San Francisco Chronicle's Scores

  • Movies
  • TV
For 5,921 reviews, this publication has graded:
  • 53% higher than the average critic
  • 2% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 0 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Last Life in the Universe
Lowest review score: 0 Spy Hard
Score distribution:
5,921 movie reviews
    • 90 Metascore
    • 100 Critic Score
    Sad funny and richly romantic, everything that makes Allen’s movies so beloved. [7 February 1986, Daily Notebook p.76]
    • San Francisco Chronicle
    • 59 Metascore
    • 100 Critic Score
    This film has a voice of its own. And at a time when the romantic comedy seems to be a lost art form, that's saying something.
    • 76 Metascore
    • 100 Critic Score
    Takashi's film is sumptuous, with rich cinematography, costumes and set design. Half the time it is a game of chess - the battle of wits between Motome and the lord. Half of the time it is a moving melodrama.
  1. Stone's feisty, intensely personal style of film making is well-known. With Born on the Fourth of July we are treated to a poignant, spirited and captivating - for the broken heartedness of it all - performance by Tom Cruise. [25 Dec 1989, p.E1]
    • San Francisco Chronicle
  2. Just in physical terms, Eddie Redmayne transformation’s into Stephen Hawking is something remarkable.
  3. A film of great hilarity, humanity, idiosyncrasy and grade-A, eyebrow-singeing raunch.
  4. The film is its own beast, and it's a rare one.
  5. Acting rarely gets better than this.
  6. Dan in Real Life fires on so many circuits that at times it's actually shocking how good it is.
  7. I'd be shocked if we see a better horror film in 2013.
  8. A great piece of filmmaking and a legitimate science-fiction/horror classic.
  9. A very smart, very shrewd movie, and the smartest, shrewdest thing about it is the way it masquerades as just a fluffy comedy, a diversion, a trifle.
    • 75 Metascore
    • 100 Critic Score
    Unfolds as a masterful chess match of wit and ingenuity, a cat-and-mouse chase of the highest order.
  10. A masterpiece.
  11. A heartbreaking, powerful drama.
    • 75 Metascore
    • 100 Critic Score
    A minimalist masterpiece.
  12. Under Fontaine's direction, family dysfunction is an intense experience with unexpectedly positive repercussions, even if the steps between are painful and potentially deadly.
  13. You leave Cinema Paradiso with that feeling that's kind of like getting kicked in the stomach, but nice. It's one of those breathless, swept-away-by-a-movie experiences that you might have once a year, if you're lucky. [16 February 1990, Daily Notebook, p.E-1]
    • San Francisco Chronicle
  14. Absorbing and exquisite.
  15. It's extremely funny, one of the funniest films of 2012, with a particularly winning style - far-fetched, extreme and nonstop.
    • 67 Metascore
    • 100 Critic Score
    Beautiful and utterly entrancing documentary.
  16. This is the kind of pure entertainment that, in its fullness and generosity, feels almost classic.
  17. 12 Years a Slave has some of the awkwardness and inauthenticity of a foreign-made film about the United States. The dialogue of the Washington, D.C., slave traders sounds as if it were written for "Lord of the Rings." White plantation workers speak in standard redneck cliches. And yet the ways in which this film is true are much more important than the ways it's false.
  18. An important new documentary that cites countless examples of self-censorship, under-reporting of serious issues, and -- worse than this -- deliberate neglect and outright conflicts of interest.
  19. Deliciously witty and entertaining… A first-rate thriller, one that's likely to generate as much word-of-mouth as “Alien,'' “Carrie'' and “Psycho'' did in their time. [23 Aug 1991, Daily Notebook, p.F1]
    • San Francisco Chronicle
  20. Perhaps the best teen date movie ever set in the year 1914, "Tuck" represents a brave leap against the tide. No sex, no car crashes and minimal violence. It just might be a hit.
  21. Make no mistake, Blue Is the Warmest Color constitutes a breakthrough, in addition to being the best film of 2013.
  22. A wonder of a film -- a luminous, beautifully executed drama that gathers the best cast of the year -- the best American film of the year.
    • 80 Metascore
    • 100 Critic Score
    A mind-boggling, heart-rending, stomach-churning expose on the food industry.
  23. An exquisite and powerful documentary -- one whose elegance only heightens its devastating impact.

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