Washington Post's Scores

For 964 reviews, this publication has graded:
  • 39% higher than the average critic
  • 2% same as the average critic
  • 59% lower than the average critic
On average, this publication grades 10.8 points lower than other critics. (0-100 point scale)
Average TV Show review score: 54
Highest review score: 100 The Wire: Season 4
Lowest review score: 0 Stalker: Season 1
Score distribution:
  1. Mixed: 0 out of 387
  2. Negative: 0 out of 387
387 tv reviews
  1. Although it starts out on a glib, dopey note--as "Mission: Preposterous" crossed with "Ocean's Eleven"--the new TNT series Leverage develops with surprising swiftness into a decent, watchable action drama about wrongs being righted and bad guys getting what's coming to them.
    • 74 Metascore
    • 70 Critic Score
    New technology is good. The latest educational research is good. This new crew is a superhero team we could support--even if we don't quite understand how Wordball solves crimes. None of that was ever what the original "Electric Company" was about, though.
  2. "Love Monkey" is easy to dismiss yet hard to dislike.
  3. If it isn't pure gold, it still has bright, shiny moments--and unlike so much of what's on TV these days, it's much more likely to make you laugh than cry.
    • 65 Metascore
    • 70 Critic Score
    When the designers are alone in the sewing room, trading catty insults, hemming until their fingers bleed, Fashion Show feels like great guilty pleasure TV. But when the sewing-room door opens, you can't help expecting--and wishing--that it'll be Tim Gunn.
  4. It sounds gimmicky and visually tedious, with most of the so-called action taking place in a conference room. It's all those things, but the moments of misery make it memorable.
  5. It isn't innovative or brilliant, but there's some kind of joy to be had from watching the parts of the machine fit together just right and operate slickly and smoothly.
  6. The fizzily entertaining pilot of White Collar works hard to establish a vibe of style and smarts, and almost gets the job done.
  7. It's a pleasant mix of a little "Juno" hipitude and a lot of "Everwood" glow, and just when it comes dangerously close to feeling like an excessively cool tampon commercial, its characters compel you to keep watching.
  8. But sprawl it must. "True Blood" is a soap opera at its core, which is why it is so overpopulated with sexy characters.
  9. Covert Affairs (could there be any title that sounds more like being stuck at the airport with nothing to read?) at least does us the favor of introducing storylines that transcend the usual case files.
  10. Shows like those lean more toward seriousness and away from the colorfully ridiculous old comic books. Although this often strikes non-fanboys and non-fangirls as woefully atonal, it mostly works here, but it would be nice if No Ordinary Family had more humor about it.
  11. Every detail has been attended to, every format and traditional segue honored; there is absolutely nothing to quibble over with the show's tone and pace. Which is, itself, a quibble.
  12. What makes Teach: Tony Danza worth watching are the teenagers themselves and the glimpses of other teachers who make the place work. Danza, meanwhile, becomes an irritating, whirling, self-aggrandizing bundle of nerves.
  13. Just a dose of the show leads to sweaty palms and heightened anticipation--always a good sign. It's funny how little it takes: Everything about the way Million Dollar Money Drop is built relies on one modern game-show trope after another.
  14. As stupid as it looks, and as much as you can hate yourself for watching, it's a complex show about the nature of sin. There's a tendency to examine it too cerebrally in that regard, to think of Jersey Shore as pure performance art. Sometimes critics can be wrong in typing too many words.
  15. Not everyone is going to respond to its purposeful languor and subliminal intent. Winslet is at once wonderful and yet enigmatically blank--very much as written in Haynes's and Jon Raymond's screenplay.
  16. All of which is to say that even for the most open minds, Game of Thrones can be a big stein of groggy slog. On the plus side, the first six episodes are impressively free of sorcery and special effects, and instead rely on the stuff of any deeply dark HBO epic: corruption, deceit, illicit sex (incest in this case), unflinchingly gory violence, and a willingness to kill off a prominent character or two in the service of plot.
  17. It's often difficult for them to shed the topical baggage they are made to carry and simply be themselves. Still, if you stick with them, you'll see Treme becoming a well-paced work of fiction rather than see Treme spending too much effort speaking truth to an indifferent power.
  18. The film, which kicks off HBO's long, annual summer of well-curated documentary offerings on Monday nights, is certainly absorbing. For those only vaguely familiar with the competitive chess circuit (or even the game's 1,500-year history), Bobby Fischer Against the World is both an easy introduction and a thorough recounting of Fischer's improbable rise to superstardom some 40 years ago.
  19. Ostensibly an objective inquiry into the tragedy, the film is perhaps better interpreted as a study in the infinite and even seemingly inappropriate ways that people experience profound grief.
  20. Even with the cross-pond cultural differences, young adults who are perennially baffled by their aging boomer parents will feel right at home here.
  21. An engaging yet taciturn new miniseries.
  22. Sing Your Song is broad and complete, but like most biographical documentaries of legendary performers that we've seen of late, it is also hagiographic.
  23. The result was assured, quick-paced and enjoyably flavored with a few spicy dashes of Brian Williams's dry rub.
  24. The show seems markedly improved from its earlier efforts and somehow more confident in its writing and sense of nuance. It's also funnier.
  25. Enough happens to keep you from changing the channel, but there are hints of a show that could get dull fast.
  26. Smash is a case where not bad is plenty good enough.
  27. Tiny flaws come close to undermining the success of Game Change as a mere film.
  28. The show misses its mark--but not by much and not in any objectionable way.

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