Sioux City Journal's Scores

  • TV
For 72 reviews, this publication has graded:
  • 59% higher than the average critic
  • 6% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 5.4 points higher than other critics. (0-100 point scale)
Average TV Show review score: 70
Highest review score: 100 Louie: Season 4
Lowest review score: 40 Modern Dads: Season 1
Score distribution:
  1. Positive: 45 out of 45
  2. Mixed: 0 out of 45
  3. Negative: 0 out of 45
45 tv reviews
  1. Because Louis C.K. does everything but hand-deliver the series to the network (and maybe he does that, too), it’s entirely his vision. That’s something few hyphenates get a chance to reveal. Here, though, it resonates.
  2. Like Behind the Candelabra, its action isn’t measured in car chases and explosions. It’s charted in the lives it touches.
  3. Tossing Meyer into the election fray was a great idea, particularly since it gets away from the well-worn path she strutted last season. Now, out of her comfort zone, she’s bobbing and weaving with the best of them.
  4. Kohen, basing her series on Piper Kerman's memoir, immediately gives us characters worth watching.... Orange is the New Black is TV that'll have you talking for days.
  5. At times, True Detective just seems like an overlong episode of a standard television series. But the flashbacks and flash forwards give it heft and let Fukunaga push the actors.
  6. Tyson's so perfectly cast, perfectly directed and perfected nuanced, Bountiful overflows with the kind of goodness we rarely find in TV movies.
  7. Sunday’s premiere provides the border and key pieces to the oh-so-attractive world that is Mad Men.
  8. It’s violent in ways you wouldn’t think; daring in areas you couldn’t imagine. It’s not your mother’s Fargo. But it does have the characteristics you’ve come to cherish.
  9. Downton Abbey seems just as fresh as it did five years ago.
  10. A compelling look at the 1963 March on Washington for civil rights.
  11. It's probably one of the most original ideas television has produced in years. The reason? It's so quirky, it zags where others would zig. It also has that loopy sensibility that comes from a vivid imagination.
  12. It’s a fascinating documentary that’ll make you want to devour it all, no matter where you start.
  13. The new season has plenty of surprises (couples aren’t who you think they are), a reality check for Marnie and a nice showcase for Rannells.
  14. In Hollywood, it may be business as usual. But in Episodes, it’s fodder for great comedy.
  15. Writer Jane Anderson, cherry-picked four chapters and crafted them into a telling character study that covers 25 years of story.
  16. Smart, funny and utterly intriguing, it sucks us in better than any procedural with an four-letter acronym.
  17. This Bates Motel requires more than just a one-night stay. Once you slip in you may not want to check out.
  18. On first blush, Deception is smart, stylish and involving. In time, it could drift. But, for now, enjoy the kind of storytelling that gives its core cast something interesting--and watchable--to do.
  19. While newcomers may wonder why so much is made of so little, they can’t deny the delicious one-liners Fellowes has written. Coupled with a driving score, Downton Abbey moves--in ways you never thought possible. It's good to see it back.
  20. In a sea of formulaic comedies, this stands out as a lifeboat worth clinging to.
  21. Director Steven Soderbergh walks a tightrope between camp and class and, if you make it that far, pulls it off.
  22. Girls was great last year. But this season it just got a little bit better.
  23. The show is smart--smarter than most on network television--and it has life.
  24. Consider how well-crafted they are, you might want to pace yourself and savor every precious moment.
  25. Interestingly, a lot of nothing adds up to a big something.
  26. Linney and company are masterful (Basso is a revelation); the final episode's writing is solid.
  27. The new TNT miniseries (it's on just three weeks in December) has plenty of in-your-face drama and heaps of atmosphere.
  28. Written by Dan Fogelman, Alan Menken and Glenn Slater, the new musical miniseries on ABC has so many clever bits and witty songs you’ll think someone wrote a sequel to “Spamalot.”
  29. The Bridge doesn't overwhelm with information--as too many cable shows do--but it does shock with revelations that fit nicely into the gameplan. Kruger and Bechir are fine leads, too.
  30. Ominous, creepy and utterly engaging, The Strain is like the perfect drive-in movie.

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