St. Louis Post-Dispatch's Scores

For 355 reviews, this publication has graded:
  • 63% higher than the average critic
  • 3% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average TV Show review score: 67
Highest review score: 100 Felicity: Season 1
Lowest review score: 0 Black Box: Season 1
Score distribution:
  1. Mixed: 0 out of 244
  2. Negative: 0 out of 244
244 tv reviews
  1. Killing Jesus is apparently satisfied to look and sound vaguely cheesy.
  2. The judges seem well chosen. Unfortunately, The Taste kicks off with a bland and sluggish two-hour casting session.
  3. Relax and go with the goofiness and you could have a good time. [9 Jan 1996]
    • St. Louis Post-Dispatch
  4. Deception isn't like super-soapy "Scandal" or over-the-top "Revenge" (which has gone seriously downhill this season) in that both the story telling and the acting seem more realistic.
  5. The series itself turns out to be less "candid and comic" (as HBO puts it) than tired and tacky. [4 June 1998, p.G6]
    • St. Louis Post-Dispatch
  6. People who like procedurals will enjoy playing along. But the real charm of the series--as in a lot of cable originals--is in its ensemble.
  7. As Flesh and Bone unfolds, though, the story gets darker and more warped, not just for self-destructive Claire but also for the rest of the troupe.... All [of] this is frequently hard to watch, but also impossibly addictive.
  8. The Firm is tedious but not terrible; whether it will be watchable depends, one, on how much you like legal procedurals and, two, how the ongoing McDeeres-in-jeopardy plot is handled in future episodes.
  9. The Job, with Lisa Ling as host, is taped in front of a live audience, which keeps it from being too downbeat. The interviewers are honest but encouraging, and even those who are eliminated are told precisely why and given advice about other opportunities.
  10. “Ballers” and “The Brink,” have their moments, neither provides a lot of laughs.
  11. Science-fiction meets crime-solving buddy drama in an extension of the 2002 movie.
  12. It's kind of charming, and sporadically funny, but nothing special. [23 Sept 1993, p.8G]
    • St. Louis Post-Dispatch
  13. Adrien Brody is impressive as Houdini in the History Channel's two-night biography, and many of his stunts are re-created (and explained) in fascinating detail. But the miniseries, a co-production with Hungary, Houdini's home country, is too slow and too-often hokey to rate a rave.
  14. Viewers may be attracted to Backstrom because of its charming supporting players as much as its abrasive hero. The whole thing grew on me in the course of three episodes provided for preview.
  15. Brewster Place has chosen to forgo sophistication or subtlety in favor of little homilies that come off just a tad heavy-handed. [30 Apr 1990]
    • St. Louis Post-Dispatch
  16. Saldana seems to be sleepwalking through most of it, and we rarely feel Rosemary’s fear. Rather than jumping in your seat, you’re more likely to pick up a magazine.
  17. Perhaps over that time, it will evolve into the buddy dramedy it needs to be. Until then, though, it's just another police procedural, and prime time already has plenty of those.
  18. In the end, even if you've seen if before, Ring of Fire is a better than average Lifetime movie that will leave viewers hand-clapping, singing along and maybe sniffling a little.
  19. The show (co-created by Spelling) is standard-issue cable sitcom, with acting that's too broad (Garth is the exception here) and a laugh track that's loud and awkward.
  20. The original pilot was a mess, confusing and annoyingly full of holes, but an extremely well-cast mess with a lot of potential. [17 Sept 1995, p.6C]
    • St. Louis Post-Dispatch
  21. The tone is mostly dreary and the plot with few exceptions goes precisely where you expect.
  22. As executed, it almost seems like a parody of the genre.... Beghe's growly, macho performance is hard to stomach, getting in the way of even noticing the attractive supporting cast.
  23. If you're in the Sharknado fan club, you'll probably like the sequel. If not, you'll probably ignore it and watch something else. In either case, enjoy.
  24. Saving Hope is pretty easy to watch, despite its abundant potential for eye-rolling.
  25. It's still hard to expect much out of a sitcom arriving on broadcast TV in summer. In the case of NBC's Undateable, that's a good attitude. If you get a few laughs out of it, great. Otherwise, no hopes will be dashed.
  26. It does what it sets out to do: that is, adapt the book faithfully and still make an entertaining film.
  27. It breaks absolutely no new ground, but it's lively, fast-paced and enjoyable enough, if you like this sort of thing.
  28. As for the story, it's so murky and convoluted that following it requires a lot of work--far too much work for something so flat-out ridiculous.
  29. An occasionally funny new TV Land comedy.
  30. Lucifer is the most accessible [of the twoshows--the other being Syfy's "The Magicians"], mostly because it feels as if we've already seen it before. And we have, one way or another; "Lucifer" feels a bit as if Syfy's fallen-angel drama "Dominion" mated with ABC's "Castle."

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