San Francisco Chronicle's Scores

For 1,192 reviews, this publication has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.2 points lower than other critics. (0-100 point scale)
Average TV Show review score: 64
Highest review score: 100 Battlestar Galactica (2003): Season 4
Lowest review score: 0 Luis: Season 1
Score distribution:
  1. Mixed: 0 out of 649
  2. Negative: 0 out of 649
649 tv reviews
  1. Once you surrender to the surrealism, the comedy works, but in the long run, what makes the show itself work is the cast, especially Baruchel and Andre.
  2. Kinnear is great in the role because he doesn’t look like a loser--quite the opposite--and that’s important.... Perhaps because this is the pilot, most of the episode is devoted to showing Keegan screwing up and only a few afterthought scenes focus on Torrant’s case. In order to succeed from week to week, the series needs more than just a lot of figurative pratfalls.
  3. It opens into a fairly entertaining ensemble show about beautiful, bright people.
  4. Adams and Macht are terrific, with the former loosening up quite considerably this year as Mike....Torres is cool, sexy and commanding as Jessica, and Markle, Hoffman and Rafferty contribute greatly to the energy of the show's core ensemble.
  5. The two episodes sent to critics aren’t perfect, but their flaws (pompous introductory narration, a weak performance by Thurman, a handful of telegraphed cliches in the plot) are easily overlooked. Other performances, especially those of Quinto and Sarsgaard, are stunning in this provocative and surprisingly literate character-driven drama.
  6. Manhunt may not have the thrills and chills of a Hollywood feature film about the raid on bin Laden's compound, but you'll come away from a viewing of the film knowing that there is much more to covert operations than midnight raids and state-of-the-art electronic surveillance.
  7. You’ll probably buy into some story lines more than others, but that’s completely intended. Rhonda is the central focus of the American subplot, while Jamie occupies that position in the British half of the show. Together, the two halves of the story make for a mad, mad, mad, mad world’s end.
  8. The plot is intricate and compelling, the characters magnetic and mysterious at the same time.
  9. If you're a viewer into quick and easy answers and seek resolution at the 59-minute mark, this is probably not your show. But if you're interested in the notion that post-9/11 paranoia is justified in ways we haven't even realized (and perhaps it would be too chilling if we did), and you have a fundamental distrust of government doings, Rubicon could be your new mental puzzle.
  10. McKellen and Jacobi, who are, of course, giants of their profession, are clearly having a lark with Vicious, and you'd be foolish not to want in on the fun.
  11. A nicely layered new 10-episode dramedy.
  12. The performance quality of the show is matched only by the sharpness of the writing.
  13. "Thief" doesn't levitate with genre-busting genius, but it is very FX, which means it's very real and well executed, a series that doesn't pander.
  14. Project Runway is entertaining and likable on so many levels that it's hard to resist.
  15. The series' historic recreations are convincing, for the most part, although at times, the History Channel can't help itself and falls back into some of it cheesier bad habits.
  16. The show is funny, but a not-always-subtle flip side makes the jokes funny as well. Inevitably, we view it all through both our personal lens and through contemporary sensibilities.
  17. Several recent documentaries have tried to help the rest of the world understand the realities of being transgender, but, ironically, one of the better efforts does it well in spite of the fact that it focuses on the offspring of one of the most famous couples in pop culture.
  18. Once Upon a Time is both family-friendly and smart enough to win viewers of any age and level of sophistication.
  19. Prey is a near perfect blend of well-crafted characterizations within the context of a credibly gripping murder case. Actually, make that two gripping murder cases, as the series offers two separate story lines linked by location and by the dogged crime-solving presence of Detective Sgt. Susan Reinhardt.
  20. The cast is mostly terrific, of course, including Mare Winningham as an unhinged hotel maid. The exception, unfortunately, is Lady Gaga.
  21. Just enough geeky insider stuff to keep the fan-boys from grousing too much, but an even bigger portion of well-written action, drama, humor and intricate plot details to hook viewers who gave up comic books before Steve Canyon was grounded.
  22. New characters, new rivalry, same old high quality.
  23. Media Rights Capital, an independent production company, took an offbeat idea and made it work surprisingly well.
  24. Sinbad is uncomplicated and unpretentious fun.
  25. Bell is likely to smooth over the minor bumps in coming shows, but make no mistake: Totally Biased isn't likely to look much like "The Colbert Report" or "The Daily Show."
  26. The script is a masterpiece of Texas noir, with the kind of dialogue Raymond Chandler might have written if he’d found his way to the area.
  27. Finding Carter stands out by avoiding the obvious.... The cast is uniformly good and the younger actors are notably credible as real teenagers--a rarity in many TV shows. Prescott is terrific.
  28. This is an everyman series, and James knows just how to sell that to the masses. The writing is sharp, and the oddball fringe characters (particularly Patton Oswalt) flesh out the show.
  29. The entire cast is superb, and the actors seem comfortable in the groove the show has cut for itself. The writing is consistently sharp and focused. Most important, however, it has just the right sprinkling of obnoxiousness and cuteness.
  30. All in all, it's astounding how many plot elements can be packed into 90 or so minutes and how well all of them can be resolved in the hands of a competent writer like Stephen Churchett.

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