Variety's Scores

For 1,429 reviews, this publication has graded:
  • 35% higher than the average critic
  • 3% same as the average critic
  • 62% lower than the average critic
On average, this publication grades 8.4 points lower than other critics. (0-100 point scale)
Average TV Show review score: 56
Highest review score: 100 24: Season 1
Lowest review score: 10 The Ten Commandments: Season 1
Score distribution:
  1. Mixed: 0 out of 552
  2. Negative: 0 out of 552
552 tv reviews
    • 69 Metascore
    • 70 Critic Score
    Whether Work of Art winds up engaging with any of those larger questions or simply provides an addictive mix of catfights and craftsmanship, it certainly has the goods to become more than just a knockoff.
  1. Tartly written with good actresses in clearly defined roles, this sitcom hardly breaks new ground but unearths old gags in such unapologetic fashion that it proves reasonably good company.
  2. The payoff, alas, proves a little too pat to be wholly satisfying, but the fun is in watching Longworth stagger around this somewhat novel setting.
  3. While Q is probably more adept at flaunting her butt-kicking skills than emoting, the pilot is head-turning enough to warrant a second look at the show.
  4. Created by Ted Griffin and produced with "The Shield's" Shawn Ryan, Terriers is all about atmosphere. The individual cases aren't particularly enthralling, the characters are kind of a downer, yet each hour ended with enough momentum to drag me somewhat grudgingly into the next.
  5. There's enough comedy content in this first seating to warrant keeping Mike & Molly on the TiVo menu, even if it's not quite love at first bite.
  6. Fortunately, Rappaport is a fairly effective Everyman, and the wince-inducing aspects of the premise quickly fade into standard workplace comedy deriving a twist from its location.
  7. The writers do indulge in a few amusing L.A.-centric detours--including a pointed scene of "reality TV" being filmed, complete with retakes--but there's ultimately no escaping the mostly unchanged (and undeniably durable) formula.
  8. James Gandolfini lends his celebrity to the project, which would have benefited from either greater focus or more time, but nevertheless delivers a sobering message regarding the psychological wounds war inflicts even on survivors.
  9. Granted, the writers recycle so many gags--from the stirring pledge speech to a loopy pot-hazed discussion about time being "a fluid concept"--that there's a temptation to wince at Glory Daze's brazenness. Still, it's all done in such an unabashed way it's sort of hard to stay mad at them.
  10. Being Human isn't nearly as well done as that [AMC's "The Walking Dead"], but the early episodes are likable, if unworthy of love at first bite.
  11. Kathy Bates is just the person to deliver David E. Kelley's tart dialogue, and he surrounds her with enough quirky characters to make this Cincinnati-set spiritual companion to "Boston Legal" a breezy diversion.
  12. Pioneers of Television is a once-over-lightly treatment, admittedly, but it's still a concept worth celebrating.
  13. [Jason Clarke's Jarek Wysocki's] a rich, unpredictable character, and easily the best thing Code has going for it--like the show, just messy enough to be interesting.
  14. Silly in places, the show seldom careens over the top, and manages to elicit periodic laughs from all three of its couplings, though the strategic marital ground war waged between Mike and Lisa will probably resonate best.
  15. The exercise isn't entirely successful, but still proves eminently watchable, indeed almost hypnotic--something only HBO, frankly, would likely bring to the screen in such cerebral, uncompromising form.
    • 58 Metascore
    • 70 Critic Score
    Based on the two episodes available for preview, Restaurant is admirably low on trash-TV antics, lending it additional family-friendly appeal in the 8 p.m. hour leading into another competition, "Celebrity Apprentice."
  16. The show will thus ultimately sink or swim on its protagonist, and while it's a long way back to her TV-medicine internship on "China Beach," Delany can still make scrubs and dialogue about fatal drug combinations and post-mortem wounds sound surprisingly interesting.
  17. Trios of twentysomething slackers are hardly a new construct--see "It's Always Sunny in Philadelphia," among recent examples--but there's always room for more when the group is as brazen, funny and drug-addled as the gang in Workaholics.
  18. After a slow start, the second and third chapters become pretty absorbing, showcasing a first-rate cast--including original series creators Eileen Atkins and Jean Marsh--and an interesting subplot regarding the growing Nazi threat in 1930s Britain.
  19. At times, the chat can become a trifle wonky--more like an academic seminar than mass entertainment. Still, the comics' conflicting styles and easy rapport make the banter amusing enough.
  20. Stacey represents one of those too-good-to-be-true movie teachers, but VanCamp possesses such innate likability that she can make that sense of commitment believable. Nor does it hurt that the producers did an impeccable job casting the various students, including Liam McKanna and Paola Andino as two of Stacey's more significant pupils.
  21. An entertaining if slightly dry account of the 2008 government bailout of the financial industry, as viewed over the shoulder of then-Treasury Secretary Henry Paulson, whose agony is deftly conveyed by William Hurt.
  22. Nobody will confuse this with "L.A. Law" in its prime, but the vibe is similar to that show's more whimsical side--a breezy tone that carries through the handful of episodes previewed.
  23. ABC Family has another bright and bouncy addition to the family--one that with proper care and feeding looks born to run for a good long time.
    • 73 Metascore
    • 70 Critic Score
    Oxygen's The Glee Project--designed to give an unknown performer a seven-episode arc on the Fox series--debuts amid a glut of music-related TV contests, including "The Voice," "America's Got Talent" and "Platinum Hit." Still, undeniable Gleek appeal should be enough to make the fun if formulaic show a basic-cable breakout.
  24. Despite only marginal spring in the exposition-heavy pilot, the promised mix of action, angst and serialized mystery should make for a purr-fect little summer escape.
  25. Written by Liz Kruger and Craig Shapiro and directed by Kevin Dowling, Roughness smoothly exploits the winning combination of Thorne--who practically oozes sex appeal, while still conveying an approachable vulnerability--with the macho NFL setting.
  26. If not nearly as gripping, creepy or tightly constructed as the five-hour "Children of Earth," Torchwood's fourth flight nevertheless remains grand, intellectually stimulating fun--precisely the kind of smart popcorn fare Starz has stated its intention to provide.
  27. At first blush, though, give Alphas high marks for effort and ingenuity, demonstrating a TV show needn't provide major pyrotechnics or a reinvented wheel to lay the groundwork for solid summer entertainment where the characters, somewhat refreshingly, are only sort-of super.

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