Alessandra Stanley
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For 468 reviews, this critic has graded:
  • 57% higher than the average critic
  • 2% same as the average critic
  • 41% lower than the average critic
On average, this critic grades 0.7 points lower than other critics. (0-100 point scale)

Alessandra Stanley's Scores

Average review score: 64
Highest review score: 100 The Office (UK): Season 2
Lowest review score: 10 Hellcats: Season 1
Score distribution:
  1. Negative: 28 out of 468
468 tv reviews
    • 66 Metascore
    • 70 Alessandra Stanley
    The show may not be quite as artistically or intellectually refined as HBO cult favorites like The Sopranos or Six Feet Under, but Platinum is well made, imaginative and fun.
    • 65 Metascore
    • 70 Alessandra Stanley
    The first three episodes are beguiling enough to suggest that beneath the show's mystique there is a mystery worth puzzling. But there is also the mystery of how long viewers' curiosity can stay piqued.
    • 65 Metascore
    • 80 Alessandra Stanley
    [Mom is] both both wittier and sweeter than the new Fox show "Dads."
    • 57 Metascore
    • 60 Alessandra Stanley
    Imagine what “Boston Legal” would look like if Jerry Bruckheimer were in charge instead of David E. Kelley.
    • 65 Metascore
    • 70 Alessandra Stanley
    Mr. Baker keeps The Mentalist easy on the eyes and brain.
    • 65 Metascore
    • 50 Alessandra Stanley
    The premise of You’re the Worst is amusing, but the lines don’t match it. Once Gretchen and Jimmy get out of bed and back to their lives--he’s a writer, she’s a publicist--You’re the Worst gets a little better.
    • 65 Metascore
    • 70 Alessandra Stanley
    This Jane is not as morally spent and self-interested as Ms. Mirren's character, but she has an unusual and appealing roughness around the edges.
    • 65 Metascore
    • 60 Alessandra Stanley
    They each have a glorious, fearsome secret, and can truly confide only in one another. But it's not clear whether this series--a hybrid of family drama and graphic novel--can sustain interest once the premise is fully established.
    • 65 Metascore
    • 80 Alessandra Stanley
    "Prison Break"... is more intriguing than most of the new network series, and it certainly is one of the most original.
    • 65 Metascore
    • 70 Alessandra Stanley
    The pilot's mutilated corpse and offbeat clues are intriguing, and Ms. Sedgwick has a compelling screen presence, though her accent is too generic to pass as authentic.
    • 65 Metascore
    • 60 Alessandra Stanley
    The characters on Surviving Jack, like those on “Growing Up Fisher,” are more appealing and a little more nuanced. But they both are feel-good comedies that seem written to make their creators, more than the audience, feel good. Neither is as funny and durable as "The Middle."
    • 65 Metascore
    • 70 Alessandra Stanley
    "Sleeper Cell" is better than "24."
    • 65 Metascore
    • 80 Alessandra Stanley
    Once the show gets going, and it takes more than one episode to do so, The Leftovers bores into the characters and the fissures that crack their community so astutely that the cause is almost secondary.
    • 65 Metascore
    • 50 Alessandra Stanley
    Mr. Fallon is a charming and gifted comedian who on his first night chose to be subdued and at times even serious. That said as much about the uncertain future of Tonight as it did about its new host.
    • 65 Metascore
    • 90 Alessandra Stanley
    Mr. Colbert's on-camera persona may not wear well over the long term, but for now at least "The Colbert Report" is a worthy spinoff, an icy-cold beer chaser to the shot of whiskey that is "The Daily Show."
    • 65 Metascore
    • 70 Alessandra Stanley
    This half-comic, half-serious soap opera à clef could be awful, but instead it is surprisingly fun.
    • 65 Metascore
    • 80 Alessandra Stanley
    Trust Me, a TNT series set in a Chicago advertising agency, is clever and likeable.
    • 64 Metascore
    • 70 Alessandra Stanley
    It’s an enjoyable, straightforward espionage tale without a lot of twists or extra layers.
    • 64 Metascore
    • 60 Alessandra Stanley
    There is plenty to enjoy, but not much to applaud. At its best fashion celebrates originality; The Fashion Show feeds on imitation.
    • 64 Metascore
    • 80 Alessandra Stanley
    Bored to Death is as idiosyncratic and delightful in its own way as “Curb Your Enthusiasm."
    • 64 Metascore
    • 50 Alessandra Stanley
    Rock Center is still a work in progress, so it's hard to judge how it will fare.
    • 64 Metascore
    • 70 Alessandra Stanley
    This is not perhaps the most daring or avant-garde comedy on television, but there is nothing shameful about Hot in Cleveland. It's actually kind of fun.

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