Variety's Scores

For 8,567 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.9 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Nebraska
Lowest review score: 0 Problem Child
Score distribution:
8,567 movie reviews
  1. Good taste is the first fatality in this gonzo thrill-seeker, sure to offend mainstream dispositions, yet too stylistically audacious to dismiss outright.
  2. There's more genuine humor to be gleaned from saying "Woodcock" over and over again than from watching Mr. Woodcock, a wan comic effort barely elevated a few notches by Billy Bob Thornton's passive-aggressive villainy.
  3. An unappealing, stiff melodrama.
  4. Dane Cook sells out arenas with his stand-up act, and Jessica Alba is, well, Jessica Alba, but once "Chuck" exhausts their devoted bases, this doesn't promise to bring much good luck to Lionsgate.
  5. Trifling time-killer.
  6. A dramatic situation that should be wrenching is mostly tedious in Reservation Road.
  7. Dull casting and cliche-ridden writing drain everyone of vividness.
  8. Without the pleasure of watching Cate Blanchett continue the role that launched her to stardom, there would be little to recommend this latest of many cinematic and television accounts of the celebrated monarch's life.
  9. Alternates between unpleasantness and Hallmark-sweet sappiness.
  10. Amounts to a giant cry of "Americans, get engaged!" wrapped in a star-heavy discourse that uses a lot of words to say nothing new.
  11. P2
    What "Psycho" did for the shower, P2 tries very hard to do for the parking garage, spending most of its time below ground, and below an adequate level of convincing dread.
  12. While the pic may be targeting Westerners who want to feel less awful about genocide and global negligence, it's hard to imagine War Dance appealing to that crowd -- or any other.
  13. Harold's thriller does have an attention-getting plot hook, but piles on too many narrative gimmicks to maintain suspense or credibility.
  14. What tyro helmer Miles Brandman serves up is a tortured talkfest with a premise far less ripe than its title.
  15. Neither perfect nor much of a holiday, more like a fruitcake passed around from arthritic aunt to demented uncle -- stale, predictable and made with fossilized ingredients.
  16. A strenuously solemn film that wants to create some kind of American pastoral tragedy out of the nation's current angst with the war.
  17. Attempting to harness multiple genres, pic is brought down by ponderous dialogue (much of it dubbed) and an inability to connect with its characters.
  18. "Ghost" with a brogue, "The Notebook" without the burden of old people, this post-life comedy will have the sentimentally challenged weeping openly, while clutching desperately to the pants-legs of boyfriends and husbands who are trying to flee up the aisle.
  19. This decent if derivative scare machine should benefit from a lack of genre competition.
  20. Banking on the appealing chemistry of Diane Keaton and Queen Latifah -- with co-star Katie Holmes awkwardly upsetting the balance -- this strained heist comedy about three cash-strapped femmes is watchable enough for a few reels, but lacks the requisite wit and amoral energy to capitalize on its get-rich-quick premise.
  21. A near-claustrophobic comedy that manages to be both predictable and preachy. Solid actors in supporting roles offer minor redemption.
  22. A one-note celebration of violence-for-good that plays like a recruitment film for fascist thugs.
  23. Even the weakest "Desperate Housewives" episode packs more heat than this tepid romantic comedy-fantasy, whose basic plot gimmick has been done as far back as "The Ghost and Mrs. Muir."
  24. By-the-numbers item, in which five American college students literally get wasted while tripping out on magic mushrooms in rural Ireland, is OK vid fodder with few real scares and not an ounce of originality.
  25. A listless romantic comedy that, almost out of desperation, turns a little more violent than necessary near the end.
  26. The film toys with audience expectations and perceptions by playing fast and loose with circumstances and clues, while leading to an almost unavoidable and dismayingly obvious conclusion.
  27. It's a quick trip from whimsy to silliness in Be Kind Rewind, a notably ephemeral work by Michel Gondry, whose flights of fancy can't overcome the egregious illogic of the premise.
  28. Conventional where it should be bold and mild where it should be wild, 10,000 BC reps a missed opportunity to present an imaginative vision of a prehistoric moment.
  29. Plainly disappointing as a well-sustained kick-butt thriller, and politically toxic.
  30. A blandly cast and crafted remake of the same-titled 2004 Thai pic that itself emulated J-horror norms, which seemed a lot fresher back then.

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