St. Louis Post-Dispatch's Scores

  • Movies
  • TV
For 1,055 reviews, this publication has graded:
  • 63% higher than the average critic
  • 3% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 6.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 A Serious Man
Lowest review score: 0 The Divergent Series: Insurgent
Score distribution:
1,055 movie reviews
  1. This broadside against sharia law lacks the finesse of an import, but it's effectively melodramatic.
  2. Letters to Juliet has about half as much Shakespearean content as "Shakes the Clown" and even less sincerity.
  3. It's hard to love and hard to hate.
  4. Prince of Persia is woven of recycled fibers, but by the slipping standards of summertime entertainment, it's a magic carpet ride.
  5. Elles is provocative company, but it leaves us feeling hustled.
  6. It would have been nice if Cowboys & Aliens had come come up with the right equation to balance originality and homage. But in the end, it all turned into trigonometry.
  7. Like the first movie The Purge: Anarchy, is trash masking as social commentary, and its depiction of unrelenting, sanctioned violence can be hard to stomach.
  8. This true story fills a needed niche, spotlighting women's basketball in the era before Title IX promoted equal treatment.
  9. This long, ludicrous soap opera is also a mighty spectacle, a new standard in disengaged destruction.
  10. Spurlock teases the baby sitter contingent with a brief scene where a scientist discusses the neuro-chemical appeal of pop music, but thereafter the film is aimed squarely at face-value fans of the Pre-Fab Five.
  11. It's a triumph of streamlined design, but TRON: Legacy never enters the fourth dimension where it's worth a plugged nickel to humans.
  12. A solid sci-fi/horror hybrid, but this iceman doesn't deliver enough to chew on.
  13. This thriller about the game-changing website Wikileaks is as smart about cyberspace as “The Social Network,” but there’s a glitch when it shifts the focus from felonious leaders to the misdemeanors of the man who exposed them.
  14. There's some laughing gas left in the cupboard, but this series may require an infusion of new blood to last until "American Funeral."
  15. Neither a comprehensive guide nor consistently good, but because the theme is romance, most of these small bites of the Big Apple are easy to digest.
  16. Pine and the always-watchable Banks make the best of a bad screenplay, but People Like Us gives us nothing that we can relate to.
  17. With this unfunny fourth installment, the "Ice Age" franchise has skidded so far into kiddie land that adults who tread there risk extinction.
  18. Tests the loyalty of fans that may expect his work to be extreme, but not to such an extent.
    • 49 Metascore
    • 50 Critic Score
    Mars Needs Moms is dark for a Disney movie.
  19. The movie looks like it was made for broadcast television, the place where words and pictures go to die.
  20. A high-concept comedy that peddles some slapstick laughs and life lessons but little insight.
  21. As much Fosse as Fellini. It’s a shadow of a shadow, refracted through a fun-house mirror. For all the noise and color, it feels like an exercise and not a natural expression.
  22. 30 Minutes or Less could have been a guilty pleasure, but the crusty caper is half baked.
  23. Even by the sloppy, soulless standards of hit man movies, The Mechanic is a mess.
  24. Struggles heroically, but unsuccessfully, to strike a balance between whimsy and pathos.
  25. Despite playing with a stacked deck, The Judge is guilty of exceeding expectations.
    • 48 Metascore
    • 75 Critic Score
    Ready to Wear is loads of fun, witty and audacious, but you have to be on your toes to follow a serpentine script (by Altman and Barbara Shulgasser) that cleverly interweaves 10 or 12 plot lines. [24 Dec 1994, p.3F]
    • St. Louis Post-Dispatch
  26. As in the first "Sherlock Holmes" movie, there are plenty of pratfalls and bare-knuckle brawls but no sleuthing for us to share.
    • 48 Metascore
    • 38 Critic Score
    The result is more like a long commercial than a cohesive movie, and the omissions are glaring.
    • 48 Metascore
    • 63 Critic Score
    What saves the movie from taking a nose-dive is the confident performance of Helena Bonham Carter and some genuinely funny scenes involving her character. She plays Jane, a smart, feisty, rebellious young woman who is confined to a wheelchair because she is dying of ALS (Lou Gehrig's disease). [22 Jan. 1999, p.E3]
    • St. Louis Post-Dispatch

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