The Hollywood Reporter's Scores

  • Movies
  • TV
For 5,474 reviews, this publication has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Wanted
Lowest review score: 0 Dirty Love
Score distribution:
5,474 movie reviews
  1. His (Fernando Meirelles) impressionistic, guerilla style of filmmaking works surprisingly well in capturing the hypnotic urgency of le Carre's fiction. And his viewpoint is less British and more Third World.
  2. A genuinely moving look at life in a group foster home that avoids most of the usual routes into viewers' hearts.
  3. It’s a non-stop blast from beginning to end, jam-packed with a wacky irreverence, dazzling state-of-the-art CGI (courtesy of Animal Logic) and a pitch-perfect voice cast headed by Chris Pratt, Elizabeth Banks and Will Ferrell.
  4. Uses dark humor, incisive characterizations and social commentary to infuse its familiar detective tale with a distinctive flair.
  5. Atmospheric but pedestrian, it is a retelling of the classic tragedy of all civil wars, from the U.S. to Vietnam to England, where brother is pitched against brother.
  6. Turns Jane Austen's nimble satire into a lumbering gothic romance.
  7. The film hits another comic mother lode in the byplay between Black and Cusack.
  8. It is hard to imagine a better cast or production values so the film should find audiences among sophisticated urban adults.
  9. The director mixes moods with a playfulness that is both brazen and carefree and yet precisely modulated, yielding results that amplify the specific content of the screenplay. This makes for a film that, however cheap it was to make, is incredibly rich to watch.
  10. Trite, grim and feebly provocative.
  11. This deeply humanistic, profoundly touching work representing independent cinema at its finest should be seen by far wider audiences.
  12. [A Hijacking] illuminatingly and sensitively dramatizes an easily-overlooked global crime phenomenon.
  13. Mesmerizing in its incremental layering of a bizarre, tragic and thoroughly warped character study, Foxcatcher sees director Bennett Miller well surpassing even the fine work he did in his previous two films, Capote and Moneyball.
  14. Without becoming a screed for victims' rights, the riveting film shows how in the face of terrible events a grieving parent is galvanized into activism.
  15. The project suffers badly from being largely improvised as the pair fall back on familiar impressions and old jokes. Lazy and indulgent, it smacks of being what the British call a "jolly," that is a freebie with no obligation to turn in work afterward.
  16. A deeper, darker, visually arresting and more emotionally satisfying adaptation of the J.K. Rowling literary phenomenon, achieving the neat trick of remaining faithful to the spirit of the book while at the same time being true to its cinematic self.
  17. The visual style and the natural, unaffected performances by a talented cast help create an atmosphere of verisimilitude that makes the story all the more powerful. [23 Oct. 1996]
    • The Hollywood Reporter
  18. As with the Bourne films, Gilroy has a knack for creating strong characters and situations that resonate with tension. It may be formula, but the guy is a solid chemist as he crafts excellent set-ups and payoffs.
  19. Pray does not browbeat viewers into applauding the artist’s achievement. The filmmaker thoughtfully documents a phenomenon and allows the arguments to continue to rage after the lights come on.
    • 82 Metascore
    • 100 Critic Score
    One of the best war movies ever made, Downfall is a powerful and artistically masterful re-creation of the last days of the Third Reich.
  20. Ordinary in some ways and extraordinary in others, The Spectacular Now benefits from an exceptional feel for its main characters on the parts of the director and lead actors.
  21. A moody adaptation of the Swedish best-seller about a fateful mortal-vampire romance, Let the Right One In is atypically literate and unexpectedly affecting suspense fare. Complex characters, ominous situations fraught with mortality and the recklessness of youthful ardor create a tense and subtly shaded narrative.
  22. Marked by incisive characterizations and fine performances, Big Words is aptly titled, referring not only to the name of one of its lead characters but also to the torrent of dialogue driving its skimpy but evocative narrative.
  23. Binoche has a chance to display her noteworthy gifts as a comedienne, switching effortlessly from English to French and Italian to build a character that is resentful, manipulative and seductive all at once.
  24. In the end, this passionate indictment of present U.S. policies stirs both sadness and outrage.
  25. Jewish and academically inclined audiences worldwide will respond to numerous aspects of this unusual drama, although it is paradoxically both too broad and too esoteric for the general art house public.
  26. Marley is sure to become the definitive documentary on the much beloved king of reggae.
    • 82 Metascore
    • 100 Critic Score
    It's a superb cinematic work and an appropriately serious one, given its subject matter and its intentions.
  27. Factoring in Mike Eley's breathtakingly vivid photography and a virtuoso sound mix that completely envelops the viewer, it's enough to make you never again want to poke your head into the freezer.
  28. Compelling.

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