USA Today's Scores

  • Movies
  • TV
For 3,462 reviews, this publication has graded:
  • 61% higher than the average critic
  • 3% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 0.7 points higher than other critics. (0-100 point scale)
Average Movie review score: 62
Highest review score: 100 Donnie Brasco
Lowest review score: 0 Idle Hands
Score distribution:
3,462 movie reviews
  1. Every so often a film gets under our skin with its haunting authenticity, reinforcing our faith in the wonderfully transporting power of cinematic storytelling. Winter's Bone is unquestionably that film.
  2. Emperor is like Full Metal Jacket - uneven, fuzzy, imperfect, and one of the reasons the movies were invented. [20 Nov 1987, p.1D]
    • USA Today
  3. Director Gillian Armstrong takes the delicate snow globe that is Little Women and gives it a bold new shake. [21 Dec 1994]
    • USA Today
  4. Just as funny, sweet and engaging as the first film starring the big galoot.
  5. This definitive "life goes on" movie does what Altman does best: juggle 22 characters, deftly switch moods, and offer a comlex warts-and-all characters whose lives seem to extend beyond the screen. Few movies attempt this; Fewer succeed. [1 Oct 1993]
    • USA Today
  6. The snappy sci-fi hoot Men in Black...is a kind of "Independence Day" for smart people.
  7. What results is a disarmingly honest tale of affection, both romantic and filial.
  8. The crucifixion is the strongest such scene of all time. [26 Aug 1988]
    • USA Today
  9. This is a great movie, but it needs a sales job because it's in Mandarin.
  10. It's equally endearing as a sweetly funny romance between two likable oddballs and as a low-tech time-travel thriller, and has something profound to say about making the most of the present.
  11. Even in the classiest movie summer of the decade, Mob is destined to demand respect for Pfeiffer. [19 Aug 1988]
    • USA Today
  12. This installment, the best of the three, is everything a movie should be: hilarious, touching, exciting and clever.
  13. A premier boxing movie and a forceful Depression remembrance for the socially conscious, Cinderella Man also ices it for stargazers that Russell Crowe is the dominant screen actor working today.
  14. So many movies try to capture human relationships and fail miserably. A few come close. Your Sister's Sister nails it with grace, humor and winning charm.
  15. Director Danny Boyle's riveting and kaleidoscopic tale, based on Vikas Swarup's debut novel "Q and A," is exquisitely adapted to the screen by Simon Beaufoy.
  16. A perfect fit between filmmaker (Memento's Christopher Nolan) and material (Norway's same-name psycho-chiller from 1997), this remake gets all there is to get out of a peculiar premise with promise.
  17. Doremus' elegant filmmaking is key to the appeal of the film, but it would never work as superbly without the wonderfully natural, believable performances and powerful chemistry of the lead actors.
  18. Though there is plenty of gunplay, this is a wondrously contemplative and poetic saga that offers a fresh and bewitching take on a timeworn genre.
  19. This is a building-block movie: Its stand-out excellence becomes apparent only gradually.
  20. If artist R. (Robert) Crumb can dispense immediately with his resume in Terry Zwigoff's superb Crumb, we can, too. [21 Apr 1995]
    • USA Today
  21. "The Right Stuff" will endure as the more ambitious movie, but this book-faithful, 2-hour team effort shrewdly keeps its eye on the ball.
  22. Heat is in the cop-movie pantheon with Akira Kurosawa's "High and Low," and that's as "right" as the genre gets.
  23. A thoroughly compelling political thriller, at once intellectually challenging and profoundly emotional.
  24. A masterwork of suspense, romance and political intrigue.
  25. One of the most extraordinary films in decades, this family drama is also one of the most ambitious in scope, having taken more than a decade to shoot. Yet it comes across as effortless and unassuming. Boyhood is an epic masterpiece that seems wholly unconcerned with trying to be one.
  26. The generally faithful script is by Anne Rice herself, the director is "The Crying Game"'s Neil Jordan, and both seem true to themselves and as true as they can be to artistic and visceral expectations. [11Nov1994 Pg. 01.D]
    • USA Today
  27. One of the rare sports films that devotes extensive screen time to heartbreaking losses is full of other surprises as well. [13 Oct 1994, p.1D]
    • USA Today
  28. What's most amazing is the finely nuanced performances these bits and bytes deliver.
  29. A movie with this kind of haunting power comes along only once every decade or so. [20 February 1991, Life, p.11D]
    • USA Today
  30. A contender for the year's best film.
    • USA Today

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