USA Today's Scores

  • Movies
  • TV
For 3,455 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 0.7 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Before Sunset
Lowest review score: 0 Idle Hands
Score distribution:
3,455 movie reviews
  1. Life is a crock -- or something like it.
  2. A glossy wisp of a cautionary tale.
    • USA Today
  3. Given its predictable story, the only reason to see Stomp is for the rhythmic step dancing.
  4. Revolution tries a few plot moves, but, narratively, it has two left feet.
  5. It takes more than an awkward title attempting to sound cool to overcome its mundane plot and silly dialogue.
  6. Except for a brief episode in which singer Chris Isaak and Kiefer Sutherland make like an FBI Rocky and Bullwinkle, this is a morbidly joyless affair. You'll feel as drained as one of Cooper's mugs of joe watching homecoming queen Laura drown in a whirlpool of sex and drugs. [31 Aug 1992]
    • USA Today
  7. Too bad the movie didn't take its own advice and risk coming up with a fresh story.
  8. Nothing about this rote exercise feels remotely fresh. It's a re-tread of the 2009 original, sans the inspired lunacy.
  9. Begins sinking in the shallow end almost at once.
    • USA Today
  10. From the embarrassingly over-the-top performance of Ray Liotta as a tough-guy biker to the pratfalls of William H. Macy as a bumbling computer geek, this movie stinks of exhaust and desperation.
  11. When it's not aspiring, unsuccessfully, to satirize the world of metallica, Rock Star veers into even drearier territory and becomes a head-banging, sex, drugs and rock 'n' roll version of "A Star Is Born."
  12. There's not a cliché that isn't nailed.
  13. This is by far Kaufman's worst outing since becoming a major filmmaker more than a quarter-century ago, and the fact that his only other stinker from this period is 1993's "Rising Sun" means that maybe he ought to stay away from cop melodramas.
  14. Some screwball moments elicit a chuckle or two, but the script is weak and the characterizations clichéd.
  15. Writer/producer John "Home Alone" Hughes, the Marquis de Sade of kidcom, and director Les Mayfield manage to squeeze the very bounce out of what should have been a can't-miss update. [26Nov1997 Pg09.D]
    • USA Today
  16. Shyamalan isn't drawing the caliber of performances from his actors as he used to. Who can forget Haley Joel Osment's haunting portrayal in The Sixth Sense or that of Toni Collette, who played his mother, or Bruce Willis in arguably his best role?
  17. Ostensibly meant to be light entertainment. If light is synonymous with preposterous, frenetic and noisy, it qualifies.
  18. Slavishly follows the well-worn and soggy Sparks path.
  19. Though the lead actress, newcomer Jordana Beatty, gives a spunky performance as third-grader Judy, her character's borderline bratty charm wears thin fast. Mostly it's undercut by the movie's irritatingly antic slapstick style.
  20. Misanthropic to the extreme, Bad Teacher fails across the board.
  21. It's tough to summon sufficiently negative language to describe the unfunny, desperate mess that is Bad Words.
  22. There's sad news to report about The Adventures of Sharkboy and Lavagirl in 3-D: Put on the cardboard glasses, and you can still see the movie.
  23. Perhaps there was a clever germ of an idea here, but the five credited writers didn't develop characters, scenarios or rules in this sci-fi world well enough to engage the audience.
  24. Filled with laughable dialogue, Abduction goes nowhere.
  25. It's an unrelentingly brutal movie set in an unusually scenic locale — the coastal city of Valparaiso, Chile.
  26. There isn't much in the way of plot to get in the way of Sandler's world: There's poo, ripped pants and hot girls falling for fat guys.
  27. Each actor does his own thing for his own audience demographic.
  28. It's an idea that might have made for a mildly intriguing skit, but blown out into a full-length feature it's at best campy and at worst an amateurish, sentimental schlock-fest.
  29. I cry for I Spy— or I would if this latest and laziest imaginable of all vintage-TV spinoffs were capable of engendering an emotional response of any kind. Comas are physical, not emotional.
  30. A wan version of the same old tired serial killer story, despite its updated milieu -- cyberspace.

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