Seattle Post-Intelligencer's Scores

  • Movies
  • TV
For 2,749 reviews, this publication has graded:
  • 65% higher than the average critic
  • 3% same as the average critic
  • 32% lower than the average critic
On average, this publication grades 3.6 points higher than other critics. (0-100 point scale)
Average Movie review score: 65
Highest review score: 100 Grizzly Man
Lowest review score: 0 Underclassman
Score distribution:
2,749 movie reviews
  1. A harried, screechy film that goes nowhere at a breakneck pace, full of sound and furious slapstick overkill but devoid of wit.
  2. An exceedingly dull retro-weepie.
  3. The film may be like looking through a stranger's scrapbook. With sketchy and didactic scenes lacking narrative cohesion, it is a collection of often strong images that fail to come to life.
  4. It's hard to imagine how anyone could sit through this thing except squirming critics and violence addicts in need of a particularly gruesome fix.
  5. All told, this thing has to be one of the dullest caper movies ever made.
  6. When a film has to blare its racially and incendiary stance as obviously as Lakeview Terrace, you know it's trying too hard.
  7. Progressively sabotaged by poor technical quality, terrible plotting, a glaring lack of directorial skill and finesse, scenes that have no credibility and/or motivation and an astounding sloppiness to its historical detail.
  8. Somehow the screwball concoction does not jell. The stars are pleasant but unexciting, the goofy ensemble has a few moments of hilarity but never catches fire, the laughs are very scattered and the film's title is a self-fulfilling prophecy.
  9. The movie is just grindingly by-the-numbers: an uninspired brew of all the clichés of the kidnap-thriller genre, liberally seasoned with brutality, stirred at adrenaline-rush speed by a director with a heavy hand and very little imagination.
  10. Though it does present the facts of Susann's life, it skims them so quickly and with such glorious glee that we never get a sense of who this woman really was.
  11. Time travelers, hobbits, ghosts? Those I can buy. The impossibly quaint world of small-town innocence and Hollywood harmlessness in Win a Date With Tad Hamilton? Now that demands a serious suspension of disbelief.
    • Seattle Post-Intelligencer
  12. Numbingly predictable and repetitive non-stop action.
  13. In the end, there's also something distinctly distasteful about a movie in which the central figure casts himself as noble martyr while character-assassinating his parents.
  14. The vapid plot line follows the same narrative arc as "Tootsie" but hasn't the heart or purpose of that film.
  15. There's every reason to believe the creators stopped taking it seriously a long time ago. What's bothersome is that they don't take the audience seriously enough to deliver an actual movie.
  16. Quickly becomes an endurance test: like watching an old Carol Burnett skit that's not working, or a high school play that's trying to be bad.
  17. A resounding dud.
    • 24 Metascore
    • 42 Critic Score
    If you're a Toronto native or a big-time hockey geek, there are enough little in jokes to probably carry you through the leaden pacing and barrel-scraping gross-out humor, but it's an awfully dull ride for the rest of us.
  18. When, in its eventful final act, Merhige finally reveals what this thing is REALLY all about, it comes not with any blissful storytelling satisfaction but a grinding sense that this strange movie is a structural mess.
  19. The script sounds like literal diary transcripts, the camerawork tests the limits of eyestrain, and the soundtrack bleats with mediocre pop songs by unknowns.
  20. As has been the case with most of Shepard's plays, transfer to the movies spells doom.
  21. After its midway mark, just lumbers until it fizzles out.
  22. A botched job: the various relationships and personal histories of the characters are never made clear, the last act is glaringly disjointed, the writing and direction are all over the map.
  23. Like too many films of faith, it mixes its message, proclaiming that a life given over to God is a reward unto itself, and then handing over victories to its faithful like some overtime bonus.
  24. For all the hot air expended, this film ends up all smoke and no heat.
  25. This sci-fi film noir craves a passionate center, an intoxicating core or some pulse that makes us want to keep taking that first step into dark waters, but it leaves us drowning in its quiet tedium instead.
  26. The cumulative effect of the movie is repulsive and depressing.
  27. Is Queen of the Damned worthy of its hype or should it have a stake driven through its dark heart? The answer lies somewhere in between.
    • 41 Metascore
    • 42 Critic Score
    Everything in Agent Cody Banks, from tacky special effects, inscrutable action scenes and drab visuals (including substituting Vancouver for Seattle), panders to its audience.
  28. But the main reason you might find the film a bad trip is that its 30-year-old Holden Caulfield-type hero is so harrowingly unsympathetic: unpleasant, unappealing, self-pitying.

Top Trailers