For 6,913 reviews, this publication has graded:
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34% higher than the average critic
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3% same as the average critic
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63% lower than the average critic
On average, this publication grades 7.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 54
| Highest review score: |
Critic Score
100
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| Lowest review score: |
Critic Score
0
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Score distribution:
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Positive: 2,534 out of 6913
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Mixed: 3,062 out of 6913
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Negative: 1,317 out of 6913
6,913
movie reviews
- By critic score
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Reviewed by
Michael Atkinson 30
Not only is the dialogue endless...it's like driving behind a 15 mph geezer on a one-way street. -
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Reviewed by
J. Hoberman 30
Performance seems more like eye candy than castor oil in the brave new world of "Freddy Got Fingered." -
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Reviewed by
Michael Atkinson 30
Soft-boiled blarney so sluttish with Hollywood clichés it could've been made in Burbank. -
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Reviewed by
Mark Holcomb 30
A tearjerking romantic confection that, thanks to a reliance on unrestrained psychobabble and melodramatic one-upmanship, is only partially digestible. -
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Reviewed by
Jessica Winter 30
Paul Morrison's relentlessly unsurprising staging of a "Romeo and Juliet" story fetishizes its accelerating tragedies with morbid solemnity. -
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Reviewed by
Jessica Winter 30
Achieves inadvertent pathos via its own obscene irrelevance. -
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Reviewed by
Dennis Lim 30
It's been smoothed over plenty, but this is one creaky, rigged contraption. -
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Reviewed by
Jessica Winter 30
A crystalline curio of dumbshit nihilism shot through with fleeting pathos, Koury's home movie often evokes "The Decline of Western Civilization Part III." -
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Reviewed by
Amy Taubin 30
East/West fusion aside, The Musketeer is a stale Euro-pudding. -
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Reviewed by
Nick Rutigliano 30
Ahearn's maddening game of connect-the-dots is content to collapse inward with honking, preening abandon. -
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Reviewed by
J. Hoberman 30
Exceedingly slow setup and even more tediously static sequence that effectively terminates the movie well before its official running time. -
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Reviewed by
J. Hoberman 30
That this mime show works better than it should is, in a sense, the ultimate dis. -
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Reviewed by
Jessica Winter 30
There are many dramatic possibilities in an interracial lesbian romance set in a provincial town, but Out of Season focuses on the women's fears of commitment, which would be fine - even refreshing - if they seemed to, well, like each other or something. -
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Reviewed by
Amy Taubin 30
Neither as lively nor as tough as the original, and compared to the hardcore punk of "Border Radio," the score for Sugar Town sounds like Muzak. -
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Reviewed by
Dennis Lim 30
A more intuitive writer-director could have extracted a credible study of time-warped bereavement from Jennifer Egan's extensively praised novel, but Adam Brooks's turgid adaptation merely emphasizes the book's stiff contrivances and wobbly characterizations. -
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Reviewed by
Amy Taubin 30
Trades in sitcom stereotypes and crosscuts predictably from family to family as if under the misapprehension that equal time is a dramatic principle. -
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Reviewed by
Michael Atkinson 30
The story is little more than overdetermined trials and triumphs. Kids won't care, but they won't fall for it either; unsurprisingly, it doesn't stand a chance of providing them with the memories the book provided their parents. -
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Reviewed by
Michael Atkinson 30
Fawzi shoots the proceedings in clumsy, gotch-eyed spurts, and the level of incoherence is impressively high. -
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Reviewed by
Michael Atkinson 30
Agazzi's movie rather provincially hints at sexiness, humor, and satire without actually manifesting them. -
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Reviewed by
Dennis Lim 30
Sputters to a dead halt right out of the gate. One labored scenario follows another. -
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Reviewed by
Michael Atkinson 30
85 percent explosions and editing idiocy (a window can't break without director Peter Hyams cutting between five different angles) and 15 percent Arnold trying to grow a third dimension. Seeing him try for "sad" is like watching a dog try to talk. -
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Reviewed by
Michael Atkinson 30
Beautifully shot and littered with disquieting character business, the film is hog-tied by its own bad Big Idea. -
