For 6,905 reviews, this publication has graded:
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34% higher than the average critic
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3% same as the average critic
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63% lower than the average critic
On average, this publication grades 7.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 54
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 2,529 out of 6905
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Mixed: 3,060 out of 6905
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Negative: 1,316 out of 6905
6,905
movie reviews
- By critic score
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Reviewed by
J. Hoberman 30
An unappealing, conventional, and somnolent piece of work in which, as glumly directed from David Levien and Brian Koppelman's corny script, every scene feels like it's being played for the second time. -
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Critic Score 30
Draws a belabored association between romance and hip-hop, and it's hard not to wish the parallel lines would hurry up and converge. -
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Reviewed by
Jessica Winter 30
The visual subtleties don't come to bear on the storytelling, unfortunately -- the dialogue is cumbersome, the simpering soundtrack and editing more so. -
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Reviewed by
Nick Rutigliano 30
Sadly, most of Lombardi's movie is too doggedly mediocre to cut loose, overheated (and quite lovely) cinematography notwithstanding. -
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Reviewed by
Dennis Lim 30
The wall-to-wall rap score is as kinetic as the acrobatic fight choreography, and nothing else matters. -
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Reviewed by
Michael Atkinson 30
Brown's saga, like many before his, makes for snappy prose but a stumblebum of a movie. -
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Critic Score 30
Intent on proving that five tough guys in suits walking towards the camera in slow motion really is the coolest thing ever. -
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Critic Score 30
You spend a lot of time wondering, "Better or worse than Glitter?" You think if the projectionist cranked the volume a little you could actually sort of get into this. -
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Reviewed by
Michael Atkinson 30
It's a campy, juiced-up ker-splat, busy with clumsy pyrotechnics and never nearing the vicinity of satire. -
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Reviewed by
J. Hoberman 30
This is a movie about the nature of acting -- or, more specifically, the nature that creates an actress -- centered on what appears to be a spectacularly unconvincing title-role performance. -
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Reviewed by
Dennis Lim 30
Endearing but pointless, at once cluttered and tinny, this film-dork fantasia suggests a shopping spree at a high-end vintage emporium underwritten by Daddy's blank check. -
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Reviewed by
Dennis Lim 30
Amid numerous identical skirmishes with leapfrogging arachnids, trace elements of black comedy and intentional camp are discernible but utterly extraneous. -
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Reviewed by
Dennis Lim 30
It is not, the filmmakers stress, a sequel to "Four Weddings and a Funeral" (which writer Richard Curtis was also responsible for), but it fits the latter-day Hollywood definition of the term -- same movie, only worse. -
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Reviewed by
J. Hoberman 30
A vaguely absurd epidemiological thriller filled with elaborately superfluous setups and shamelessly stale James Bond riffs. -
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Reviewed by
J. Hoberman 30
Intermittently, in attempts to articulate a coherent argument, Collateral Damage shifts from pulse-pounding mode to something more migraine-conducive. -
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Reviewed by
Ed Park 30
If The Last Man were the last movie left on earth, there would be a toss-up between presiding over the end of cinema as we know it and another night of delightful hand shadows. -
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Critic Score 30
The pat reconciliations among family members start to pile up like so much driftwood along the beach. -
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Reviewed by
Michael Atkinson 30
At its most indulgent and posturing, Piñero plays like a movie the man himself might've made, between scores. -
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Reviewed by
Dennis Lim 30
Yet another black comedy that misunderstands and misrepresents the genre. -
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Reviewed by
Jessica Winter 30
L'affaire du collier was a convoluted palace intrigue that Shyer and screenwriter John Sweet don't bother to unpack, crafting instead an endless illustrated Harlequin paperback of mawkish backstory and corset-popping purple prose. -
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Reviewed by
Amy Taubin 30
Part cautionary tale, part moral-uplift saga, Brokedown Palace is as dull as it's absurd. -
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Reviewed by
Jessica Winter 30
Lame even by triumph-of-the-underdog sports-comedy standards. -
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Reviewed by
Dennis Lim 30
Jordan and Kirsten Russell, as the deadbeat-hooker love interest, bring the film to intermittent life, suggesting several more dimensions than the stale, futile scenario ever allows them. -
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Reviewed by
Nick Rutigliano 30
Secret trials and buried atrocities are no match for a plucky (and rich, and svelte) young heroine, least of all Ms. Ashley Judd, who eyebrow-cocks her way through Carl Franklin's witless High Crimes. -
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Reviewed by
Dennis Lim 30
The scenario eventually becomes so coincidence-choked that the filmmakers have no choice but to play it for mild snickers. -
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Reviewed by
Michael Atkinson 30
Cannot help but be merely another debacle that Tammy Faye will survive, eyelashes and integrity intact. -
