The Globe and Mail (Toronto)'s Scores

For 4,503 reviews, this publication has graded:
  • 47% higher than the average critic
  • 3% same as the average critic
  • 50% lower than the average critic
On average, this publication grades 2.4 points lower than other critics. (0-100 point scale)
Average Movie review score: 61
Highest review score: 100 Timbuktu
Lowest review score: 0 Employee of the Month
Score distribution:
4503 movie reviews
    • 59 Metascore
    • 50 Critic Score
    Unfortunately, the film promises more fun and laughs than it delivers, and this meal tastes like too many that have gone before it.
  1. Could have taken a witty scalpel to baby-boomer posturings. But Dolman, whose instrument of choice is the rubber mallet of smarm, just isn't the man for the job -- he ends up enshrining the very hypocrisy that should be dissected.
  2. The script's attempt to splice together a fumbling love story with a portrait of toxic personality disorder feels incongruous, like a serving of porridge flambé au whisky.
  3. As well-meaning elegies go, especially ones to working stiffs prematurely ripped from their subterranean roots, Brassed Off is the pits: It's a miner opus in a minor key.
  4. By the final act, involving possibly the most far-fetched scheme since Dr. Evil aimed his death ray at Earth in "Austin Powers: The Spy Who Shagged Me," the indifference has become completely contagious.
  5. Killer Elite's major problem: motion at the expense of emotion.
  6. When the movie climactically reproduces that exhilarating Belmont, the fiction is just a pale shadow of the fact, and the realized myth that lives in our memory dies on the screen.
  7. Typically, this sort of film is an earnest tear-jerker with moments of levity. Instead, what we have here is a raucous rib-tickler with occasional pauses for a little dramatic relief.
  8. What a featherweight epic this is, the kind of uniformed period piece where the watchword is pretty. Pretty costumes, pretty soldiers, pretty battles; pretty silly.
  9. Big Fat Liar becomes a progression of increasingly elaborate slapstick stunts, in the brutal, noisy "Home Alone" vein, in which the complexity of the pranks rarely yields a commensurate comic reward.
  10. As is often the case in these caper flicks, there’s too much plot for insufficient dramatic effect, and alert viewers will suss out where it’s all heading in the first five minutes.
  11. By the time we reach the climactic ending, the script clearly calls for an exorcist with a chainsaw to trim back this metaphor run amok.
  12. The process of remembering that drives the book is gone from the film, boiled away until all that's left is the mundane residue of memory - mere incidents strung together as plot.
    • 55 Metascore
    • 50 Critic Score
    Conclusions and answers are perhaps luxuries that Sharma's film can't afford.
    • 37 Metascore
    • 50 Critic Score
    The Nut Job has a certain lo-fi charm, but it’s hardly a world-beater; with all due respect to Surly, Rocky J. Squirrel’s place in the pantheon would seem to be safe for another 50 years.
  13. 12
    Yes, Mikhalkov has set himself quite the agenda, but in the end the film is too much of a piece with its topic, intensely fascinating yet seriously flawed. The verdict? Guilty, with extenuating circumstances.
  14. All outrageous stuff. Gatien's story is worth telling. Which makes it all the more unfortunate that director Billy Corben presents it in such a methodical fashion.
    • 49 Metascore
    • 50 Critic Score
    Whether because of Madea's on-screen absence or the abilities of the two lead actors, Daddy's Little Girls is still a step up for Perry, boasting moments of charm that transcend the usual mess.
  15. Sporadically funny, twisted for sure, it risks becoming as repetitive and shrill as the kinds of programs it satirizes.
  16. Otherwise, Brody, Scott and Jenifer Lewis (as Montana’s imperious oft-married mom) give this formulaic material maximum comic spin.
  17. If you feel you might already have seen City of Ghosts, but can't quite place it, you'd be forgiven. Hollywood, never afraid of working a cliché to death, has turned out dozens of "City of . . ." films over the years.
  18. It might be called "It's Kind of a Thin Movie."
  19. Bronson is one of those “based on a true story” dramatizations where the theatrically staged drama only gets in the way of the more interesting truth.
  20. A potentially appealing story about a rescued disabled dolphin gets smothered with inspirational family values guff.
  21. A discordant mix of melodrama and chaotic farce.
    • 46 Metascore
    • 50 Critic Score
    What's curious about the film, in an anthropological way, is that it's made up of a series of false human moments yet remains entirely predictable.
    • 46 Metascore
    • 50 Critic Score
    Positively hops with jolts and frights but they're the cheap kind.
  22. In short, it's much fatter with less matter and a distressing shrinkage in thought.
    • 59 Metascore
    • 50 Critic Score
    There could be a fascinating and illuminating movie in this.
  23. The verdict is easy: Pfeiffer terrific, movie not.

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