Andrew Schenker
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For 195 reviews, this critic has graded:
  • 21% higher than the average critic
  • 4% same as the average critic
  • 75% lower than the average critic
On average, this critic grades 9.6 points lower than other critics. (0-100 point scale)

Andrew Schenker's Scores

  • Movies
  • TV
Average review score: 50
Highest review score: 100 The Turin Horse
Lowest review score: 0 Act of Valor
Score distribution:
  1. Positive: 71 out of 195
  2. Negative: 62 out of 195
195 movie reviews
    • 80 Metascore
    • 100 Andrew Schenker
    Béla Tarr is the cinema's greatest crafter of total environments and in The Turin Horse, working in his most restricted physical setting since 1984's Almanac of Fall, he (along with co-director Ágnes Hranitzky) dials up one of his most vividly immersive milieus.
    • 84 Metascore
    • 100 Andrew Schenker
    Tsai isn't making a social-problem film here, and his critique of patriarchal control is secondary to his portrait of unbearable psychic conditions.
    • 85 Metascore
    • 88 Andrew Schenker
    Order may be restored to the Circus, the "bad" elements weeded out, but in the jaundiced world the film has spent the last two hours so effectively delineating, the barriers between good and evil have been shown to be essentially meaningless.
    • 73 Metascore
    • 88 Andrew Schenker
    A boldly conceived assemblage of diverse and seemingly random fictional materials, Athina Rachel Tsangari's Attenberg is concerned with nothing less than those hardy perennials: sex, death, and modernity. And coming of age a little too late.
    • 84 Metascore
    • 88 Andrew Schenker
    Although the film remains continually fanciful, it always reminds us of the stakes in which precocious childhood rubs up against the possibility of a childhood denied altogether.
    • 57 Metascore
    • 88 Andrew Schenker
    A sense of anachronism is what provides the film with its melancholy heart.
    • 89 Metascore
    • 88 Andrew Schenker
    In Joshua Oppenheimer's extraordinary The Act of Killing, film becomes the medium for a bold historical reckoning--and in more ways than one.
    • 81 Metascore
    • 88 Andrew Schenker
    Frederick Wiseman's At Berkeley isn't only a study of the contemporary American university, but, like all of the filmmaker's best documentaries, a wide-ranging inquiry into the larger institutions and contradictions that define life in the United States.
    • 72 Metascore
    • 75 Andrew Schenker
    It not only makes for riveting cinematic drama (all the more impressive given that it relies so heavily on recounted words rather than illustrated actions), but for first-rate muckraking.
    • 77 Metascore
    • 75 Andrew Schenker
    Not only sets up the writer's life as representative of the transitions of early modern Jewish life, but posits his oeuvre as an ongoing chronicle of the shift from a vibrant, unified Yiddish culture to a fractured world-in-exile.
    • 74 Metascore
    • 75 Andrew Schenker
    A slick, entertaining offering, playing at times like a tarted up "E! True Hollywood Story."
    • 60 Metascore
    • 75 Andrew Schenker
    Shat makes Our Idiot Brother work is the endless appeal of watching Rudd's lovable idiot run roughshod over the sophisticated New York mini-universe while winning the confidence and admiration of everyone around him.
    • 67 Metascore
    • 75 Andrew Schenker
    Rachid Bouchareb casts his account of the horrifying aftermath of tragedy on an intimate scale, allowing the halting words and frightened faces of his two leads to tell us as much as we need to know about the uncertainties of those faced with tracking down their lost loved ones.
    • 76 Metascore
    • 75 Andrew Schenker
    A study of the this former mining region in both its de-industralized present and its past state as an active coalfield, The Miners' Hymns arranges its two parts as a set of binary oppositions.
    • 72 Metascore
    • 75 Andrew Schenker
    The film successfully positions its point of view with the developing countries that suffer the most immediate consequences of global warming rather than the developed countries most responsible for climate change and from whose citizenry Jon Shenk's prospective audience is likely to be drawn.
    • 62 Metascore
    • 75 Andrew Schenker
    The film proves that neither gross-out gags nor pseudo-sophisticated Woody Allenisms are necessary to make a smart, funny comedy.
    • 81 Metascore
    • 75 Andrew Schenker
    The director's clear-minded approach allows her subject's more challenging aesthetic-political mix to shine through, even if it's at the inevitable expense of her own filmmaking proclivities.
    • 66 Metascore
    • 75 Andrew Schenker
    Proves how invigorating genre filmmaking can be in the hands of a savvy, perpetually inventive director.
    • 57 Metascore
    • 75 Andrew Schenker
    Tsui Hark's film is the veteran director's chance to let his imagination run riot in the context of a high-budget, 3D IMAX production.
    • 62 Metascore
    • 75 Andrew Schenker
    Thanks to Melanie Lynskey's performance, the movie feels like a believably worked-out, sympathetically presented study in thirtysomething uncertainty.
    • 69 Metascore
    • 75 Andrew Schenker
    There's no coddling the audience in Vibeke Løkkeberg's verité heave of disgust as the full consequences on the Palestinian people of Operation Cast Lead are made sickeningly clear.
    • 77 Metascore
    • 75 Andrew Schenker
    The mixture of different techniques and varied views results in a rich, multi-faceted look at one of America's most misguided policy initiatives.
    • 71 Metascore
    • 75 Andrew Schenker
    Jason Tippet and Elizabeth Mims refuse to use their subjects as test cases for any sort of larger thesis.
    • 74 Metascore
    • 75 Andrew Schenker
    Alejandro Landes's Porfirio is an ugly movie to watch, but it's not without purpose.
    • 79 Metascore
    • 75 Andrew Schenker
    The film unfolds in unhurried dramatic terms that come to take on an almost fatalistic force.
    • 71 Metascore
    • 75 Andrew Schenker
    James Marsh carries forward the mood and menace of the opening into the balance of the work, perfectly matching his aesthetic strategies to the story's shifting moral terrain.
    • 42 Metascore
    • 75 Andrew Schenker
    Shawn Levy's occasionally uproarious, warm-hearted comedy is about different generations educating each other, but it never seems rote.
    • 53 Metascore
    • 75 Andrew Schenker
    Lynn Shelton crafts a film of astonishingly sustained mood, tying its beguiling atmosphere to the mental states of her characters.
    • 75 Metascore
    • 75 Andrew Schenker
    It gives a true sense of how the forces of a hypocritically religious country has burdened countless young women with a lifetime of misplaced guilt.
    • 56 Metascore
    • 75 Andrew Schenker
    The film, lensed in appealing candy-striped colors, has so much fun exploding stereotypes and radiates with such infectious comic gusto and genuine good nature, that it would be almost churlish to resist its charms.

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