Wall Street Journal's Scores

For 683 reviews, this publication has graded:
  • 62% higher than the average critic
  • 3% same as the average critic
  • 35% lower than the average critic
On average, this publication grades 3.5 points higher than other critics. (0-100 point scale)
Average TV Show review score: 69
Highest review score: 100 True Detective: Season 1
Lowest review score: 10 Category 7: The End of the World: Season 1
Score distribution:
  1. Mixed: 0 out of 483
  2. Negative: 0 out of 483
483 tv reviews
  1. In this superbly conceived series, the stakes grow higher, the desperation for victory ever deeper.
  2. [A] captivating series created by Ann Biderman--sharply written, sophisticated even at its most melodramatic, with first-class performances throughout.
  3. What makes it uniquely entertaining are Mr. Rock's and co-creator Ali LeRoi's humorous insights into the terrors of adolescence and their tart observations about harsh realities of the wider world.
  4. Its capacity to maintain an unyielding grip on your attention becomes similarly evident fast, as does one's strong sense that that grip isn't going to weaken anytime soon.
  5. It was impossible to imagine anything like the gripping power of Life According to Sam.... Not long into the film, it becomes difficult to look at anyone but Sam--who has by sheer force of his intelligence, his unmistakable assurance, become a magnetic presence.
  6. The Last Tycoon--from Billy Ray and Christopher Keyser, executive producers and writers--has, in addition to its looks, superb writing, wit and huge ambition, its grasp of the passionate political heart of the era. There are no dead spots.
  7. The question of whether Malvo is a Satan or some kind of avenging angel is what helps elevate Fargo above the realm of merely clever black comedy.
  8. The people of Orange offer some of the best times, and company, to be found on TV.
  9. [The best way] to view The Girl as an exquisitely lurid morality play in the Hitchcock style.
  10. [Bill Nighy] is the riveting, breath-stealing, can't-take-your-eyes-off-him center of drama where every actor and every moment is like that, too.
  11. The glorious new PBS mystery series Grantchester is a revelation on two fronts and unforgettable on both. It turns back the clock to solve crime in a different era, offering respite from the world around us now even as it reveals how little ever changes about the human heart.
  12. It's clear that all that has made "24" so huge and deserved a success is on display again in these first smashing episodes.
  13. It is, in its artfulness and drama, a smashing pilot and--from the evidence of the next episodes--a reliable indicator of the quality to come.
  14. Golden Boy is packed with fine performances, but no amount of actorly talent could have done for this series what its intelligently twisty plots, its nuanced dialogue bearing a distinct resemblance to human exchange--even from the mouths of TV police detectives--has done.
  15. The stories are complex and contemporary, with references to a remembered past. But it's easy to forget the past--the present Sherlock, droll yet naive, is so wonderfully weird.
    • 40 Metascore
    • 90 Critic Score
    It doesn't happen very often that halfway into the pilot for a new show, you're already looking forward to subsequent episodes just to find out more about the characters you've glimpsed in the first few minutes.
  16. Its vivid, cliché-free writing has always been In Treatment's singular strength. That's even truer in its riveting new season--no small accomplishment.
  17. The Americans unfolds a thoroughly seductive tale of sleeper KGB agents.
  18. A superbly stylish and scary French drama with no equal in its genre.
    • 78 Metascore
    • 90 Critic Score
    The first two episodes reveal a show that will benefit greatly from the time and space to develop story arcs, and to exhibit the same cinematic grandeur that distinguished “Breaking Bad.” The pace is a bit quicker, there’s more obvious humor. But the level of ambition is very much the same.
  19. All of which adds up to drama--which includes a fine turn by Bill Murray--of a notably high order.
  20. It is even more excruciating -- which in this case means better -- than last year's.
  21. Each week the story unfolds like a tapestry, its intricate stitches slowly creating not just a scene but a whole world. It's a world to get lost in, but not always easy to endure.
  22. The best of current food TV. ... The measurements on GBBS are in metric and Celsius. But there are no conversion tables necessary for the sentiments expressed.
  23. The Americans returns for a third season packed with tension, raw-nerve melodrama and enough levels of ambiguity, moral and psychological, to satisfy the most gluttonous appetite for the stuff. With, in short, all that has distinguished this series from its beginning.
  24. Whether thanks to the absence of those phones or not, there’s no missing the ebullience that courses through this splendidly realized drama of ambition, of workplace ties that bind--that brings it roaring spectacularly to life.
  25. The Canadian wilderness scenery is spectacular and the cast is even better.
  26. The narrative is so intense and the details are so rich that you can forget to breathe.
  27. Beautiful, painful, almost lovingly languid but never, ever boring.
  28. A series about 911 responders comes with built-in advantages in the drama department. Even so, there’s no missing the exceptional depth of detail, the emotional range and enterprise that undergird standard events—trying, for instance, to breathe life back into a swimmer knocked unconscious—and make them affecting.

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