Amy Nicholson
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For 153 reviews, this critic has graded:
  • 54% higher than the average critic
  • 3% same as the average critic
  • 43% lower than the average critic
On average, this critic grades 3.8 points lower than other critics. (0-100 point scale)

Amy Nicholson's Scores

  • Movies
  • TV
Average review score: 56
Highest review score: 100 Blue Ruin
Lowest review score: 0 3 Geezers!
Score distribution:
  1. Positive: 61 out of 153
  2. Negative: 30 out of 153
153 movie reviews
    • 88 Metascore
    • 90 Amy Nicholson
    Grand Budapest is Anderson's most mature film, and his most visually witty, too. It's playful without being self-congratulatory, and somehow lush without being cloying.
    • 86 Metascore
    • 90 Amy Nicholson
    Nebraska is the antidote to other family charmers about goofballs in matching sweaters.
    • 84 Metascore
    • 100 Amy Nicholson
    Director Rian Johnson's resulting film, a cornfield neo-noir, is the coolest, most-confident sci-fi flick since 2006's "Children of Men."
    • 82 Metascore
    • 90 Amy Nicholson
    Lord and Miller do great work within constraints, taking pre-made pieces and fashioning them into feats worthy of applause. It's no wonder they made a Lego movie — and it's no wonder it's so good.
    • 79 Metascore
    • 80 Amy Nicholson
    For the small but enthusiastic documentary crowd and the comic's diehard fans, it's a must-see.
    • 79 Metascore
    • 70 Amy Nicholson
    In its small moments, say when Walhberg sighs that his robe misspells "Micky," The Fighter feels clued-in to the very small, very tough world of a man trying to make his way out of his block-and after getting to know his family, you want to help him pack his bags.
    • 77 Metascore
    • 100 Amy Nicholson
    As an action film — which in small bursts it is — Blue Ruin is disquieting and raw, like Commando turned inside out.
    • 77 Metascore
    • 90 Amy Nicholson
    Gleeson is one of the finest actors we have, and in casting him as the lead, McDonagh stacks the deck so that regardless of our own religious reservations, we're forced to care about Father James as a man.
    • 75 Metascore
    • 90 Amy Nicholson
    The masterstroke of Frank, the film ex-Sidebottom collaborator Jon Ronson has now co-written, is that this time the man in the mask is a modern Mozart. And, unsparingly, Ronson has written himself as the jealous goober who risks everything, with the delusion that he's the smart one.
    • 75 Metascore
    • 90 Amy Nicholson
    It's impossible to watch The Punk Singer and not ask if feminism is dead. That's a fair starting question. But a better one is what if it isn't — what if we've just stopped recognizing it?
    • 75 Metascore
    • 90 Amy Nicholson
    Obvious Child is perfect for those who want more honesty in fiction.
    • 74 Metascore
    • 50 Amy Nicholson
    Future Past starts fast and never slows down. There's not a line of dialogue that isn't exposition... What fun there is slips in through director Bryan Singer's visuals.
    • 74 Metascore
    • 40 Amy Nicholson
    Torn between making sense and arguing that the world itself makes no sense, Prisoners is a captive of its own ambitions.
    • 74 Metascore
    • 80 Amy Nicholson
    Joe
    Joe is Cage's periodic reminder that he's one of his generation's great talents.
    • 72 Metascore
    • 70 Amy Nicholson
    Cumberbatch, a tweedy Brit with an M.A. in Classical Acting and a face like a monstrous Timothy Dalton, has beefed up to become a convincing killer. He's brutal and bold, and the film around him isn't bad either.
    • 72 Metascore
    • 40 Amy Nicholson
    Director Steven Spielberg doesn't have a steady grip on War Horse's careening tone, but he'll be damned if there's not 15 minutes in there for everyone.
    • 71 Metascore
    • 80 Amy Nicholson
    It's less interesting watching them do what they both feel they have to do -- talk about their craft -- especially as both give off the prickly energy of artists who would rather create than explain. They're more comfortable asking one another questions, even though the answers are shrugged off humbly.
    • 71 Metascore
    • 50 Amy Nicholson
    The raw ingredients of Raid 2 are superb. But the overall effect is gluttonous and queasy.
    • 71 Metascore
    • 80 Amy Nicholson
    Smart, empathetic and wholly believable.
    • 71 Metascore
    • 70 Amy Nicholson
    The Wile E. Coyote fatalities are fun, but it's that repetitive moment of horror that holds this bipolar stunt together: Cruise, bug-eyed and gasping for breath as he shakes off his fear and grimly prepares for the next suicide mission.
    • 70 Metascore
    • 80 Amy Nicholson
    The script is solid, and the fight scenes are excellent.
    • 70 Metascore
    • 50 Amy Nicholson
    Laguionie's animation is a lovely jumble of thick lines and saturated pastels...But while the artist-as-deity concept was flattering enough to get The Painting nominated for a 2012 Cesar Award, its big ideas about equality and friendship are flatly 2-D.
    • 70 Metascore
    • 70 Amy Nicholson
    Évocateur: The Morton Downey Jr. Movie is as fair a portrayal the weak-chinned warrior will get — and fairer than he deserves.
    • 69 Metascore
    • 60 Amy Nicholson
    The bad news is that if you haven't seen "Thor," "Captain America" and "Iron Man 2" - that's six hours and three minutes of homework - The Avengers won't make sense. The good news is if you're a human under the age of 45, you probably already have.
    • 68 Metascore
    • 60 Amy Nicholson
    For all its empathy and equilibrium, The East has nowhere to go after the script backs itself into a corner.
    • 68 Metascore
    • 60 Amy Nicholson
    Land Ho! feints toward pathos and perversity, only to decide that it's better off giving us abridged, postcard emotions.
    • 68 Metascore
    • 50 Amy Nicholson
    Chef is so charmingly middlebrow that it's exactly the cinematic comfort food it mocks: Favreau has made not a game-changing meal to remember, but a perfect chocolate lava cake.
    • 68 Metascore
    • 80 Amy Nicholson
    What lingers in Nathan's documentary isn't the swaggering trails of diesel fumes. It's the sadness of watching Pug narrow his options.
    • 68 Metascore
    • 90 Amy Nicholson
    Nicholas Stoller's hilarious Neighbors splashes into summer with the satisfying swish-plop-hooray of a winning beer pong serve.
    • 67 Metascore
    • 80 Amy Nicholson
    Esparza's cast of unknowns is so fresh and raw that the drama could be mistaken for a documentary if the camera work weren't so controlled.