Washington Post's Scores

For 1,303 reviews, this publication has graded:
  • 40% higher than the average critic
  • 3% same as the average critic
  • 57% lower than the average critic
On average, this publication grades 9 points lower than other critics. (0-100 point scale)
Average TV Show review score: 57
Highest review score: 100 Arrested Development: Season 2
Lowest review score: 0 Just the Ten of Us: Season 1
Score distribution:
  1. Mixed: 0 out of 577
  2. Negative: 0 out of 577
577 tv reviews
  1. Deliberately or not, the show throttles back on the experimental narrative arcs; fans of the early seasons might be relieved to see Louie is once again mostly about a single father and stand-up comedian and some of the people he knows.
  2. "Larry Sanders" seems to be continuing waspishly along on track, blurring the line between reality and fantasy in wry, inventive ways, using a show biz milieu to comment on a lot more than just show biz. [2 Jun 1993]
    • Washington Post
  3. The overall effect of Master of None is one of fullness and fun.
  4. A thoroughly enjoyable if less impressive second season.
  5. It’s among the best detective shows--and perhaps even among the best dramas--in several years. It will break your heart and keep you guessing all the way through.
  6. It joins "Planet Earth" and "Life" to reign as a triumvirate in Best Buy showrooms. Nothing looks better, sounds better.
  7. Sherlock is too often a petulant know-it-all, which grows tiresome and makes a viewer painfully aware that each episode is 90 minutes long.... Sherlock's redundancies are improved by a couple of longer story arcs.
  8. "The Larry Sanders Show" is brilliantly brilliant, wonderfully wonderful and hilariously hilarious, the next step in the evolution of the television talk show and a contribution to the betterment of viewerkind. [14 Aug 1992]
    • Washington Post
  9. Game of Thrones is like no other TV show around right now--brilliant, exasperating, enthralling, and, if you let it become so, hard work.
  10. There’s more to talk about here than the mystery of gender and relationships. Transparent is the best show we have right now about personal identity--of any and all human kinds.
  11. This is good, strong procedural television that respects the art form and commands our attention.
  12. The episodes surf hypnotically along, succeeding less on thematic concerns and more on Atlanta’s unerring knack for portraiture. The show introduces us to its world and its inhabitants without declaring its intent in every other scene.
  13. The Corner is strong, solid storytelling, but it's more than that. It's an act of enlightenment, raw and shattering and strangely, inexplicably, beautiful. [15 Apr 2000, p.C01]
    • Washington Post
  14. what else can I do but yap excitedly and try to get you to watch one of the best shows on TV right now? The first four episodes of the new season will not disappoint fans.
  15. The People v. O.J. Simpson isn’t flawless, and it probably won’t stand up to the sort of factual scrutiny that still swirls around its subject matter, but it is ambitiously imagined, surprisingly responsible and practically unerring in tone and pace.
  16. Without ever being too on-the-nose, Insecure has something to tell its audience about the lived experience of seeking life and career successes while black.
  17. There also aren’t many words left to describe why Veep keeps working as well it does.
  18. Astounding and sobering. ... It clocks in at 18 hours--a length as daunting as its subject, yet worth every single minute of your time. I’ll go so far as to call it required viewing, before you watch anything else on TV that will come (and probably go) this fall season.
  19. It’s a compelling but also consistently depressing series, and, in its lack of gloss, unlike anything else on the prime time schedule. It’s not going to help matters that this season has exchanged some of American Crime’s clarity for more cloudiness, which I’m sure is Ridley’s intent.
  20. n terms of character and ambitious writing and acting, Orange Is the New Black is certainly one of the best shows going, however you choose to watch it
    • 89 Metascore
    • 100 Critic Score
    With Boomtown, you are likely to feel a much stronger emotional investment than with lesser crime dramas. In the final moments of the premiere, the drama reaches a level that is almost poetically tragic and terribly haunting...Ambitious, artful and sometimes ingenious, Boomtown is the best and least compromised new network drama series since "ER," and in its own way, just as much of a breakthrough. [28 Sept 2002, p.C01]
    • Washington Post
  21. It is intelligent, witty, quick-paced and surprising; it is tragic without being emotionally devastating.
  22. It’s a gloriously thoughtful wallow in the subtle and sometimes even insecure ways that families and friends relate to one another.
  23. Arrested Development is very animated but it is not a cartoon. Cartoonish, perhaps, but it is filled with real actors playing surreal people, all of whom have frighteningly identifiable traits and tics. Together they are the Bluths, the latest and at this moment greatest of TV's dysfunctional families. Dysfunctionalism has rarely been as ingratiating or, certainly, as hilarious.
  24. This new season starts off strong.
  25. The absence of gimmickry and the presence of respect for the story and the audience give The Wire organic advantages over nearly all other TV dramas, whether they deal with cops and crime or birds and bees. Which is to say: If you want to see the television of tomorrow, it's on HBO tonight.
  26. The first five episodes of Season 2 are as good or better as what we saw in Season 1.
  27. The first six episodes (which I've watched, dutifully at times) draw you in but sometimes feel overstuffed, overproduced and weirdly gauzy where the series means to be an exercise in crisp, razor-sharp filmmaking.
  28. The Roosevelts delivers on its subtitle, drawing such a full and close portrait of the extended clan and their social and political circles that a viewer can’t help but feel connected to them, faults and all.
  29. Sherlock moves swiftly and intelligently but also a little too coldly, like a long commercial for better WiFi..... Cumberbatch’s take on Holmes’s narcissism can come off as skeevishly robotic. If not for Freeman’s deeper, more human work as Watson, the style would soon go sterile.

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