Tampa Bay Times' Scores

  • Movies
For 701 reviews, this publication has graded:
  • 67% higher than the average critic
  • 3% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 5.8 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Furious 7
Lowest review score: 0 I'm Still Here
Score distribution:
  1. Negative: 65 out of 701
701 movie reviews
  1. Corbijn keeps the intrigue uncluttered, guided by Andrew Bovell's economical adapted screenplay.
  2. The movie's first half is its funniest, as Moore sets up this alternate low-resolution universe.
  3. Wormald won't make anyone forget Bacon, but he dances better, and without a stand-in. Hough's dance ability is well-known, but she also displays flashes of acting skill.
  4. The choicest performance in Animal Kingdom is Weaver's sing-song sinister matriarch of the Cody clan, a cheery sort with the benign nickname "Mama Smurf."
  5. This movie, saddle sores and all, is a lot of fun.
  6. The movie is as quietly assured as its heroine, Bathsheba Everdene, gracefully played by Carey Mulligan.
  7. Working in tandem they (Gordon-Levitt/Shannon) make Premium Rush a movie that's off the chain, as the kids say.
  8. As viscerally exciting as Padilha's RoboCop can be, the movie is elevated by serious considerations of the ethics of using robots as guardians (shades of drones), commercialism, playing God with science, and what being human is about.
  9. Quantum of Solace bends whatever rules 2006's Casino Royale didn't break, presenting more action in less time, with a world domination scheme based on natural resources rather than unnatural gadgets.
  10. Ritchie stages plenty of gunfights and beatdowns to satisfy action fans, pausing to consider the beauty of violence before resuming speed and piling on more.
  11. Megamind's Kryptonite is a common weakness for any comedy so fast out of the blocks: It simply runs out of surprises.
  12. For two hours it's a fun head trip.
  13. Thompson's fans will embrace its twisted verbal dexterity, romantically imagining the author feverishly pulling strings from the beyond.
  14. Hugo is Scorsese's most personal film, from the standpoint of both an artist and a grandfather. He is as interested in Melies' posterity as in making a movie that his descendants can see before they're adults.
  15. Director Jean-Marc Vallee dutifully progresses from one obvious scene to the next. Solid work but unspectacular, perhaps figuring the boldness of his characters' words and actions can be artistic enough. And it is, in the hands of a temporarily reformed sex symbol and his unexpected leading lady.
  16. Director John Madden and an ensemble of polished actors in their second primes make this a constant amusement and a nice alternative at the movies.
  17. Christensen plays him with Lecter-like intensity; the unsettling calmness of someone capable of anything.
  18. Frankel's movie is as refreshing as a walk in the woods and surprising as a chance encounter with the best that nature can offer.
  19. Baumbach keeps everything dialed down to medium cool, with occasional flashes of exuberance like Frances dancing down a street to the beat of David Bowie's Modern Love.
  20. This movie has everything up its sleeve and presto chango at its core, ending in defiance to the plot's established logic before viewers realize they've been had.
  21. Leaner than "Harry Potter's" adventures, meaner than the "Twilight" saga, The Hunger Games lives up to its source if not entirely the hype.
  22. The Gift is B-movie melodrama at its lurid finest, and worth a look.
  23. With Mock 1, the Hunger Games franchise continues to entertain and evolve, not perfectly but smartly, so we can't wait to see what's next. That's what counts when all is said, done and deposited in the bank.
  24. Snitch is grittily streetwise, and until its last 20 minutes fairly credible compared to other movies "inspired by" true stories.
  25. The Last of the Mohicans is grand entertainment. Romantic, exciting, though unremittingly violent at times, it is rich in frontier lore and in its respect for the land that the conquering settlers too often take for granted. [25 Sep 1992, p.5]
    • Tampa Bay Times
  26. Too often, the movie relies on the contrived situations endemic to gangster movies, rather than explore new routes to tell the story. Yet, there is an undeniable visual power that places The Untouchables in the class of The Godfather and Once Upon a Time in America. [3 June 1987, p.1D]
    • Tampa Bay Times
  27. Depp and Cruz only occasionally strike the sparks expected from two of the world's most beautiful people.
  28. The movie has its heart and humor in the right place, and there's no "Shame" in that.
  29. The most satisfying portions of Saving Mr. Banks occur when the movie adds pinches of salt to the spoonfuls of sugar making this medicine go down.
  30. Screenwriter Bert V. Royal takes the oldest adolescence hook in the book - losing one's virginity- and turns it inside out.

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