of voyeuristic gore and an undercurrent of anxiety and dread, Let the Right One In is up there with the bloodsucking classics.
  17. That this purposefully twisting exercise takes place amid the sun-burnished cypresses and towns of Tuscany - where ancient statuary is as commonplace as pasta and wine - only makes this playfully enigmatic meditation the more pleasing.
  18. So disturbing, on so many levels.
  19. Marley celebrates the fact that its subject is still among us in the way that perhaps matters most: His music not only survives, it thrives.
  20. Unlike "Caché" and "Code: Unknown," where Haneke's investigations into societal and spiritual despair resonated with poetic force, The White Ribbon doesn't resonate at all.
  21. Exhilarating, alternately funny and horrific film.
    • 82 Metascore
    • 88 Critic Score
    Touching the Void is, indeed, about living, but not the exhilarating kind. It's about survival -- raw, real, by force of will.
  22. Jonathan Demme's superb rule-bending, heartrending and family-mending drama - ends with a wedding, it resists conventions as brazenly as does the bride's sister.
  23. An exquisite exploration into the realms of seduction, obsession, deception and disillusionment.
  24. This is the kind of unusual but involving picture that's ripe for a Hollywood remake - but while you're waiting for the Sandra Bullock-Ethan Hawke edition (it's a good post-movie game: coming up with your own casting ideas), Read My Lips is well worth checking out.
  25. Terrific filmmaking, but it's hard to leave Moodysson's picture without feeling much of anything except hopelessness. Utterly.
  26. Shakespearean but overlong, The Dark Knight is two hours of heady, involving action that devolves into a mind-numbing 32-minute epilogue.
  27. There is nothing sentimental or picturesque about the performances or imagery. The word that best describes both is elemental.
  28. Love Is Strange has a gentleness about it, and an empathy, that inspire.

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