USA Today's Scores

For 972 reviews, this publication has graded:
  • 56% higher than the average critic
  • 4% same as the average critic
  • 40% lower than the average critic
On average, this publication grades 1.8 points lower than other critics. (0-100 point scale)
Average TV Show review score: 63
Highest review score: 100 24: Season 4
Lowest review score: 0 Lucky Louie: Season 1
Score distribution:
  1. Mixed: 0 out of 573
  2. Negative: 0 out of 573
573 tv reviews
  1. The series does what it was designed to do: It stays true to its roots while allowing fans to spend more time with Molly and her friends and the actors who play them.
  2. The half hour moves along briskly, sprinkled with a slew of funny lines and throwaway reactions and a few knowing winks at TV conventions--though not so many winks that they pull you out of the story. And through it all you have the pleasures provided by Lowe, Savage, Ellis and Devane, who mesh seamlessly.
  3. As hard as Gotham works to make Gordon a suitable hero, those who are not deeply immersed in the Batman universe may wonder whether the energy is well-spent.
  4. Kudrow imbues Valerie with a humanity that lets us see something of ourselves in her resilience and her dedication, misguided as it may be. Like the show that inspired her, our Valerie is a survivor. Welcome back.
  5. The cases he tackles are intriguing, if wildly complicated and too often sustained by that peculiar TV mystery mix of intuitive leaps and bad basic police work....Yet as with all such shows, it's the main character who provides the main reason for watching, as the long-suffering Wallander struggles to solve the crimes and put his life back in order.
  6. As entertaining as it may be, Apt. 23 does seem like an odd tonal match for the sweeter, more realistic Modern Family. Still, it's nice to see ABC giving a great time slot to a very good show.
  7. If you're not too picky about historical accuracy, and not too put off by cheap-looking computer effects, you'll find much to enjoy in this entertaining adventure, built on a solid hero's-quest structure and bolstered by a terrifically engaging performance from Travis Fimmel as the hero-at-hand.
  8. Odd, inventive and sometimes shockingly dark, this British-American co-production has all the benefits you’d expect from a show able to draw upon both country’s talent pools.
  9. What follows is a sometimes humorous, sometimes nostalgic, sometimes bumpy ride through the era, with a story that often seems to halt just when it’s picking up momentum. Still, every time the story falters, the characters’ and the show’s obvious love for popular music in all its forms lifts it back up.
  10. There's no question that some of the jokes are funny, or that it's nice to see Sisto in a role that lets him lighten up.
  11. Credit Samberg with choosing a solid concept, a Barney Miller-type cop comedy from Parks and Recreation's Dan Goor and Michael Schur, and surrounding himself with a great supporting cast led by Andre Braugher as the squad's captain.
  12. The show is not designed to appeal to prudes, but the writing and the acting are too good to be wasted on the prurient.
  13. For today, enjoy a home-grown version of a great series that's suspenseful, exciting and flat-out fun. That may not count as a miracle, but it's awfully good news nonetheless.
  14. Though fun, the opener's skits are too short, and the characters too numerous, for any one joke to register. But give the show a week to settle, and the strengths of Ullman's concept come to the fore.
  15. Green and Dalton are incredibly entertaining, their world feels fully created, and in Logan, their show is in the hands of a great writer. It's not quite clear yet where he's leading us, but for awhile, at least, consider following.
  16. As is often the nature of such programs, Skies does ask you to accept a lot of clunky dialogue and a few too many easily spotted twists. Even so, fans of the genre can embrace it as a summer-viewing diversion--one that's likely to work even better for younger viewers, who haven't seen all the films from which it borrows.
  17. Simon. He's the gold standard, the judge against whom all others are judged, and his presence is enough to make Factor a factor.
  18. The plot is unlikely to interfere with the real draw of Bloods, which is watching a terrific, mature, extremely well-chosen cast interact.
  19. Red Oaks is never much more than pleasant, but it's also seldom much less. The episodes may not make you laugh out loud, but with a few clanging exceptions (led by an inexplicable Freaky Friday detour) they generally feel both warm and true.
  20. It's two hours of all the things you love (or don't) about 24: The twists and turns, the recalcitrant, dimwitted superiors, the nick-of-time escapes and oh-so-close near-captures. And, of course, there's Sutherland and Rajskub, still one of the best teams the spy genre has ever produced.
  21. If Fontana's goal is stark realism, it's undercut by the overly theatrical device of a funky narrator, an inmate who uses a wheelchair (Harold Perrineau) and who barks his thoughts into the camera. A sample commentary: "People kill to stay alive. That's as true in prison as out. But I'm wondering why in here we fight so hard to stay alive." [11 July 1997, p.3D]
    • USA Today
  22. Something's going on here, but unfortunately not between the two bland lead actors. Duchovny makes a peculiar hero, too laconic even when discussing his passion for tracking aliens. His character needs oomph, but The X-Files already has a nicely offbeat tone. Maybe this is how Fox will revive its still-lamented Alien Nation series. [10 Sept, 1993 p.Life 3D]
    • USA Today
  23. In TV, however, there are few worse sins than being uninvolving--and despite the best efforts of a strong cast, that’s where The Path lands.
  24. It operates on such a high frequency of inspired lunacy, it instantly renders this busy midseason's other hopefuls just so much sitcom static to be tuned out. [21 Mar 1995]
    • USA Today
  25. The Middle is precisely the show ABC should be doing: a smart, amusing sitcom that understands the damage cutbacks have done to folks in the middle.
  26. Karen is more a character-driven drama with cops than a mystery, so don't expect the plot, well-developed though it may be, to fool you. You know Karen will get her man, one way or the other...What matters is the style and steam she brings to the chase.
  27. If you can get past the show's visual tricks and excessive self-consciousness, there is some fun to be had here.
  28. There are times when Quantico feels a shade mechanical, in moments when you can practically hear the plot gears moving. But it accomplishes what the opener of a whodunit needs to do: establish a wide range of plausible suspects and spark our interest in the mystery and the hero. Which means, so far, they got away with it.
  29. If you stay, you just may find yourself captivated by a trio of strong performances from Mikkelsen, Hugh Dancy and Laurence Fishburne--and entranced by the fevered-dream spell cast by creator Bryan Fuller, the brilliant TV auteur behind Pushing Daisies and Wonderfalls.
  30. There's no question Tuck is at times excessive or that it risks becoming exhausting. But in a season packed with reality and retreads, at least Murphy and FX are shooting for something novel and doing so in a way that is less pretentious and more dramatically viable than many of their more high-profile cable competitors.

Top Trailers