The Detroit News' Scores

  • TV
For 68 reviews, this publication has graded:
  • 54% higher than the average critic
  • 8% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 4 points higher than other critics. (0-100 point scale)
Average TV Show review score: 69
Highest review score: 100 Nip/Tuck: Season 4
Lowest review score: 20 George Lopez: Season 1
Score distribution:
  1. Positive: 52 out of 52
  2. Mixed: 0 out of 52
  3. Negative: 0 out of 52
52 tv reviews
    • 70 Metascore
    • 75 Critic Score
    Nip/Tuck isn't perfect, but with its flawed, fumbling and very human cast of characters, it's a cut above the usual TV drama. [22 July 2003, p.5E]
  1. Alliances are made and broken, power shifts go this way and that, blood is spilled, and wenches keep wenching. It’s oddly addictive, and the cast--made up mostly of British, Australian and Canadian actors--is as sharp as you’d expect from pay cable.
  2. Handled correctly, this has “Lost” potential.
  3. At first, it seems like your typical show from the CW, overstuffed with bushy-haired teens in a sci-fi situation. But after a while the series, based on a book by Kass Morgan, reveals influences ranging from “Lord of the Flies” to “Battlestar Galactica,” with more than a few hints of “The Hunger Games,” “Lost” and “1984” tossed in.
  4. Turn becomes more tense with each episode, at least through the first three, and that’s a very good sign.
  5. Morally and historically significant, emotionally wrenching and politically terrifying, The Normal Heart is more important than artful, and that’s just fine.
  6. Halt is wise enough to play this out against Gordon’s stress over providing for his family, Joe’s mysterious background and Cameron’s cute pixie haircut. The ad men in “Mad Men” changed a great deal; the people who put a computer in every home changed everything. And that keeps Halt and Catch Fire interesting.
  7. Whether viewers will feel too challenged by Ellie to smile along remains to be seen. Hopefully they won't; TV needs crazy-vain-brave risk-takers badly. [26 Feb 2002]
  8. Although the first episodes of the new season lack the snap and sizzle of the first season’s sexual discoveries, the air of indecision that haunts the show feels both accurate and unique.
  9. This is a solid, risky show with loads of potential. Keep it coming.
  10. The Middle East lends itself to intrigues, backstabbings, frontstabbings and long-term vendettas like few other places, and writer-director Hugo Blick lets his puzzle pieces assemble with slow, deliberate power and more than a few surprises.
  11. [A] somewhat overheated but still fairly effective new thriller.
  12. The Americans has potential. The way it uses recent history as a reflector of modern deceits while bouncing the concept of patriotism around mixes nicely with the hang-by-your-fingertips story turns.
  13. Fincher's unemotional style comes through in the first two episodes, and the show could use more heat. But Spacey makes it worth watching.
  14. Maybe this will all become coherent. But then maybe it shouldn't. Sometimes messy is better.
  15. You get the feeling creator Rockne S. O'Bannon is building a puzzle box to nowhere here, but Knepper's malevolent glare sets a nice, unhinged tone, and there's certainly plenty of room to move forward.
  16. Things go bad quickly, which is to be expected. The challenge with this show will be to keep it appropriately Crazy Town without letting it get Loony Bin bad.
  17. There’s just enough crazy in Ray Donovan to keep things interesting.
  18. Kinnear, as always, is a likable presence, and he and Summers seem like they’ll have good chemistry if the show ever calms down.
  19. The Last Ship would be better off developing its own new society tensions, medical nightmares and primal-survival adventures than leaning on black-hat stereotypes. Maybe it will end up heading in that direction, maybe it will succumb to more common cliches and become lost at sea. It could float either way.
  20. At times the somewhat corny diversions distract from the slow-moving main attraction. Still, true-believer horror fans will likely bite into The Strain, even if nonconverts find themselves able to resist.
  21. Truth is, Johnny's predicament has a mix of emotional trauma, supernatural hoodoo and old-fashioned conniving that just might work. Or not, depending on how often the writers beat the same drum -- saving a small kid every week will get old quick. For now, let's give the show the benefit of the doubt. [14 June 2002]
  22. Behind the Candelabra doesn't really get behind anything; it just rolls around in tacky history.
  23. None of which is new, all of which is interesting. But looking at any one aspect of his life--his marriages, a single concert, his childhood, one incident--in depth might have provided more insight than this typical overview.
  24. With the tension of its premise and the promise of its family-driven drama, Gang Related may eventually work the stiffness out of its joints and become interesting. Or not. It’s that kind of show.
  25. Star-Crossed never really catches fire.
  26. Murder in the First” isn’t outright bad. It’s just an extremely derivative police procedural.
  27. If "Dinotopia" doesn't come up with something else for our heroes to do other than rescue gentle folk from mean dinosaurs, the show is going to get repetitious fast. [28 Nov 2002]
  28. As well-engineered, demographically balanced and ethnically diverse as this show is, it’s still pretty daffy how it cuts back and forth between sun and fun and drug wastoids and gangstas.
  29. As a six-episode project, you’d expect precision, compactness and speed; instead it basically, at least for the first four episodes, wanders toward the inevitable.

Top Trailers