Alan Sepinwall
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For 667 reviews, this critic has graded:
  • 48% higher than the average critic
  • 2% same as the average critic
  • 50% lower than the average critic
On average, this critic grades 2.8 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

Average review score: 62
Highest review score: 100 Louie: Season 4
Lowest review score: 0 Work It : Season 1
Score distribution:
  1. Negative: 77 out of 667
667 tv reviews
    • 85 Metascore
    • 80 Alan Sepinwall
    Thanks to committed performances from Cumberbatch and Freeman, and clever writing from Moffat and Gatiss, most of it works splendidly.
    • 86 Metascore
    • 80 Alan Sepinwall
    Though I enjoyed NBC’s pilot for Community a little bit more, "Modern Family" has as assured and entertaining a start as you could hope for.
    • 69 Metascore
    • 80 Alan Sepinwall
    Life Unexpected turns out to be a warm, sweet, fun family dramedy. The three leads are very likable, the stakes just high enough for the show to not seem inconsequential
    • 78 Metascore
    • 80 Alan Sepinwall
    I've seen five Archer episodes--and laughed frequently and loudly at all five.
    • 75 Metascore
    • 80 Alan Sepinwall
    Midway through the first season, Lawrence, Biegel and the other writers realized their cast was so funny together that the wisest course was to just put everyone together as often as possible, let everyone be goofy, and see what happened. By the end of the season, it was often funnier many weeks than the "Modern Family" episode leading into it. And even with Aniston's guest appearance tonight, this is still the show that Cougar Town became at mid-season last year.
    • 75 Metascore
    • 80 Alan Sepinwall
    s a pleasure to report that Gossip Girl launches its fourth season with two confidently satisfying episodes. Because the episodes are designed almost as a stand-alone chapter, I can't say for sure if this bodes well for the season to come, but hey... Good Gossip Girl.
    • 75 Metascore
    • 80 Alan Sepinwall
    This is a very smart, well-produced, great-looking cop show, one that does familiar things but does them in interesting ways.
    • 66 Metascore
    • 80 Alan Sepinwall
    That's Shameless in 30 seconds or less: messy, overcrowded, unapologetically frank and, at times, darkly funny.
    • 88 Metascore
    • 80 Alan Sepinwall
    The other six episodes I've seen have their ups and downs, but that's kind of the nature of the beast with comedies that push the outer edge of the envelope of taste and common decency; their batting average will be lower than their comedy peers, but their slugging percentage will be higher.
    • 84 Metascore
    • 80 Alan Sepinwall
    The new season starts a bit slow.... But it's all laying the groundwork for a gripping, almost nightmarish second half of the season in which the life of every member of the Gregson family seems in danger of splintering as badly as Tara's psyche.
    • 75 Metascore
    • 80 Alan Sepinwall
    While there was plenty these four could have continued to talk about, there was never a point where I felt they missed something obvious because they didn't know the others and what they do well enough.
    • 55 Metascore
    • 80 Alan Sepinwall
    It’s not perfect, but it’s easily the most restrained--and satisfying--Kelley series since those first couple of years of “The Practice.”
    • 86 Metascore
    • 80 Alan Sepinwall
    The show's as cynical as ever, but it doesn't feel nearly as empty. Selina's more of an actual character--and has become an accomplished slinger of four-letter verbiage in her own right--and even if the team's screw-ups remain inevitable, the ways in which they screw up feel far less predictable.
    • 70 Metascore
    • 75 Alan Sepinwall
    Falling Skies is exactly what you'd expect it to be, only a very good example of it (and is at its best in Sunday's pilot), and an ideal summer series. For once, Spielberg and company got it right on the small screen.
    • 64 Metascore
    • 75 Alan Sepinwall
    The Shannons overall are about the last reason I would recommend this show, after the cool visuals, some effective action set pieces and the expected strong supporting performance by Stephen Lang.
    • 68 Metascore
    • 75 Alan Sepinwall
    The female leads are appealing, the world promising and the pilot much more clear-eyed and less compromised in its view of the era than "Playboy Club" is.
    • 65 Metascore
    • 75 Alan Sepinwall
    If Jane Timoney continues to be an interesting character--and if the characters around her become three-dimensional enough to stand plausibly with or against her--then this could hearken back not only to the original "Prime Suspect," but "NYPD Blue," "Homicide," etc.
    • 70 Metascore
    • 75 Alan Sepinwall
    It feels fairly honest, and more interesting and relevant than most.
    • 79 Metascore
    • 75 Alan Sepinwall
    The show as a whole moves briskly and confidently.
    • 64 Metascore
    • 75 Alan Sepinwall
    The formula doesn't always work (insert memories of your least favorite "Grey's" story arc here), but when it does, Rhimes is as successful at tugging for the heartstrings as anyone in the business.
    • 75 Metascore
    • 75 Alan Sepinwall
    Grammer is outstanding enough on his own to merit watching....Boss as a series, though, still doesn't seem like it's quite there.
    • 73 Metascore
    • 75 Alan Sepinwall
    So while Elementary fits a little too comfortably into the CBS lineup (in the timeslot "The Mentalist" was in last year), its specific approach to Holmes and Watson, and the way that Miller and Liu interact, makes the show work on its own less ambitious terms.
    • 68 Metascore
    • 75 Alan Sepinwall
    Quaid and Chiklis will keep me watching for a while, but in the long run I'd like to see a more ambitious approach to the material.
    • 74 Metascore
    • 75 Alan Sepinwall
    If it's not exactly "Gilmore Girls 2: Acoustic Boogaloo," it's close enough to be reassuring--and, on occasion, distracting.
    • 65 Metascore
    • 75 Alan Sepinwall
    With a cast this good, and with so many potentially juicy conflicts already in play, I'm going to take a more optimistic point of view than Elaine Barrish (Sigourney Weaver) might.
    • 75 Metascore
    • 75 Alan Sepinwall
    The supporting cast was better used, there were occasional touches of humor beyond Monroe, they mythology didn't just feel like a retread of bits from "Buffy," "Angel," etc., and I even thought leading man David Giuntoli had gotten better.
    • 72 Metascore
    • 75 Alan Sepinwall
    If you're not meant to think too hard about what's happening, then "Sons" largely succeeds at its goals, particularly given the performances, the direction (led by Emmy winner Paris Barclay) and Sutter and his writers' talent for crafting gut-wrenching individual moments.
    • 67 Metascore
    • 75 Alan Sepinwall
    The first episode is more of a pleasant experience that holds the promise of something better down the road.
    • 73 Metascore
    • 75 Alan Sepinwall
    Arrow is a competently-made superhero drama with an appealing lead performance from Stephen Amell.
    • 83 Metascore
    • 75 Alan Sepinwall
    Downton in season 3 is still a soap opera (as it was in season 1, as well), but it's a smarter one; it's harder to see the puppet strings Fellowes is pulling this year to get to his desired outcomes.

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