Pittsburgh Post-Gazette's Scores

  • TV
For 1,315 reviews, this publication has graded:
  • 41% higher than the average critic
  • 3% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 5.8 points lower than other critics. (0-100 point scale)
Average TV Show review score: 59
Highest review score: 100 Freaks and Geeks: Season 1
Lowest review score: 0 Cavemen: Season 1
Score distribution:
  1. Mixed: 0 out of 610
  2. Negative: 0 out of 610
610 tv reviews
  1. After so many iffy premises and shoddy pilots, what a joy to relax in the hands of a master...Two seasons ago, Steven Bochco created the best drama on TV, ABC's ''NYPD Blue.'' This season, he gives ABC -- and us -- a show that could challenge for that title, the seamlessly superlative Murder One. [19 Sept 1995, p.D1]
    • Pittsburgh Post-Gazette
  2. Series creator Vince Gilligan wrote the first two episodes of this eight-episode batch, and they crackle, as always, with intelligence and an ever-lingering sense of dread.
  3. Brilliant. [21 Oct 2004]
    • Pittsburgh Post-Gazette
    • 98 Metascore
    • 100 Critic Score
    There hasn't been a television drama as good as "The Wire" since the equally ignored "Homicide: Life on the Street" held down the bottom rungs of the Nielsen ratings a decade ago. [17 Sep 2004]
    • Pittsburgh Post-Gazette
    • 98 Metascore
    • 90 Critic Score
    "The Wire" is as complex a picaresque as one is likely to find this side of Dickens.
  4. "The Sopranos" returns in better form this year than it did at the start of its second season. New territory is explored and Chase seems more willing to push the Soprano story forward. [2 Mar 2001]
    • Pittsburgh Post-Gazette
  5. What's most important is that Homeland provides a smart, thrilling hour of entertainment for the next 12 weeks.
  6. None of these twists are for the faint of heart, which is why Breaking Bad is a smart, thought-provoking TV show that elevates the artistic achievements of the medium.
  7. Maintains the quality viewers have come to expect.
  8. Through the first four episodes, Fargo remains a terrific thriller laced with black humor.... Welcome back, Fargo, which in its early going proves itself the best TV series fall 2015 has to offer.
    • 95 Metascore
    • 80 Critic Score
    There's something inspiring about series creator David Simon's trusting his audience enough to tell a complex story about the elusive motives of cops, drug dealers and longshoremen without shortchanging his characters' humanity in the process. [31 May 2003]
    • Pittsburgh Post-Gazette
  9. Season four promises more of the same while expanding on stories in the books and in some cases improving on what could be long literary slogs.
  10. "Battlestar Galactica" is one of the most politically relevant and necessarily bleak series on television today.
  11. The series remains smart and thought-provoking but it's also quite funny.
  12. "The Office" is hilarious, but it is an acquired taste as it serves up comedy of the uncomfortable. [10 Oct 2003]
    • Pittsburgh Post-Gazette
  13. Magnificently profane and entirely engaging, Deadwood remains one of TV's best character-driven dramas. [4 Mar 2005, p.W-45]
    • Pittsburgh Post-Gazette
  14. Despite how outlandish some of the scenarios become, they remain relatable.
  15. Viewers who cringe at pathos may miss the occasionally lighter tone of earlier Mad Men seasons. But these are the circumstances the characters find themselves in. Besides, at this point in a series' run, most viewers are tuning in for the character stories, where some grace and positivity still pop up.
  16. Gritty, tough, no-holds barred television that feels more real than any other police drama on the air. It makes "NYPD Blue" look like a children's show. [10 Mar 2002, p.TV-5]
    • Pittsburgh Post-Gazette
  17. Viewers hungering for a twisty-turny, who's-right-who's-wrong thriller will find it in Showtime's domestic terrorism drama Homeland.
  18. It is much more of a psychological thriller that impresses with its use of an unnerving stillness.
  19. Fans of “Six Feet Under” are likely to enjoy Transparent while those who find characters who make consistently poor choices frustrating and may be less enamored. “Transparent” isn’t funny all that often, but at its heart it does tell a relatively new, original story in a way that’s grounded and heartfelt without being at all saccharine.
  20. It’s dark, bloody and occasionally sexy, as it usually is, and Thrones fans wouldn’t want it any other way.
  21. Master of None avoids comedy conventions, eschewing a regular cast in favor of recurring characters and guest stars who pop up in episodes devoted to different themes. The show plays a bit like “Louie” in that way, but Master of None is funnier, less dramatic and tonally closer to Woody Allen’s lighter fare.
  22. The season premiere is a little clunky as it cleans up the mess left after the show's first-season finale--the sooner the show moves beyond that, the better.
  23. Ultimately, after eight episodes that wax and wane in intensity, viewers learn whose worldview emerges as the accurate one in this case--Hardy's pessimistic take on human nature or Ellie's more positive outlook. In a small town where everyone knows his or her neighbor, unmasking the killer is almost as wrenching as the crime itself.
  24. Most of the time Sherlock's cheeky sense of humor makes this version of the character a delight.
  25. As a new year begins, viewers will be hard-pressed to find a more sumptuous, engaging drama than the "Masterpiece Classic" miniseries Downton Abbey.
  26. Clearly this show is not for the easily offended. Not everyone will appreciate this kind of humor, but anyone who values smart, provocative comedy that's about truth telling will be intrigued.
  27. GOT is easily television's most ambitious drama for expansive storytelling, but it doesn't shirk its duty to tell smaller stories about individual characters. That the series manages to excel at both is rewarding and breathtaking in its achievement.

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