Wall Street Journal's Scores

  • Movies
  • TV
For 2,428 reviews, this publication has graded:
  • 42% higher than the average critic
  • 2% same as the average critic
  • 56% lower than the average critic
On average, this publication grades 2.5 points lower than other critics. (0-100 point scale)
Average Movie review score: 59
Highest review score: 100 Amour
Lowest review score: 0 Lethal Weapon 3
Score distribution:
2428 movie reviews
  1. With someone else in the central role, Gloria might have been cloyingly sentimental or downright maudlin. With Ms. García on hand, it's a mostly convincing celebration of unquenchable energy.
  2. [(Cher's) never been better. [5 Jan 1988, p.22(E)]
    • Wall Street Journal
  3. The most elegantly crafted and confidently directed of all his (Cronenberg's) films, it's a calm, chilling portrait of a blighted soul and, just as calmly but quite stunningly, an evocation of the thought processes behind the blight.
    • Wall Street Journal
  4. This film is cunningly crafted in every detail--direction, script, performances, comic timing, special effects--from thunderous start to delicious finish.
  5. More than a musical offering, it’s a study in boundless passion, plus a wellspring of wisdom about art and life from a man who sees no dividing line between the one and the other.
  6. This unique enterprise, which began as a documentary experiment almost a half century ago, has grown into an inspiring testimonial to the unpredictability of the human spirit.
  7. The best of Up in the Air--meaning most of it--is right up there with the fresh and sophisticated comedies of Hollywood's golden age.
  8. Zachary Heinzerling's feature-length documentary gathers force slowly, but with such wisdom and calm mastery that I found myself stunned, toward the end, by the beautiful vastness of it all.
  9. Here's an entertainment to warm the heart of anyone who grew up (or failed to) on the formative joys of action movies.
    • Wall Street Journal
  10. As an evocation of English working-class life half a century ago, it feels utterly authentic, and is ennobled -- not too strong a word, I think -- by Imelda Staunton's performance in the title role.
    • Wall Street Journal
  11. Demanding, quietly breathtaking film.
    • Wall Street Journal
  12. Red Army is about many things — politics and sport, service and servitude, integrity trumped by money. Most memorably, though, it celebrates a good man living a great life by his own lights.
  13. What makes The Flat mesmerizing is its wealth of historical detail. What makes it universal is what it says about families everywhere - that children, being children, don't want to know what their parents are up to, and that grown-ups, being human, don't want to credit troubling facts that conflict with what they need to believe.
  14. See The Magdalene Sisters for its own sake; the performances alone are inspirational. But see it too as an example of how powerful a feature film still can be in the hands of an impassioned filmmaker.
    • Wall Street Journal
  15. What's so affecting about him in the film, though, is that he doesn't seem monstrous at all. To the contrary, Iron Mike, having meted out epic suffering in the ring and other venues, seems to be a man who has suffered genuinely, even terribly, in the course of a life that he never believed would last 40 years.
  16. As director, Mr. Branagh and his cameraman have chosen to shoot his film tight and drab, a style that allows the actors to speak the poetry without affect. Nothing's prettified. [09 Nov 1989]
    • Wall Street Journal
    • 83 Metascore
    • 90 Critic Score
    A deeply moving story of resilience and redemption.
  17. This sneaky shocker of a debut feature —sneaky because it’s so good at depicting the sisters’ joyousness before, and even after, darkness descends — was directed by Deniz Gamze Ergüven from a script she wrote with Alice Winocour.
  18. It Follows finally loses track of itself in a silly climax. All the same, it’s one more stylish reminder of how readily we the people can be creeped out.
  19. An elegant horror film, starring Johnny Depp and Helena Bonham Carter, that takes pleasure in its own theatricality, gives pleasure with caustic wit, trusts the power of Stephen Sondheim's score and exults in flights of fancy that only a movie can provide.
    • Wall Street Journal
  20. Many of the boxing genre’s conventions are observed in the screenplay by Mr. Coogler and Aaron Covington, and the fight sequences are brutally effective.... But the film is full of life and loose humor...and Creed often transcends the genre by playing with movie mythology.
  21. What makes the film enthralling is the wisdom and grace with which it addresses the twin subjects of grief and healing, and the quiet beauty of Mohamed Fellag's performance in the title role.
  22. Awash in terrific performances.
    • Wall Street Journal
  23. It's powerful entertainment. [22 Sept 1992, p.A16(E)]
    • Wall Street Journal
  24. Ms. Muylaert’s guiding principle seems to have been fearlessness, and her film, which was shot by Barbara Alvarez, is superb on all counts.
  25. It's exciting, stirring, often funny, sometimes lyrical and unusually thoughtful. And, with that one egregious exception, genuinely pleasurable.
  26. Thrillers aren't always so thrilling, but Tell No One is -- and absorbing, sometimes perplexing and often stirring as well.
  27. Exquisite images, poignant humor, echoes of cinema history and a sense of having watched genuine magic.
  28. Denis Villeneuve's screen adaptation of a play by the Lebanese-Canadian playwright Wajdi Mouawad tells a story-masterfully-of courage, cruelty, family mysteries and a chain of anger that can only be broken by love.
  29. Gives us the same sort of perverse pleasure that's been a staple of "60 Minutes" over the years -- watching world-class crooks tell world-class lies.
    • Wall Street Journal

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