Andrew O'Hehir
Select another critic »
For 1,419 reviews, this critic has graded:
  • 65% higher than the average critic
  • 2% same as the average critic
  • 33% lower than the average critic
On average, this critic grades 9.6 points higher than other critics. (0-100 point scale)

Andrew O'Hehir's Scores

  • Movies
  • TV
Average review score: 69
Highest review score: 100 Amour
Lowest review score: 0 Identity Thief
Score distribution:
1,419 movie reviews
    • 85 Metascore
    • 90 Andrew O'Hehir
    Although Turtles Can Fly is a lyrical, often lovely film with touches of humor, it's also a remorseless tragedy that doesn't offer its child protagonists any false redemption.
    • 85 Metascore
    • 100 Andrew O'Hehir
    An Education captures the very limited possibilities for female liberation in early-'60s London -- with massive social change on the distant horizon, but not here yet -- in exquisite detail.
    • 85 Metascore
    • 90 Andrew O'Hehir
    What contemporary relevance you may find in Alfredson's chilly, marvelously acted and gorgeously composed new film of Tinker Tailor Soldier Spy - is a highly individual question.
    • 85 Metascore
    • 80 Andrew O'Hehir
    It's a complex and defiant fable of American life run just slightly off the rails, delivering all the impact of "Crash" without the phony-baloney paradoxes or brick-in-the-face message delivery.
    • 85 Metascore
    • 90 Andrew O'Hehir
    Well, if you care about movies, I'm telling you to carve out time for Vincere, a strange and powerful blend of historical fact and dreamlike imagination that captures both the charisma and the murderous madness of the young Benito Mussolini.
    • 85 Metascore
    • 90 Andrew O'Hehir
    It's an electrifying, suspenseful film, full of street-level political drama.
    • 85 Metascore
    • 90 Andrew O'Hehir
    A terrifically crafted little movie that bounces off current events and the nation's downbeat mood ingeniously, and that it variously suggests comparisons with the early work of Terrence Malick, Stanley Kubrick and the Coen brothers. Yeah, I think it's that good, but please note that I also said "little."
    • 85 Metascore
    • 80 Andrew O'Hehir
    Fascinating quasi-documentary about Norma Khouri.
    • 85 Metascore
    • 80 Andrew O'Hehir
    Amy
    Kapadia is a London-born filmmaker who approached Winehouse’s life, as he did that of Brazilian racing legend Ayrton Senna in his thrilling 2011 “Senna,” as a dramatic story with numerous twists and turns and a magnificent and tragic figure at its center.
    • 85 Metascore
    • 80 Andrew O'Hehir
    A thrilling ride and a sometimes dry, sometimes sweet comedy, but beneath all that is a humane and tragic view of life worthy of the greatest films. Even those without rubber monsters.
    • 85 Metascore
    • 90 Andrew O'Hehir
    Junger and Hetherington take our conflicted ideas about war and its let's-make-a-man-out-of-you purpose and throw them in our faces, in a way "Hurt Locker" never does.
    • 85 Metascore
    • 90 Andrew O'Hehir
    The Tree of Life is pretty much nuts overall, a manic hybrid folly with flashes of brilliance. But even if that's true it's a noble crazy, a miraculous William Butler Yeats kind of crazy, alive with passion for art and the world, for all that is lost and not lost and still to come.
    • 85 Metascore
    • 100 Andrew O'Hehir
    In this quiet, beautiful and terrifying fable about a group of lost pioneers, Reichardt combines epic ambition with a focus on intimate, personal detail.
    • 85 Metascore
    • 90 Andrew O'Hehir
    Fruitvale Station is a document of irreparable grief and paradoxical hopefulness; it launches the careers of two immensely talented young African-American artists and offers the possibility that Oscar Grant’s life, while it was much too short and ended so dreadfully, served a higher purpose in the long arc of history.
    • 84 Metascore
    • 100 Andrew O'Hehir
    Whatever sense you make (or don't) of the spectacular, hallucinatory Holy Motors, it's the coolest and strangest movie of the year, and once it gets its druglike hooks in your brain, you'll never get them out again.
    • 84 Metascore
    • 90 Andrew O'Hehir
    May well be the most exciting documentary of the year so far. I guess it took a British director, David Sington, to capture the story of the dozen American men who walked on the moon -- the only human beings in our species history yet to visit another celestial body.
    • 84 Metascore
    • 100 Andrew O'Hehir
    Austrian director Spielmann has long awaited discovery by a wider world, and for my money the gorgeous, brooding, unpredictable neo-noir Revanche is one of the year's best films.
    • 84 Metascore
    • 90 Andrew O'Hehir
    Extraordinary.
    • 84 Metascore
    • 100 Andrew O'Hehir
    Rapturous and hilarious.
    • 84 Metascore
    • 100 Andrew O'Hehir
    Chang's images of the Yangtze and the new megacities replacing the villages on its banks are spectacular, and his cast of characters rival any fiction film I've seen recently.
    • 84 Metascore
    • 100 Andrew O'Hehir
    Elegant but never overstated, sinister but never coldhearted, this is a note-perfect masterwork on a modest, human scale.
    • 84 Metascore
    • 100 Andrew O'Hehir
    The latest riveting, heartbreaking chapter to one of the supreme creations of documentary filmmaking, the "7 Up" series.
    • 84 Metascore
    • 80 Andrew O'Hehir
    Milk is good enough, thanks mostly to Penn's uncanny evocation, to bring Harvey Milk alive as a vital and highly relevant figure, rather than a distant political abstraction or gay saint. (He very definitely was neither.)
    • 84 Metascore
    • 100 Andrew O'Hehir
    A movie for hardcore film geeks and regular folk alike, a stunning, and stunningly improbable, fusion of postmodern pastiche and old-school Hollywood melodrama. It's both a marvelous technical accomplishment and a tragic love story that sweeps you off your feet.
    • 84 Metascore
    • 80 Andrew O'Hehir
    Among the most depressing films ever made...It's a stomach-turning tale of globalization at its very worst, though what any of this has to do with Darwin is unclear to me.
    • 84 Metascore
    • 80 Andrew O'Hehir
    Like all poetic inward journeys, My Winnipeg is likely to resonate with sympathetic viewers in unexpected ways. In viewing his apparently placid prairie city, and his apparently placid prairie childhood, as an intensely symbolic landscape of mystery and terror, Maddin invites all of us to view our own equally ordinary lives in the same light.
    • 84 Metascore
    • 100 Andrew O'Hehir
    Politically provocative and visually spectacular Snowpiercer - the best action film of 2014, and probably the best film, period.
    • 84 Metascore
    • 90 Andrew O'Hehir
    It's a marvelously constructed personal journey, both wrenching and bittersweet, whose emotional ripple effects stay with you for days and weeks afterward.
    • 84 Metascore
    • 90 Andrew O'Hehir
    I'm not ready to proclaim Looper a sci-fi masterpiece just yet; let's let it sit awhile. But it's a lean, mean, smart, violent picture with a bit of Stanley Kubrick edge, fueled by the terrific Gordon-Levitt.
    • 84 Metascore
    • 90 Andrew O'Hehir
    Almost as exhilarating as it is depressing. Puiu's filmmaking technique is remarkable, and all the more so because it's almost invisible.

Top Trailers