• Network: PBS , ITV1 , ITV
  • Series Premiere Date: Jan 9, 2011
  • Season #: 1 , 2 , 3
Downton Abbey Image
Metascore

Universal acclaim - based on 26 Critics What's this?

User Score

Generally favorable reviews- based on 63 Ratings

  • Summary: Season three begin in 1920 as Mary and Matthew prepare for their wedding, Carson trains O'Brien's nephew to take over as the new footman, and Lord Grantham's investments threatens the estate.
  • Genre(s): Drama
Score distribution:
  1. Positive: 26 out of 26
  2. Mixed: 0 out of 26
  3. Negative: 0 out of 26
  1. Reviewed by: Sohrab Ahmari
    Jan 4, 2013
    100
    Downton has returned with all its powers intact, not least its power to mesmerize its armies of devoted fans.
  2. Reviewed by: Ellen Gray
    Jan 4, 2013
    80
    If you've loved every minute of Downton Abbey up to now, you'll likely still love it this season.
  3. Reviewed by: Robert Lloyd
    Jan 4, 2013
    80
    This year, by contrast [to last year], the drama flows more naturally; it cuts closer to home, and nearer the bone, allowing Smith and McGovern, particularly, deeper material than has previously been their portion
  4. Reviewed by: Joanne Ostrow
    Jan 4, 2013
    80
    This is put-your-feet-up, pour-a-brandy television, a tasty import that's good company for a culture undergoing its own sometimes dizzying shifts.

See all 26 Critic Reviews

Score distribution:
  1. Positive: 6 out of 9
  2. Negative: 2 out of 9
  1. Julian Fellowes has done it again. Series 3 of Downton Abbey is just as excellent as its predecessors. The first season was absolutely incredible, with every storyline providing a wonderful story by itself. The second season, while still fabulously written and well acted, was too founded on melodrama to make me truly love it, though I still liked the series greatly. This current series, the third series, is just as good, if not better, than the first series.

    Maggie Smith still anchors the cast with her deliciously snarky performance as the Dowager Countess, with Elizabeth McGovern and Hugh Bonneville continuing their great work as the Earl and Countess of Grantham. Jim Carter, Joanne Froggatt, and Phyllis Logan continue their strong work, as do Jessica Brown-Findlay, Rob James-Collier, Siobhan Finneran, Lesley Nicol, Sophie McShera, Amy Nuttall, Kevin Doyle, and Allen Leech. Michelle Dockery, after giving brilliantly subtle, emotionally suppressed performances in the first 2 series, gives by far her most emotional characterization this season, especially in the series' first episode. Mirroring her, Dan Stevens also amps up his acting, providing some scenes that are simultaneously heartbreaking, infuriating, and emotionally painful. After becoming somewhat a character of annoying habits and nitpicks, Penelope Wilton's Cousin Isobel receives a welcome role renewal and is allowed to show her underrated acting abilities once again. Laura Carmichael is also terrific in showing the pain agony her character must endure and then trying to find herself and her place in the rapidly changing world. Unfortunately, the more and more episodes I watch, the less and less I like Mr. Bates and the more and more I like Anna. My distaste for Bates comes not from the character himself, but from Brendan Coyle's monumentally annoying portrayal of him. His constant whispering is maddening at best and downright infuriating a good portion of the time. Coyle's annoying characterization aside, this show has left behind any negative parts of its melodramatic streak in series 2, and has blossomed anew. Shirley MacLaine's presence is brilliant and every one of her lines is perfectly delivered. Her banter with Maggie Smith is a high point.

    Period detail-wise, the show just keeps delivering. The costuming is spot on every time. Even if I had no idea of the point in history when I began, I knew immediately it was the 20s when Mary donned her blue proto-flapper dress and hat in the first episode. John Lunn's fabulous music is still just as terrific as always, and Nigel Willoughby's cinematography is just as beautiful as always. The tracking shots are possible the best since Thomas Schlamme's flawless walk-and-talk one in Aaron Sorkin's works, especially The West Wing.

    I don't know how many series are ahead, but all I can say is I hope it never ends.
    Expand
  2. I still really like this show, but this season I felt like I was watching a show that was written, rather than seeing something that really happened. The people in the show seem like real people still. But the situations they get put into seem very much the work of writers. Expand
  3. 6
    This review contains spoilers, click expand to view. The season 3 finale was AWFUL!! Really? Kill off Sybil in Season 2 finale (around childbirth) and now let's kill off Matthew in the Season 3 finale (on the day of the birth of his child). Lacks originality or thought or creative writing..... ridiculous, sooooo disappointing. UGH!! Not sure that I will continue watching and I have been an avid fan.... Expand
  4. 3
    This review contains spoilers, click expand to view. I'm very surprised to see that this season has been well received. to me it's like a Latin telenovela where terrible tragedies strike every character. spoiler having two main characters die after their birth of their baby seems ridiculous. it's sad that the story line went this way after an incredible first season. Expand

See all 9 User Reviews

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