Tampa Bay Times' Scores

  • Movies
For 859 reviews, this publication has graded:
  • 67% higher than the average critic
  • 2% same as the average critic
  • 31% lower than the average critic
On average, this publication grades 5.3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Southside with You
Lowest review score: 0 The Last Airbender
Score distribution:
  1. Negative: 81 out of 859
859 movie reviews
  1. It can get a bit redundant but always remains interesting, as young lives take shape on an asphalt oval.
  2. Romantic charm and racy humor in a neatly arranged package anyone can appreciate.
  3. Eat Pray Love is like one of those rich dishes Liz consumes in Italy; robustly flavored and guiltily pleasurable.
  4. Anything men can do women can do dirtier, funnier, fresher, since distaff raunchiness shows no signs of going stale and isn't contained to Melissa McCarthy.
  5. It will mightily preach to the choirs of concerned citizens, and be ignored by anyone else.
  6. A sequel needs to hit the ground running faster than Divergent does. Find more notes for Woodley's elegantly plain face to express.
  7. Muppets Most Wanted is pleasant enough to recommend as family entertainment. But the movie falls short of what immediately preceded it, musically and emotionally.
  8. True Story may someday be used in both acting and journalism classes, the former for what students should do, and the latter for what they shouldn't.
  9. Appropriately, the best jokes in Trainwreck are unprintable, or too winding to describe. Schumer's sexual vocabulary and observational skills get a workout, surrounded by an occasionally surprising cast of foils.
  10. Kingsman is as violently kinetic as anything Vaughn has made, a list including Kick-Ass (the good one) and Craig's U.S. breakthrough, Layer Cake. But Kingsman is also wildly uneven, often slowing its roll to stiff-upper-lip pacing necessary (or not) to create a new British secret agent movie mythology.
  11. Non-Stop mostly works by being aware of what other jet-in-jeopardy flicks have done before, adding a spin here and there. Nothing Hitchcockian but more ambitious than a Neeson action flick needs to be.
  12. Succeeds where "Thor" didn't and the "Incredible Hulk" hasn't, twice. Unlike those drags, director Joe Johnston keeps things relatively simple and pleasantly stupid.
  13. It is interesting even when nothing much happens, which is for most of its 3-hour running time.
  14. 22 Jump Street is a mixed bag of clever spoofery and miscalculated outrageousness. The unveiled homoeroticism of practically all interaction between Jenko and Schmidt is amusing to the point when it isn't.
  15. For all of its carnal frivolity, The Wolf of Wall Street lacks passion and purpose, qualities Scorsese at his best has in abundance.
  16. The humor is an underdog's fantasy, tapping the same vein Murray bled dry with self-important camp counselors and military officers; the less cool they are, the harder they'll fall.
  17. Bully is no more incisive than a Dateline NBC segment on the subject, although with a PG-13 rating it now can be a classroom tool for discussion.
  18. The cast is delightful top to bottom, although Arterton's role is chiefly defined by seductive smiles and the rise of her cut-off shorts. Allam and Cooper are standouts, creating hormonally despicable characters getting more of Tamara's attention than they deserve.
  19. Hysteria is a one-joke movie, but when a joke is told this well, it doesn't matter.
  20. It's a movie that grows on you, after grating your nerves while viewing it.
  21. Bridesmaids is a bit of a groundbreaker... Not exactly a banner for feminism but equal time is overdue.
  22. Fast Five is brawny dumb fun, nothing more but that's enough.
  23. It's a capable Sunday school lesson with little for anyone to challenge and practically nothing that offends.
  24. Elysium proves better at social polemics than escapism, a balancing act Blomkamp managed well in District 9, with its allegory of South Africa's apartheid era.
  25. It's a quiet story, without many emotional outbursts and no villains. Parts of Higher Ground are dull, honestly. But the movie always feels honest about its subject.
  26. Anyone of any age can get a kick out of watching penguins slide down the spiraled interior of the Guggenheim Museum, or seeing how one of these flightless birds manages to buck nature.
  27. Conveying a visceral sense of warfare's terror is what Berg chiefly seeks, and on that level Lone Survivor handily succeeds.
  28. Certainly this could've been a bolder, angrier movie than what it became. After so much grimness in movies about U.S. military actions in the Middle East, it's good finding one dedicated to the kind of humor getting a lot of folks through over there.
  29. This Must Be the Place is a movie existing in a zonked-out realm where reality smashes head-on with a train-wreck hero too strange to be real, unless you're the love child of Ozzy Osbourne and the Cure's Robert Smith.
  30. Wan in particular is pacing today's movie horror by reverting to the past. There's a touch of Hammer Films in his haunted house atmospheres, and Roger Corman in his groaning comic relief from the dread.

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