Under The Radar's Scores

For 55 reviews, this publication has graded:
  • 38% higher than the average critic
  • 3% same as the average critic
  • 59% lower than the average critic
On average, this publication grades 10.4 points lower than other critics. (0-100 point scale)
Average TV Show review score: 54
Highest review score: 90 Portlandia: Season 4
Lowest review score: 10 Outsourced: Season 1
Score distribution:
  1. Positive: 20 out of 20
  2. Mixed: 0 out of 20
  3. Negative: 0 out of 20
20 tv reviews
    • 89 Metascore
    • 90 Critic Score
    It's not going too far to say Eastbound and Down holds a magnifying glass up to sports and hero workship, it's just that the magnifying glass is outrageously outsized, Charlie Chaplin, silent-movie prop huge. Sadly, as far as McBride takes Powers, the satire may never go far enough, as LeBron James and Roger Clemens and Tiger Woods and a host of others have shown.
    • 88 Metascore
    • 90 Critic Score
    Writer Terence Winter (The Sopranos) delivers the most exciting new series in recent history with Boardwalk Empire, a sweeping Prohibition gangster saga that redefines the boundaries of television storytelling.
    • 88 Metascore
    • 80 Critic Score
    The real heart here is the Jennings family. It's what make The Americans a better show than most, and what keeps it a show to watch heading into its second season.
  1. With several seasons under their belt, they effortlessly inhabit the hundreds of characters that populate their vision of Portland. That vision is simultaneously expanding and tightening.
    • 85 Metascore
    • 75 Critic Score
    Roiland and Harmon have put together a finely balanced show, with infinite possibilities that leave the door open for an exciting future.
  2. An Adventure in Space and Time is a surprisingly moving docudrama that recounts the creation of the iconic British television series Doctor Who.
  3. This may not be the strongest first showing, but if it finds its rhythm soon, playing off of its existing strengths and shedding its weaknesses, this will be a compelling hour.
  4. Those two alone [Raymond "Red" Reddington (James Spader) and Liz Keen (Megan Boone)] are worth watching Blacklist, but the drama's storytelling is powerful enough to make you commit to it from the very first episode.
  5. Despite the disappearance of his top lip when smiling, newcomer Wolk employs the same conman charm on the viewer. Rooting for both the wife and the girlfriend--maybe a little bit more for the latter, Lone Star has the makings for a sudsy tune-in.
  6. For fans craving the next dark, disturbing weekly watch in the spirit of The Walking Dead, The Strain will prove too cheeky and eye-roll inducing. Those that appreciate late '90s B-horror flicks such as The Faculty might enjoy The Strain for the kind of creepy, often goofy ride it is, even though it never gets too deep.
  7. Every cheap sexual innuedndo, obvious adolscent pun, and cliched puerile situation is exploited here. [Holiday 2009, p.86]
  8. Maron is at its greatest when the comedian plays into the abrasiveness that lands him in trouble with others.
  9. Overall, it took Once Upon a Time a season to fall flat; Penny Dreadful does that immediately.
  10. It works in measures, but the tragedy here is that Samberg's leash is too short.
  11. A solid cast with tangible family chemistry make Blue Blood a contender.
  12. One has to be both in the know, as well as acclimated to the gory violence and corpses that frequently appear on camera in order to follow along. As long as Cross and Ruiz's renewed partnership seems necessary, season one fans should welcome the return of The Bridge.
  13. With Jason Katims (Friday Night Lights, Parenthood) as creator and producer, About a Boy could very well be the next universally appealing family show.
  14. If you can tolerate the overly histrionic pilot and are curious enough to find out what "the event" actually is, of which there is no mention in the pilot, then NBC has a Lost-esque show on its hands. Count me out.
  15. While Hawaii Five-0 Mark II has none of its predecessor's cringe factor, the classic theme music retains its blood-rushing quality with a sharp, updated recording. And when McGarrett first utters the infamous line, "Book 'em Danno," we dare you not to let a little grin escape.
  16. The characters are cookie-cutter, the dialogue predictable, the jokes stale and flat, completely unexpected from a sitcom veteran.
  17. There's enough intrigue driving the premise to set The Leftovers up as a promising series; whether the show can maintain its momentum or succumbs to the weight of the myriad, potentially frustrating mysteries behind it remains to be seen.
    • 65 Metascore
    • 60 Critic Score
    The Powells' snarky dialogue can be a bit annoying, but executive producer Greg Berlanti (Brothers & Sisters) cares for the family dynamics. Even the special effects are commendable. Some of the acting and line delivery can be a bit hokey, but that comes with the comic book-esque material.
  18. Fox aside, the show boasts some strong performances which should hold it up through the weaker material, for a time at least.
  19. This could be a watershed moment in TV's long and inglorious history of idiocy, a drama that unintentionally almost matches Arrested Development for laughs.
  20. Other than a few other corny ideas (the whole Presidential assassination trope is a little cliché), Hostages delivers a compelling plot with enough tension to keep viewers interested for 45 minutes.
  21. The Trophy Wife characters are well developed and the actors very natural in their roles. The kids are brilliant--particularly Tsai.
  22. The efficiency and charisma of these two, enhanced by the haute couture and clichéd exotic locales, makes watching Undercovers really fun-but not very believable as a spy drama. It is all a little too casual and humorous to be convincing.
  23. The rest of Detroit 1-8-7's cast is fill-in-the-blanks police fodder. The only two characteristics that separate this show is one, it is filmed wholly in Detroit (who cares, a soundstage looks just as convincing) and two, the cameras are handheld (who cares, that shakiness can become very annoying).
  24. Rake has enough varied story elements to not fall into the procedural courtroom drama. Kinnear is a natural in the starring role, effortlessly making the shambles of his character's life seem not only plausible, but also sympathetic.
  25. It's hard to fall in love with a world that feels...borrowed.

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