Village Voice (Consumer Guide)'s Scores

  • Music
For 223 reviews, this publication has graded:
  • 73% higher than the average critic
  • 0% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 9.8 points higher than other critics. (0-100 point scale)
Average Music review score: 82
Highest review score: 100 The Private Press
Lowest review score: 16 A Day Without Rain
Score distribution:
  1. Negative: 2 out of 223
223 music reviews
    • 81 Metascore
    • 67 Critic Score
    It's hard to imagine any of the suckers who fell for the Yankee Hotel Foxtrot hype striving to identify with, say, "Muzzle of Bees." Not impossible. Just hard.
    • 78 Metascore
    • 67 Critic Score
    This is too classical, too romantic, and too I-yam-what-I-yam all at once.
    • 70 Metascore
    • 67 Critic Score
    Granted his major-label production budget in the sky, Tim DeLaughter hones his tunes and dispels woozy comparisons to the Flaming Lips.
    • 83 Metascore
    • 67 Critic Score
    Gibbons's failure to leave the likes of "And I only hear/Only hear the rain" and "Time is but a memory" in her notebook suggests one limitation of her songcraft.
    • 68 Metascore
    • 58 Critic Score
    While the songwriting ain't bad, it also ain't that good.
    • 75 Metascore
    • 58 Critic Score
    Working on the humane assumption that all screamo records can't be equally horrible, the reviewerati have singled out this big-ticket effort... Unburdened by theory, however, I find that its distinction boils down to slightly subtler tunecraft and dynamic range.
    • 82 Metascore
    • 58 Critic Score
    Like most schmoograssers they're committed to virtuosity for its own sake, and like most young musos they've been too focused on technique to learn much about how music interacts with life.
    • 78 Metascore
    • 58 Critic Score
    His voice devoid of Newman-Waits grit, his eclecticism even and controlled where theirs bristles with jokes, oddity, and gusto, how does he expect to connect with anyone but other likable progressives, and rather detached and inscrutable ones at that?
    • 74 Metascore
    • 58 Critic Score
    For her fans, the news is that she's invested her profits in studio musicians. Takes talent to make that more boring than solo acoustic, no?
    • 81 Metascore
    • 58 Critic Score
    Face it, folks--when it comes to putting good old rock 'n' roll on record, a bass player really helps.
    • 63 Metascore
    • 58 Critic Score
    No dolt, she figures it's in her best interest to sound like one--as well as an insider outsider like Gush and Bore, whose horrible lessons in playing it safe she takes to heart.
    • 53 Metascore
    • 58 Critic Score
    Beyond some rich-and-famous irony, not a single suburban detail soils an hour of good intentions. And you know the music overreaches too.
    • 68 Metascore
    • 58 Critic Score
    Occasionally her pushing-30 doubts about the single life are touching, like when she imagines Gavin Rossdale would make a good dad. But after five years, two producers, one Spin cover, and one lead review in Rolling Stone, the single Interscope sent her back to the salt mines for is the best thing on her automatic-platinum follow-up.
    • 82 Metascore
    • 58 Critic Score
    It's not that these songs are all obvious or overdone--this nonfolkie had never heard a few of them. It's that they're so soft they squish even when Alvin tries to rev one past you, which usually he doesn't.
    • 74 Metascore
    • 58 Critic Score
    There are better beats on the damn Jadakiss CD.
    • 74 Metascore
    • 58 Critic Score
    Norah Jones is herself, give her that. I hate to think what this phenom will have to go through to get that far.
    • 62 Metascore
    • 58 Critic Score
    Mediocre pop songs with pretensions.
    • 68 Metascore
    • 58 Critic Score
    Where once these Norwegians were extolled for their subtle melodicism, here their schlock candidly attacks the jugular.
    • 80 Metascore
    • 58 Critic Score
    When she goes ragga on the way out I wish she hadn't been groomed for something bigger and blander. But she made her choice.
    • 79 Metascore
    • 58 Critic Score
    These Danes aren't tuned-in enough for stereotype play.
    • 73 Metascore
    • 58 Critic Score
    These 10 well-culled copyrights, two from the '80s and only four from 2000, are something new and ominous, because they're dull. They smell of equine methane: the old-fart hegemony that fuels alt-country, AC radio, and literary anthologies canonizing Ry Cooder, Ernie K-Doe, and Spooner Oldham.
    • 79 Metascore
    • 58 Critic Score
    There's no economics, no race, hardly any compassion. Joe name-checks America as if his hometown of Berkeley was in the middle of it, then name-checks Jesus as if he's never met anyone who's attended church. And to lend his maunderings rock grandeur, he ties them together with devices that sunk under their own weight back when the Who invented them.
    • 50 Metascore
    • 58 Critic Score
    Inferior to not just Nirvana but Oasis.
    • 40 Metascore
    • 50 Critic Score
    Lest you doubted it, this is grotesque.
    • 56 Metascore
    • 50 Critic Score
    Deeply anonymous.
    • 62 Metascore
    • 50 Critic Score
    It's only a mix record (two mix records, why stint in utopia?), so how bad can it be? Start with four tracks featuring Dead Can Dance and/or Lisa Gerrard. And for that mass appeal--Blade Runner!
    • 69 Metascore
    • 50 Critic Score
    29
    These meanderings are the kind of indulgence that ends label deals.
    • 51 Metascore
    • 50 Critic Score
    The sole outright attraction of her pathologically modest follow-up is "Then Ya Gone."
    • 83 Metascore
    • 50 Critic Score
    He claims his Dave Matthews-sponsored major- label debut was his chance to make a true band record, and I guess his boys are trickier than Crazy Horse, just not in any way you haven't heard before.
    • 61 Metascore
    • 50 Critic Score
    Rainer Maria is the genuine collegiate article: impressionistic and overwrought.