Wall Street Journal's Scores

  • Movies
  • TV
For 1,969 reviews, this publication has graded:
  • 41% higher than the average critic
  • 2% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 3.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 58
Highest review score:
Critic Score 100
Lowest review score:
Critic Score 0
Score distribution:
1,969 movie reviews
  1. No screen portrait of a king has ever been more stirring-heartbreaking at first, then stirring. That's partly due to the screenplay, which contains two of the best-written roles in recent memory, and to Mr. Hooper's superb direction.
  2. Up
    I'm still left, though, with an unshakable sense of Up being rushed and sketchy, a collection of lovely storyboards that coalesced incompletely or not at all.
  3. Give yourself away to this movie and you'll be glad you did.
  4. Apart from a singer named You who plays Keiko, the members of the cast are non-professionals. You may find that hard to believe when you see this astonishing film, as I hope you will.
  5. Astonishingly vivid. The illusion of reality is so nearly complete in this magnificent French-language film by the Belgian filmmakers Jean-Pierre and Luc Dardenne that the screen becomes a perfectly transparent window on lives hanging in the balance.
    • Metascore: 87
    • Critic Score 70
    Ms. Armstrong's Little Women, which has enough sugar to make your teeth sing, if not your heart. [29 Dec 1994]
  6. The malignity can be oppressive -- this is a far cry from Fellini finding poignant uplift in the slums -- but the dramatic structure is complex, the details are instructive, and the sense of tragedy is momentous.
  7. What's so remarkable about their decadeslong campaign, though, is how desperation led to inspiration - to the inspired notion that they, as nonscientists, could still take their fate in their own hands.
  8. The illusion is seamless and the pleasure is boundless.
  9. Crumb pulls us in with rich detail, and with what it says, or suggests, about art, drugs, psychology and the subconscious.... Like last year's "Hoop Dreams," this documentary does justice to a great subject. [08 Jun 1995]
  10. A remarkable -- and harrowing -- debut feature that makes you think there's hope after all for the future of independent films.
  11. The film's power also lies in the honesty of its observation. Though Gyuri survives unfathomable horrors, he can't forget them and, in the end, doesn't want to. They're the only history he has.
  12. Haunting, troubling documentary.
  13. I can't pretend to understand the intricacies of the Buddhist belief system that informs the surreal story, or the fantasy system in which Boonmee, embodying Thailand, recalls his nation's history and shimmering myths. Yet no effort of understanding is needed to be moved by Boonmee's descent into a limestone cave shaped like a womb.
  14. Brokeback Mountain aspires to an epic sweep and achieves it, though with singular intimacy and grace.
  15. Working on a scale that's minuscule by studio standards, the Dardenne brothers have made yet another movie that does what Hollywood used to do - keep us rapt, and leave us grateful.
  16. Part 2 of The Deathly Hallows, is the best possible end for the series that began a decade ago.
  17. There are worlds within the startling world of Murderball.
    • Metascore: 87
    • Critic Score 90
    Mr. Herzog's perspective is an invaluable balance to Mr. Treadwell's as the animal advocate approaches what seems like madness.
  18. Never before, though, have statistics added up to such electrifying entertainment. After the mostly minor-league productions of recent months, this movie, which was directed by Bennett Miller, renews your belief in the power of movies.
  19. Right makes might in Takashi Miike's excellent-and exceedingly violent-remake of a 1966 Japanese classic by Eiichi Kudo.
  20. Mr. Day-Lewis works famously, and phenomenally, from the inside out. The mystery at the core of his gorgeous performance, which is enhanced by Mr. Kushner's script, has to do with his masterly grasp of Lincoln's quicksilver spirit.
  21. Where the film shines is in its vivid and affecting portrait of Tillman himself. Instead of the square-jawed hero memorialized by the army and lionized by the news media, we get to know a man of many gifts for many seasons.
  22. Slumdog Millionaire is the film world's first globalized masterpiece.
  23. [Crowe] knows how to shape a scene and he's never cheap with characterization; adults are permitted to be as complex as their children; a rare event in pictures. [18 May 1989, p.A14(E)]
  24. It is thoughtful, unfashionable, measured, mostly honest, sometimes clumsy or remote, often exciting, occasionally moving and eventually surprising. It's correct.
  25. It is, simply and stirringly, a kind of beau ideal of education, a vision of how the process can work at its best.
  26. A thrillingly funny and casually profound film.
  27. Go underground with magic glasses on your nose and you won't regret it.
  28. The kind of movie they don't make any more -- a seriously beautiful, deliberately paced drama that meanders for a while at the pace of a summer romance, then explodes with phenomenal force.