Washington Post's Scores

For 1,070 reviews, this publication has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this publication grades 10.5 points lower than other critics. (0-100 point scale)
Average TV Show review score: 54
Highest review score: 100 Murder One: Season 1
Lowest review score: 0 Almost Human: Season 1
Score distribution:
  1. Mixed: 0 out of 443
  2. Negative: 0 out of 443
443 tv reviews
  1. Gripping ... It sure gets off to a spine-tingling, heart-pounding start. [19 Sep 1994]
    • Washington Post
  2. By the third episode, Fargo confidently stretches in a direction that is uniquely satisfying.
  3. Although Recount is a smashing success on almost every level, it's also a brutally disheartening experience for the story it tells.
  4. Lost actually gives every sign of knowing where it's going and what it's doing. It's solid, suspenseful and fraught with frights. The Big Scary Monster may be a corny touch, but who's to say what does and doesn't exist on those mysterious uncharted islands where, for example, King Kong once holed up. Lost has the capacity to bring out the kid in adults and the adult in kids. [22 Sept 2004, p.C.01]
    • Washington Post
  5. It's the most savory new series of the season, the one most likely to engage the emotions, stir the heart, touch the soul -- a comedy with tears that celebrates family and memory and the rich ingredients that make up the American melting pot. [20 Sep 1991]
    • Washington Post
  6. Even though this is not the strongest season opener in the history of the series, it still makes most of the sitcoms on the broadcast networks look weak of knee and soft of head. [13 Nov 1996]
    • Washington Post
  7. Enlightened comes through with a triumphant eight-episode arc that broadens its characters, quickens the pace and finishes strong.
  8. Lie to Me seems an unusually meaty, thoughtful and thought-provoking crime drama--another police procedural, yes, but one with a dramatic and mesmerizing difference. The strength of the premise combined with first-class production make this easily one of the season's best new shows.
  9. Boardwalk Empire is doing what I wish Prohibition had done--it's tempting me to stick around for one more.
  10. Cleverly constructed and invigoratingly ambitious in design ... '24' has tension and density that set it well apart from the pack. [6 Nov 2001]
    • Washington Post
    • 86 Metascore
    • 90 Critic Score
    Scenes fold into themselves and mutate with a chaotic precision not seen since Python. [23 Oct 1997]
    • Washington Post
  11. Community stands on its own intangible excellence.
  12. The fact that Barr's show seems cut so authentically out of middle-class experience gives it a solid familiarity from first encounter. ... "Roseanne" is really different and really funny. [18 Oct 1988]
    • Washington Post
  13. So much in the Freaks and Geeks premiere is shrewdly, tenderly and sagaciously observed that one wonders whether there'll be enough material left for additional episodes. Probably. [25 Sept 1999, p.C01]
    • Washington Post
  14. Dharma & Greg goes beyond merely funny all the way to enchanting. There's nothing momentous or groundbreaking about the new ABC sitcom, but it's good-hearted, lightheaded and delightful, a kind of miracle cure for the blues -- especially the blues you might get from most of the other new sitcoms this season. [24 Sept 1997, p.D01]
    • Washington Post
  15. Mike Judge, creator of "Beavis and Butt-head," made a darn good try at a seriously funny workplace comedy with his 1999 film "Office Space," but Gervais and Merchant have even greater success. "The Office" is hilarious in a very hip and flippant way. [30 Jan 2003]
    • Washington Post
  16. It’s a precise, sharply executed sendup of the high-tech, billionaire-making culture and economy of Facebook/Google/Apple/Amazon/Yahoo that has infiltrated (“disrupted,” as they say) contemporary life. Better still, Silicon Valley is also here to make you laugh.
  17. As full of wit and mischief as it was last year. [11 Oct 1990]
    • Washington Post
  18. The lovingly and imaginatively produced pilot has to be the most gorgeous piece of television airing anywhere tonight.
  19. Great Migrations lets us be amazed rather than telling us to be, and the amazement quotient is, yes, amazingly high.
  20. Another satiric triumph from Matt Groening. [27 Mar 1999]
    • Washington Post
  21. Hauntingly effective.... Going Clear’s only small problem is how much of Wright’s book it tries to cram into two hours.
  22. Former fans of "Twin Peaks" who feel that show has become too ridiculous to bear may find the snowy terrain of Northern Exposure a pleasing substitute. The series seems to have struck a happy balance: just ridiculous enough. [8 Apr 1991, p.C2]
    • Washington Post
  23. Big Bang is the funniest new sitcom of the season.
  24. [An] endearingly ribald six-episode dramedy import from British TV.
  25. Elliot may just be another of TV’s millennial hackers-in-hoodies, but Malek’s subtle yet strong performance indicates that there is something wounded and believable about this kid, drawing out the viewer’s sympathies--and suspicions.
  26. Elementary exhibits enough stylish wit in its mood and look to quickly distinguish itself from the latest British "Sherlock" series.
  27. The instant the duct tape is ripped off his mouth by his captors, a certain Saul-ness kicks in and Odenkirk’s talent is on full display as Jimmy delivers a pleading, philosophical monologue on--among other things--the awful nature of revenge.
  28. Judging only the pilot episode, the banter between them (Dean Winters and Josh Duhamel) can be fun and Gilligan’s influence lends a nice, creepy sheen to the notion that menace lurks anywhere, even (or especially?) in the upper Midwest.
  29. Gotham respectfully riffs on the DC canon, but it’s a whole lot better when it experiments with--and even subverts--the oft-trod territory of Batworld.

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