Alan Sepinwall
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For 705 reviews, this critic has graded:
  • 49% higher than the average critic
  • 2% same as the average critic
  • 49% lower than the average critic
On average, this critic grades 2.4 points lower than other critics. (0-100 point scale)

Alan Sepinwall's Scores

Average review score: 63
Highest review score: 100 Louie: Season 3
Lowest review score: 0 Work It : Season 1
Score distribution:
  1. Negative: 79 out of 705
705 tv reviews
    • 57 Metascore
    • 50 Alan Sepinwall
    The actual version of Unforgettable is so plodding and serious.
    • 63 Metascore
    • 50 Alan Sepinwall
    There's nothing annoying about it, but there's also nothing memorable.
    • 78 Metascore
    • 50 Alan Sepinwall
    They're flashy and can be briefly shocking or funny or even moving, but the more they go over-the-top, the less impact they have for me.
    • 56 Metascore
    • 50 Alan Sepinwall
    The Newsroom is convincing as a faux newscast. It's less convincing as good television.
    • 58 Metascore
    • 50 Alan Sepinwall
    Simon, Sydney and their colleagues work in a giant office that seems much too underpopulated, just as the first episode feels like a rough draft.
    • 80 Metascore
    • 50 Alan Sepinwall
    The show is trying to depict a good cross-section of the city's cop culture. But the scenes with the uniform cops - Ben McKenzie as a young quick study, Michael Cudlitz as his gruff but clever training officer - are just much more vibrant and memorable than anything with the detectives.
    • 55 Metascore
    • 50 Alan Sepinwall
    It isn't until the werewolf-themed fourth episode that "Dresden Files" finally gives you a trick worth applauding. Hopefully, there's more of that to come.
    • 68 Metascore
    • 50 Alan Sepinwall
    Even though the performances, the writing, directing, etc., are uniformly strong, The Riches is just too unpleasant to make a weekly commitment to.
    • 65 Metascore
    • 50 Alan Sepinwall
    Ballers isn't especially bad, but nor is it especially good.
    • 58 Metascore
    • 50 Alan Sepinwall
    Like most of [Starz's] shows, though, it's all flash and no substance, and the flash fades pretty quickly, no doubt right around the point the production accountant realized just how much it costs to film extended sequences with ships in water.
    • 67 Metascore
    • 50 Alan Sepinwall
    Take away the various visual, audio and tonal flourishes that distinguished the original, and you have a bunch of familiar American actors--the cast also includes Mark Pellegrino, Jeremy Sisto, Kevin Alejandro and Michelle Forbes--standing around slack-jawed, demonstrating minimal curiosity over why this is happening and what it means.
    • 82 Metascore
    • 50 Alan Sepinwall
    It has so much going for it on paper -- notably Mary-Louise Parker as a pot-dealing soccer mom -- but the series' creators remain so pleased with themselves that they're rarely as funny as they obviously think they are. [13 Aug 2007]
    • Newark Star-Ledger
    • 74 Metascore
    • 50 Alan Sepinwall
    My problem with the film is that it's all surface.
    • 63 Metascore
    • 50 Alan Sepinwall
    Even with all the changes in front of and behind the camera, Smash is fundamentally the same show with the same problems.
    • 63 Metascore
    • 50 Alan Sepinwall
    Every beat of that material is predictable and clumsy and unfunny.
    • 63 Metascore
    • 50 Alan Sepinwall
    Like "Queer as Folk," The L Word is essentially a mediocre soap opera in soft-core porno drag. There's lots of hot, sweaty, half-naked bodies, but the heads attached spend so much time droning on and on and on about their mundane lives and loves that the sex scenes just feel like an intermission in between all the tepid girl-on-girl dialogue. [16 Jan 2004, p.55]
    • Newark Star-Ledger
    • 64 Metascore
    • 50 Alan Sepinwall
    I like her a lot, but the shaggy-dog nature of the storytelling... made the comedy miss about as often as it hit for me.
    • 44 Metascore
    • 50 Alan Sepinwall
    Anger Management is Charlie Sheen doing what Charlie Sheen does-- on-screen. It's not artful, it's not elegant.
    • 44 Metascore
    • 50 Alan Sepinwall
    There are some likable actors here, and funny moments here and there, but the two episodes I've seen suggest a show not in the league of the established comedies NBC has on that night.
    • 56 Metascore
    • 50 Alan Sepinwall
    Reaper takes several steps back--and a few steps sideways--suggesting a drunken all-nighter may be in order, if it hasn't happened already.
    • 50 Metascore
    • 50 Alan Sepinwall
    The Flashpoint pilot is competent, but very retro (there's an extended sequence of the team driving to a crisis point with their sirens blaring, the sort of thing that went out 15 years ago) and fairly dull.
    • 53 Metascore
    • 50 Alan Sepinwall
    Some of the performances are good, particularly by Deschanel (who gets to sing near the end, good news for anyone who saw "Elf"), McDonough and Cumming, but solid acting and monkeys flying out of, um, someplace aren't enough to justify spending six hours over three nights on a labored attempt to make a classic children's story seem grown-up and cool.
    • 48 Metascore
    • 50 Alan Sepinwall
    For this show to work long-term, its human characters have to become richer--and funnier--so that they can evolve with the audience long post the point where the writers have run out of tricks that Crystal and her various winged or four-legged co-stars can do.
    • 58 Metascore
    • 50 Alan Sepinwall
    By starting the story so long before the deaths of Sharon Tate and Manson's other victims, though.... the next several episodes devote most of their time to the detectives investigating crimes that either tangentially involve Manson or have nothing at all to do with him, but are there to fulfill the Case of the Week structure most network procedural cop shows depend on.
    • 49 Metascore
    • 50 Alan Sepinwall
    There aren't any particularly wince-inducing moments, but nor are the various grabs for the heartstrings as successful as they are when "Grey's" is at its best. No lows, but no highs, either.
    • 66 Metascore
    • 50 Alan Sepinwall
    V has to rise and fall on its story and its characters. Based on the pilot, both of those areas are spotty.
    • 66 Metascore
    • 50 Alan Sepinwall
    At times "Cold Case" feels like an assembly-line product, slick and shiny but a bit rushed and impersonal. [23 Sep 2003]
    • Newark Star-Ledger
    • 39 Metascore
    • 50 Alan Sepinwall
    The problem is that Zero Hour is either unwilling or unable to be that crazy all the time.
    • 50 Metascore
    • 50 Alan Sepinwall
    It's an odd little show, often more David Lynch than David Milch, and after three episodes I'm still not sure I understand it all.
    • 55 Metascore
    • 50 Alan Sepinwall
    There's a potentially good supernatural cop show to be made, and certain pieces in place to make this into that. But the version you'll see on NBC tonight seems to be embracing the show's likely failure by being something few will miss if it doesn't work out.

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