Variety's Scores

For 8,924 reviews, this publication has graded:
  • 53% higher than the average critic
  • 3% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 1.8 points lower than other critics. (0-100 point scale)
Average Movie review score: 60
Highest review score: 100 Listen to Me Marlon
Lowest review score: 0 The Hottie & the Nottie
Score distribution:
8,924 movie reviews
  1. The result is a rough-edged, head-scratching mix of tones. Fortunately, musicvideo vet Rhein's competent helming skills counterbalance her off-putting dialogue and flat acting style so that the picture doesn't come off strictly amateur.
  2. This obsessive love story about a guy seeking closure after being dumped by his Latino boyfriend awkwardly juggles screwball and noir elements with macabre black comedy in a mix that calls for a far lighter, more stylish touch than the obvious one at work here.
  3. The filmmakers seem split between doing it straight and gleefully ripping up the genre, and never make up their minds.
  4. The Women is less about getting even than about inspiring that same mushy sense of female empowerment you might find in a Tyler Perry meller, complete with manic mood swings and full-blown diva moments.
  5. An annoying example of self-therapy posing as art.
  6. If the drably derivative, infuriatingly improbable police drama McCanick is remembered for anything, it will be for its uniformly overqualified cast.
  7. A dour study of terrorism, 1880s style, The Secret Agent represents an adaptation of Joseph Conrad's only London-based novel, the fidelity of which to the original text does not yield a terrifically exciting film.
  8. If auds swallow this odoriferous exercise in calculated career repositioning, they'll swallow anything.
  9. Icelandic helmer Baltasar Kormakur ("101 Reykjavik," "Jar City") injects notes of hysteria into the script's frenetic pileup of gratuitous cliches, as Dermot Mulroney pushes his square-jawed, desperate hero to near-masochistic extremes.
  10. Admirably ambitious but ultimately frustrating musical dramedy.
  11. Can't decide whether to be an eccentric black comedy or a middle-of-the-road diversion.
  12. Talky, repetitive and largely covering the same ground with no new thoughts, Ghost in the Shell 2: Innocence is a major let-down.
  13. Comes off as lame and unfocused as its draggy dramatis personae.
  14. There's a great deal of on-the-nose talk here about faith, rationality, sin and so forth. But Chapman's sincerity is undercut by the crudely melodramatic explanations of why his principals believe as they do.
  15. Duly offbeat without ever being very compelling in content or aesthetic.
  16. Watching people take their lives into their hands shouldn't be as tedious as Nitro Circus: The Movie 3D, which could be described as "Jackass" with a death wish (or "Wipeout" without the water).
  17. Franco’s cultivated impenetrability makes for a pain-ridden but peculiarly passionless experience, with multiple clashing subplots — on such insufficiently explored themes as parental abuse, uxoricide and masochism — obstructing an already opaque character study.
  18. The fact that the film isn’t quite boring is about the most one can say for it.
  19. That the film is animated gives it an appropriately magical feel, but it can't save the story from being drowned in devices and stereotype.
  20. Worst of all, it just feels tired and recycled.
  21. The problem with the script by Susser and David Michod, working from a story by Brian Charles Frank, is that Hesher's uncouth behavior is so aggressively pushed to single-minded, crudely exploitative effect.
  22. Overstuffed and fatally miscast, All the King's Men never comes to life.
  23. An ultra-arty "The Sixth Sense" that deliberately inhibits comprehension of the story until the very end -- and arguably continues to inhibit it even then -- pic features certifiably talented people on both sides of the camera collaborating on a project that probably shouldn't have been undertaken in the first place.
  24. Most successful when it is engaging, not uproarious. Glossy amusement is an updated remake of a well-regarded 1950 Brit comedy-drama starring Alec Guinness, improbably retrofitted as a star vehicle for Queen Latifah.
  25. Unfortunately, almost everything about the film is so unbelievable and misjudged that only the most gullible audiences will feel any transporting thrill at the end other than from the movie finally being over.
  26. Like "300" and "Apocalypto," this latest bit of historical balder-dash stands in direct defiance of proven action-movie formulas, trusting its brutal concept and striking visuals to overcome a lack of star power.
  27. A labored screwball comedy about disenchanted people of privilege yearning for fulfillment, pic is full of leaden hijinx directed and played with all the subtlety of a myocardial infarction.
  28. This muscular yet monotonous "Kane" just isn't much fun.
  29. Despite much verbal huffing and puffing, rifle waving and scimitar rattling, Cherkess proceeds with an astounding lack of action.
    • 58 Metascore
    • 40 Critic Score
    A hare-brained wild ride through big surf and bad vibes, Point Break acts like a huge, nasty wave, picking up viewers for a few major thrills but ultimately grinding them into the sand via overkill and absurdity.

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