Wall Street Journal's Scores

  • Movies
  • TV
For 2,252 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 2.6 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Mother
Lowest review score: 0 Henry Fool
Score distribution:
2,252 movie reviews
  1. It's a new and inspired vision of a familiar state of being -- teenage anomie amidst the crumbling wreckage of a middle-class American family. In the space of 78 minutes, Mr. Van Sant and his cinematographer, the peerless Christopher Doyle, manage to suffuse that state with haunting sadness, ubiquitous danger, pulsing power and flickers of hope.
  2. The images captured by the film - dancers in theatrical sets, dancers in surreal exterior settings - are deeply scary for their loneliness and pain, and crazily thrilling for the intensity of their joy.
  3. A phenomenal debut feature with a terrific title, David Michôd's Animal Kingdom is both a study in Darwinian survival-in this case survival of the shrewdest-and a group portrait of ruthless predators in the underworld of Melbourne, Australia.
  4. Visually Hugo is a marvel, but dramatically it's a clockwork lemon.
  5. The film succeeds on its own terms — an exciting entertainment that makes us feel good about the outcome, and about the reach of American power, rather than its limits. Yet the narrative container is far from full. There isn't enough incident or complexity to sustain the entire length of this elaborately produced star vehicle.
  6. The Lego Film has a specialness all its own. There's never been a hodgepodge quite like it.
  7. With someone else in the central role, Gloria might have been cloyingly sentimental or downright maudlin. With Ms. García on hand, it's a mostly convincing celebration of unquenchable energy.
  8. [(Cher's) never been better. [5 Jan 1988, p.22(E)]
    • Wall Street Journal
  9. The most elegantly crafted and confidently directed of all his (Cronenberg's) films, it's a calm, chilling portrait of a blighted soul and, just as calmly but quite stunningly, an evocation of the thought processes behind the blight.
    • Wall Street Journal
  10. This film is cunningly crafted in every detail--direction, script, performances, comic timing, special effects--from thunderous start to delicious finish.
  11. Stunning and, in the aggregate, almost overwhelming. This is not a feel-good travelogue, and Mr. Salgado has never pretended to be a cockeyed optimist.
  12. More than a musical offering, it’s a study in boundless passion, plus a wellspring of wisdom about art and life from a man who sees no dividing line between the one and the other.
  13. This unique enterprise, which began as a documentary experiment almost a half century ago, has grown into an inspiring testimonial to the unpredictability of the human spirit.
  14. The best of Up in the Air--meaning most of it--is right up there with the fresh and sophisticated comedies of Hollywood's golden age.
  15. Zachary Heinzerling's feature-length documentary gathers force slowly, but with such wisdom and calm mastery that I found myself stunned, toward the end, by the beautiful vastness of it all.
  16. Here's an entertainment to warm the heart of anyone who grew up (or failed to) on the formative joys of action movies.
    • Wall Street Journal
  17. As an evocation of English working-class life half a century ago, it feels utterly authentic, and is ennobled -- not too strong a word, I think -- by Imelda Staunton's performance in the title role.
    • Wall Street Journal
  18. Demanding, quietly breathtaking film.
    • Wall Street Journal
  19. What makes The Flat mesmerizing is its wealth of historical detail. What makes it universal is what it says about families everywhere - that children, being children, don't want to know what their parents are up to, and that grown-ups, being human, don't want to credit troubling facts that conflict with what they need to believe.
  20. See The Magdalene Sisters for its own sake; the performances alone are inspirational. But see it too as an example of how powerful a feature film still can be in the hands of an impassioned filmmaker.
    • Wall Street Journal
  21. What's so affecting about him in the film, though, is that he doesn't seem monstrous at all. To the contrary, Iron Mike, having meted out epic suffering in the ring and other venues, seems to be a man who has suffered genuinely, even terribly, in the course of a life that he never believed would last 40 years.
  22. As director, Mr. Branagh and his cameraman have chosen to shoot his film tight and drab, a style that allows the actors to speak the poetry without affect. Nothing's prettified. [09 Nov 1989]
    • Wall Street Journal
    • 83 Metascore
    • 90 Critic Score
    A deeply moving story of resilience and redemption.
  23. It Follows finally loses track of itself in a silly climax. All the same, it’s one more stylish reminder of how readily we the people can be creeped out.
  24. An elegant horror film, starring Johnny Depp and Helena Bonham Carter, that takes pleasure in its own theatricality, gives pleasure with caustic wit, trusts the power of Stephen Sondheim's score and exults in flights of fancy that only a movie can provide.
    • Wall Street Journal
  25. Red Army is about many things — politics and sport, service and servitude, integrity trumped by money. Most memorably, though, it celebrates a good man living a great life by his own lights.
  26. What makes the film enthralling is the wisdom and grace with which it addresses the twin subjects of grief and healing, and the quiet beauty of Mohamed Fellag's performance in the title role.
  27. Awash in terrific performances.
    • Wall Street Journal
  28. It's powerful entertainment. [22 Sept 1992, p.A16(E)]
    • Wall Street Journal
  29. It's exciting, stirring, often funny, sometimes lyrical and unusually thoughtful. And, with that one egregious exception, genuinely pleasurable.

Top Trailers