Time Out New York's Scores

  • Movies
For 2,956 reviews, this publication has graded:
  • 34% higher than the average critic
  • 2% same as the average critic
  • 64% lower than the average critic
On average, this publication grades 6.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 Boxing Gym
Lowest review score: 0 Vampires Suck
Score distribution:
2956 movie reviews
    • 44 Metascore
    • 30 Critic Score
    If you're still at the age when farting and nose-picking seem funny, then Caddyshack should knock you dead. Buried deep - very deep - beneath the rising tide of effluent is a pleasant enough story of a kind about trying to make it to the top as a caddy while yet remaining human; a movie which could have done for golf what Breaking Away did for cycling. Instead it allows a string of resistible TV comics (Chase excepted) to mug through an atrocious chain of lame-brained set pieces, the least vulgar of which involves a turd in a swimming pool.
  1. While it may make the City of Light look beautiful, ultimately, this insufferable indie auteur's navel-gazer is just another faux-kinky vanity project in which its creator's neuroses are placed on an undeserved pedestal.
  2. What played as rousingly dumb fun in "Independence Day" (1996) — all those pie-eyed nationalistic monologues, and U.S. landmarks reduced to rubble — now come off as callously insensitive, even with tongue firmly in cheek.
  3. Tired byplay between Reynolds’s mystified straight man and Bridges’s supernatural old pro will kill off any fond memories you have of zesty buddy films past and present.
    • 30 Metascore
    • 20 Critic Score
    Fans of the spectacle of Kevin James falling over (nine times in 104 minutes!) and shockingly brazen product placement ("Is T.G.I. Friday's as incredible as it looks?") may dig this deranged comedy; everyone else will be scratching their heads.
    • 28 Metascore
    • 20 Critic Score
    Every move is a misstep.
  4. Sherman based this obtuse psychosexual dystopia on his own hippie upbringing; the result is virtually teeming with bitter resentment for the drug-addled parent collective that inadvertently turned his adolescence into a chapter from "Lord of the Flies."
  5. Watching people play a board game ain’t ever going to be scary, and that’s essentially what we have here.
    • 36 Metascore
    • 20 Critic Score
    The one cop (Bentley) who buys Jill's story looks like the most likely suspect (or at least the most likely red herring) - and then he vanishes for the entire third act to, supposedly, make his mother some soup. Wait, what?
  6. Even if Women in Trouble didn’t keep bringing to mind a superior artist, the film would still be badly written (DOA tangents about cunnilingus and kink don’t make dialogue edgy, only vulgar), not to mention unevenly paced and an embarrassment to all involved.
    • 24 Metascore
    • 20 Critic Score
    An economic slump is no reason to settle for this junked-up, unintentionally depressing "Office Space" bootleg.
  7. It's simply one wearisome '90s crime-cinema cliché after another.
  8. If mean-spirited snarksters had set out to trash the reputation of "Juno" screenwriter Diablo Cody, they couldn’t have done a more vicious job than the Oscar winner herself does with her directorial debut.
  9. A talented director might have made Bullock seem like a comic genius, but Phil Traill has no control over tone, leaving the audience unsure whether to laugh or cry.
  10. Although based on the real-life tale of nine underage underdogs from Monterrey, Mexico who swept the 1957 Little League World Series, this Cinderella sports story rings false from first pitch to last.
  11. A veteran of the Saw franchise, Darren Lynn Bousman trades torture-porn antics for an old-fashioned Euro-horror vibe, complete with old dark houses and creepy maids; he then wastes what little suspense he generates with endless dorm-room philosophical debates about faith versus atheism and religio-conspiracy theories so far-fetched they'd embarrass Dan Brown.
  12. Skip this one, even if your hipster significant other whines a blue streak.
  13. The film succeeds only in turning one's stomach via implausibilities, inanities and the unwelcome sight of Brian Dennehy's naked ass.
  14. Schwimmer is so committed to telling grim truths about modern living (whither goes humanity in the age of Twitter and sexting?!?) that he abandons the film's tantalizing slide into B-movie exploitation.
  15. This moronically unfunny gangster comedy fluctuates wildly between the lowest-of-low humor and pity-the-aged-man pathos, and offers further evidence that the best days are behind its iconic cast members.
  16. Excruciatingly stupid movie.
    • 33 Metascore
    • 20 Critic Score
    If only the fantasy surrounding her made a lick of sense. Here, the Muggle types are known as the “Mundane.” An apt label for a wanna-be franchise with plenty of sheen and nothing to say.
  17. As is, this semi-improvised feature comes off as a willfully vague exercise that, like its dimwit protagonist, presumes that profundity and enlightenment will emerge from the morass eventually. Er, maybe - or maybe not. Kinda like "Signs;" only much, much worse.
  18. Mottola has made some brilliantly idiosyncratic pictures: Superbad, Adventureland, The Daytrippers. But as Joneses’s director for hire, he’s allowed zero personality.
    • 43 Metascore
    • 20 Critic Score
    The film feels like its over long before the credits roll — or perhaps that’s just wishful thinking.
    • tbd Metascore
    • 20 Critic Score
    This shapeless series of unfunny vignettes (interspersed with pointless street interviews) deserves to be slapped hard.
    • 52 Metascore
    • 20 Critic Score
    From its flash-forward framing sequence to its glossy black and white images, the film emulates "Raging Bull" in nearly every particular, while failing to capture even a sliver of that tortured-soul sports-movie's insight or visceral power.
    • 37 Metascore
    • 20 Critic Score
    Even by the broad standards of children's flicks, the film's prank-prone next-gen tween spy Rebecca (Blanchard) is one monstrous brat.
    • 19 Metascore
    • 20 Critic Score
    Even when it’s shooting in the swing states, the film never finds drama, focus or any greater purpose other than some dubious horn-blowing about the SEIU being singularly responsible for electing President Obama.
  19. It’s just blinkered middle-class pandering at its most shameless.

Top Trailers