San Francisco Chronicle's Scores

For 957 reviews, this publication has graded:
  • 52% higher than the average critic
  • 3% same as the average critic
  • 45% lower than the average critic
On average, this publication grades 1.6 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 Treme: Season 1
Lowest review score: 0 The Loop: Season 1
Score distribution:
  1. Mixed: 0 out of 506
  2. Negative: 0 out of 506
506 tv reviews
  1. The dialogue is rich, colorful and provocative, adding to the gothic sensibilities of the series. Director Cary Joji Fukunaga makes great use of the Louisiana location, giving it as much importance to the story as the characters of Cohle and Hart. All the performances are superb, but those of McConaughey and Harrelson are in a class by themselves.
  2. There isn't a better cop show on TV right now than Southland.
  3. The Pacific is a superb, viscerally moving and harrowing depiction of World War II and a worthy complement to "Band of Brothers" (2001).
  4. As Sutter proved in the intriguing and original first season, there's plenty more riveting storytelling to tap into as Sons of Anarchy boldly comes of age.
  5. Great historical documentaries not only enlighten us about the past, but tell us things about our own times as well, either directly or implicitly. Prohibition, the latest project by Ken Burns and Lynn Novick, states the implicit links between the passage of the 18th Amendment and contemporary politics so loudly, you'd have to be drunk on bathtub gin not to get the message.
  6. In a fall season surprisingly flush with good sitcoms, the best new comedy by far--and it's not that close of a race - is Modern Family on ABC.
  7. The PBS film gives us greater perspective and insight, probing the conflicted attitudes toward civil rights in the Kennedy administration, and detailing the last-minute panic over Lewis' speech.
  8. It's a gloriously visual fairy tale full of saturated colors and whimsical stories, the kind of romantic comedy/whodunit that should, by rights, captivate a nation starved for quirkiness and delight.
  9. The portrait of Belafonte that emerges from the film is also the portrait of the times of his life, the times of the nation's life in the past 60 years.
  10. Lost has a stellar, varied cast, it is shot beautifully and it surprises more often than it makes you wince or wheeze, which, in the math of action-adventure-sci-fi-thrillers, is a good thing. [22 Sept 2004, p.E1]
    • San Francisco Chronicle
  11. The sweep of Rescue Me is far-reaching, and it's fearless in trying to break new ground in an old genre.
  12. The performances, nurtured by such A-list directors as Michael Apted and John Madden, are extraordinary. There isn't a clinker in the bunch.
  13. The reason the show feels so real at every turn is that it is a perfect balance of dramatic realism and gentle humor.
  14. This series has always handled the duality of his character with masterful strokes. And it has done viewers a favor by quickly setting up the seasonlong scenario.
  15. At times, there are actual punch lines in the script and the show veers into "writerly" territory.... But make no mistake: You should overlook the shortcomings and enjoy the series on its own otherwise considerable merits, chief among them, of course, Billy Bob Thornton.
  16. There have been many great "Masterpiece" offerings over the decades, but I can't think of a single one that is as much out-and-out fun as Sherlock, a modern-dress Conan Doyle that crackles with superb writing, brilliant performances and snappy direction, and does it all while somehow managing to be oddly faithful to the original source material.
  17. What Judd Apatow failed to accomplish in "Freaks and Geeks," his critically praised but short-lived NBC series about high school, he more than makes up for in Undeclared, a dead-on look at college life that manages to be both hilarious and sweet.
  18. There are many small and wonderful dramatic accomplishments in the underappreciated gem that is Battlestar Galactica, but perhaps the most enduring is that what was conceived of as an epic space adventure has turned into a finely detailed, intimate drama.
  19. State of Play is one of those series where a moment's brilliance is rivaled by the very next scene, a careening thriller that gives credence to the idea that there may not be any better format for telling an impact story than over the course of four or six hours. [16 Apr 2004, p.E1]
    • San Francisco Chronicle
  20. What makes Aisling Walsh’s film must-watch, however, is Tom Hollander’s performance as the great Welsh poet.
  21. This series is one of a kind.
  22. What remains compelling about The Shield as it heads into its last hurrah are the gray areas and ethical gradations of the characters that have defined it.
  23. They [Rayna and Juliette], and the other characters, are anything but [one-dimensional cliches], thanks not only to the writing but also to the performances of the colorful and capable cast.
  24. Rescue Me may ask a lot of its viewers, but it's always a leap worth taking, and well rewarded. [13 June 2007, p.E1]
    • San Francisco Chronicle
  25. The animation, overseen by art director James McDermott, is fresh, colorful and as wacky as the script.
  26. The performances are superb at every level, with each actor rising to the challenge of revealing previously unrealized aspects of his or her character. Fortunately, the cast is blessed with a beautifully nuanced script from the Williams brothers.
  27. The emotional authenticity of Downton Abbey continues to make it a classic.
  28. It is emotionally raw, harrowing, and a thing of such singular horrific beauty, it will move you, exhaust you and, almost paradoxically, thrill you at the heights television drama can attain.
  29. As much as the script, Reiner’s direction makes both stories seem oxymoronically unique and distinct at the same time. The performances are extraordinary, as they must be to complete the process of retelling a seemingly similar story.
  30. The writing, by Weiner, direction by Scott Hornbacher and performances are, of course, top notch.

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