Time's Scores

For 483 reviews, this publication has graded:
  • 38% higher than the average critic
  • 9% same as the average critic
  • 53% lower than the average critic
On average, this publication grades 1.4 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 The Pacific: Season 1
Lowest review score: 0 Dads: Season 1
Score distribution:
  1. Mixed: 0 out of 289
  2. Negative: 0 out of 289
289 tv reviews
  1. A satisfying, touching and excruciatingly funny severance package.
  2. They have done what many well-intentioned socially minded writers have tried and failed at: written a story that is about social systems, in all their complexity, yet made it human, funny and most important of all, rivetingly entertaining.
  3. Twin Peaks ... is like nothing you've seen in prime time -- or on God's earth. It may be the most hauntingly original work ever done for American TV.
  4. [The Wire's] attention to detail, plus a vast canvas of characters, makes for a dense boulder of a story that moves creakily for the first couple of hours. But once it gets rolling, it's irresistible because of the humanity creator-writer David Simon finds in his characters.
  5. HBO’s fantasy series is as stirring in its action, as rich in characters, and more sweeping in scope as ever.
  6. [Louie] was and remains one of the best on TV--in any given week, maybe the best, period.
  7. This is law drama such as Boston Legal's David E. Kelley can only dream about.
  8. Astonishing. ... The Shield did what network cop shows have lately abandoned: it created a richly imagined world with continuing story lines, driven by L.A.'s roiling racial politics--achieving a payoff far bigger than solving the murder of the week.
  9. The changes that have come to Mad Men can be discomfiting to watch. But they're rich with possibility.
  10. [A] haunting, creepy, and beautiful French series
  11. I can't recommend the series highly enough, particularly for the phenomenal performances by Lewis and Danes.
  12. It’s a beautiful downer, a perceptive and acute one, whose empathy distinguishes it from some of its peers.
  13. Sherlock, which impresses again in the three-episode season that returns on PBS.
  14. It's all breathtaking in much the way that you'd suspect.
  15. It's a drama that has chosen the slow burn over the flashy explosion, and it's all the hotter for that choice.
  16. It's worth the effort, not because The Wire is good for you but because it is fantastic entertainment.
  17. Like a good whiskey, it's rough and smooth in all the right ways. By a few episodes in, you'll want to order it by the case.
  18. It’s not that that second What It’s About--the emotional heart of The Americans--is better, more noble than the first. But it’s the difference between an exciting thriller premise that flames out fast and a story with lasting power--demonstrates better than ever.
  19. In looks and structure, Arrested Development is like a 30-min. drama, just a hilarious one. In most network sitcoms nowadays, the wisecracking characters are aware that they're being funny. The oblivious Bluths are funny despite themselves.
  20. The most distinctive, addictive new TV series this season. As an old-fashioned thriller, it's relentless, tense and deliciously paranoiac, with more twists than a Twizzler. But it's also boldly different.
  21. By combining the traditional elements of spy dramas (and spy parodies) with office comedy, this look inside the halls of ISIS manages to be both an effective spoof and an effective character sitcom.
  22. It’s a sumptuous pleasure to go through one doorway and another, feeling all the while the dawning knowledge that someday we will turn a corner, and come to the last.
  23. It all makes for a rich, captivating series to look at. And listen to. Even, or especially, when it's not saying anything at all.
  24. It's raw, audacious, nuanced and richly, often excruciatingly funny.
  25. This is the funniest sitcom pilot of the fall.
  26. It will repay you with a brutal but eloquent story that's finally less about how men fight and die than what happens to them when they fight and survive. It will show you how character and sheer, unfair randomness combine to produce cruelty or decency. And it will make you feel deeply for the men who return.
  27. It is not just one of the most moving but also one of the funniest shows you will see this year: a sort of post-9/11 M*A*S*H.
  28. It's an absorbing, beautifully acted story about science, emerging feminism and American culture. But it's also a gamble on the idea that great TV drama can involve stakes that are not sharpened to pointy tips.
  29. A top-flight cast, including Lizzy Caplan and Martin Starr (and this season, Megan Mullally, stepping in for Lynch), who make the show's scripts play like improv. Above all, the show's ambition to be both raunchily funny and emotionally real to characters who are watching their dreams get older one day at a time.
  30. Thus begins the final season of a cerebral space opera that asks what it means to be human.

Top Trailers