For 4,782 reviews, this publication has graded:
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48% higher than the average critic
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3% same as the average critic
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49% lower than the average critic
On average, this publication grades 2.6 points lower than other critics.
(0-100 point scale)
Average Movie review score: 59
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 2,324 out of 4782
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Mixed: 1,769 out of 4782
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Negative: 689 out of 4782
4,782
movie reviews
- By critic score
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Reviewed by
Keith Phipps 33
It doesn't help that neither Ferrell nor McBride bring their best material, with McBride offering yet another variation on an angry redneck, and Ferrell falling back on Ron Burgundy-like bluster and nonsense exclamations. -
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Reviewed by
Keith Phipps 33
If director Jaume Collet-Serra (House Of Wax) set out to make a parody of horror-film clichés, he succeeded brilliantly. -
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Reviewed by
Noel Murray 33
In short, this is a movie about bruised people bruising each other, and if Downloading Nancy had more of an openly pulpy sensibility, then the repugnant premise might’ve had some lasting impact. -
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Reviewed by
Scott Tobias 33
Nowrasteh constantly overplays his hand, not realizing that some horrors speak for themselves. -
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Reviewed by
Scott Tobias 33
Features a running gag about a little boy in the midst of potty training who doesn’t always go where it’s appropriate. In a nutshell, that subplot explains everything that’s wrong about the film. -
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Reviewed by
Keith Phipps 33
When a film whose cast includes Michael Keaton, Jane Lynch, Fred Armisen, Craig Robinson, Demetri Martin, and the now rarely seen Carol Burnett can’t scare up more than a smattering of laughs, the patient was never meant to live in the first place. -
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Reviewed by
Keith Phipps 33
About Piven: When did it go wrong? When did the caustic character actor guaranteed to liven up even the dullest movie turn into a walking black hole of smarm from which no joy can escape? -
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Reviewed by
Nathan Rabin 33
In a squandered lead performance, the adorable, winning Schwartzman plays the non-adorable, non-winning title character. -
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Reviewed by
Nathan Rabin 33
Throw out the presence of Dennis Quaid, and the new science-fiction/horror snoozer Pandorum could easily pass for a Roger Corman cheapie. -
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Reviewed by
Tasha Robinson 33
A cartoonishly grim supernatural thriller that could stand a lot less talk and a lot more thrills. -
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Critic Score 33
Crammed with so much deliberate tackiness that it borders on exhausting self-parody. -
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Reviewed by
Scott Tobias 33
The characters in The Burning Plain are so narrowly defined by tragedy that they reveal no other facets of humanity. -
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Critic Score 33
The bitter comedy Serious Moonlight is meant to be both funny and painful, but manages only the latter. -
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Reviewed by
Scott Tobias 33
With Cop Out, Smith works from a script other than his own for the first time--this one penned by siblings Mark and Robb Cullen--but his slack direction siphons the energy out of this tongue-in-cheek throwback to ’80s mismatched-buddy comedies. -
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Reviewed by
Nathan Rabin 33
Rock acquits himself nicely as the responsible brother and resident straight man, but everyone else in the cast has apparently been advised to mug shamelessly and yell their lines as loudly as possible. -
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Reviewed by
Scott Tobias 33
Few of the scenes in The Perfect Game feel authentic, but the ones in Monterrey are especially lacking in flavor. -
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Reviewed by
Scott Tobias 33
Bratt’s character is stuck in old ways of thinking, and the movie, for all its well-meaning social intent, is right there with him. -
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Reviewed by
Nathan Rabin 33
A painfully earnest drama about post-traumatic stress disorder that sticks so closely to the soldiers-coming-home template, writer-director Ryan Piers Williams seems to be diligently working through a checklist of returning-warrior-movie clichés. -
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Reviewed by
Nathan Rabin 33
This sluggishly paced quirkfest is awfully sophomoric for a film all about giving up the facile thrills of youth for the responsibilities of adulthood. -
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Reviewed by
Keith Phipps 33
As for the 3-D, much ballyhooed in the film's advertisements, it's another muddy conversion that does little but make the film's unconvincing blood effects look a little darker. It's good, theoretically at least, to have Craven back. But why come back for this? -
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Reviewed by
Noel Murray 33
The film isn't erotic or profound. It is occasionally comic, though-like reading the finalists for one of those Bad Sex In Fiction awards.- Posted Dec 9, 2010
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Reviewed by
Scott Tobias 33
Disney has once again constructed a digital environment out of cutting-edge special effects, only this time, it isn't merely silly; it's as dry and talky as a PBS panel show.- Posted Dec 16, 2010
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Reviewed by
Scott Tobias 33
Spacey has made a career out of projecting the smarmy elitism of the powerful, but Casino Jack is so painfully clunky that he gets dragged down along with it.- Posted Dec 16, 2010
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Critic Score 33
The film's premise-that Bieber achieved his superstardom through years of hard work overcoming towering obstacles-is so ludicrously flawed that everything built upon it borders on self-parody.- Posted Feb 10, 2011
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Reviewed by
Scott Tobias 33
It's loud, relentless, and difficult to endure, capturing the experience of ground-level alien warfare with woeful verisimilitude.- Posted Mar 10, 2011
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- Posted Mar 31, 2011
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- Posted Apr 7, 2011
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