For 706 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 4 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 Iris
Lowest review score: 0 The Hottie & the Nottie
Score distribution:
706 movie reviews
    • 36 Metascore
    • 50 Connie Ogle
    The overwhelming sensation of deja vu is exhausting and disorienting. You really HAVE seen it all before.
    • 53 Metascore
    • 50 Connie Ogle
    Turns out to be a more disappointment than joyful reunion, a tedious and desperately drawn-out affair that tests your patience even as it brazenly courts (and often earns) your contempt.
    • 64 Metascore
    • 50 Connie Ogle
    The film hardly aims to be serious entertainment, and, to its credit, it's never uninteresting visually.
    • 47 Metascore
    • 50 Connie Ogle
    Everyone, including the candidates, will recognize the importance of civic duty, leaving Swing Vote to end with swelling music and uplifting speechifying but on a completely unsatisfactory note.
    • 45 Metascore
    • 50 Connie Ogle
    For all its pretension and artiness, Blindness is more like M. Night Shyamalan's "The Happening" (which at least had the decency to be fast-paced and short), right down to its upbeat and inane conclusion.
    • 28 Metascore
    • 50 Connie Ogle
    Nobel Son is not good. Nor is it bad. It exists, instead, somewhere in the middle ground of interesting enough to hold one's attention without actually providing any fresh, sensible or nonderivative developments.
    • 56 Metascore
    • 50 Connie Ogle
    The film improves once the assassination attempt goes awry, but the audience is never truly invested in the actions of these heroic men.
    • 47 Metascore
    • 50 Connie Ogle
    The fact that you won't remember any of these names for more than a minute should indicate exactly how much depth each character displays.
    • 54 Metascore
    • 50 Connie Ogle
    Observe and Report conveys an essential truth about Rogen: Like every other actor on the planet, he needs good material to do good work.
    • 50 Metascore
    • 50 Connie Ogle
    It's pretty much a waste of everyone's time, especially yours.
    • 51 Metascore
    • 50 Connie Ogle
    You might call My Sister's Keeper manipulative, and you would not be inaccurate.
    • 58 Metascore
    • 50 Connie Ogle
    Anything but light on its feet. It lumbers instead of dazzles, drags where it should feint and jab.
    • 63 Metascore
    • 50 Connie Ogle
    Chéri never fulfills its emotional promise.
    • 33 Metascore
    • 50 Connie Ogle
    An incredibly lazy movie -- but not an unbearable one, thanks to Aaron Eckhart's charm.
    • 34 Metascore
    • 50 Connie Ogle
    While there are some genuinely creepy moments, it never truly ends up as more than an average "X-Files" episode.
    • 81 Metascore
    • 50 Connie Ogle
    A well-acted, well-crafted but excruciatingly tepid romantic film about a subject that will attract poetry lovers and yet test even their considerable patience.
    • 62 Metascore
    • 50 Connie Ogle
    The only positive thing about the aimless film The Yellow Handkerchief is the idea that William Hurt may be ready for his Jeff Bridges moment.
    • 38 Metascore
    • 50 Connie Ogle
    While patience is a virtue in a marriage, we shouldn't need quite this much to make it through a movie.
    • 27 Metascore
    • 50 Connie Ogle
    Frothy as it is, SATC2 is best when it's about the women, not the wardrobe.
    • 30 Metascore
    • 50 Connie Ogle
    The guys are more amusing than not, and they display the easy chemistry of real-life pals.
    • 51 Metascore
    • 50 Connie Ogle
    Little happens that you don't see coming, down to which cast members will get picked off and in what order. It's a dumb action movie in a summer full of dumb movies, and yet it's always entertaining. And you won't really miss Arnold at all.
    • 53 Metascore
    • 50 Connie Ogle
    Only two characters are worth much notice; neither is a prince, and one is a really big mouse, which tells you something sad about Narnia's royal family.
    • 50 Metascore
    • 50 Connie Ogle
    Sets out to be a study of grief and how to overcome it, but it rings too false to offer much hope - or entertainment.
    • 42 Metascore
    • 50 Connie Ogle
    The bigger problem with the film, which is genuinely unnerving at times, is what happens when the cavers are not in immediate peril, because they talk.
    • 36 Metascore
    • 50 Connie Ogle
    Something Borrowed commits the most fatal mistake of all: Its characters are so deeply uninteresting that the audience can't get invested in their eventual happiness.
    • 26 Metascore
    • 50 Connie Ogle
    Amusing at times but never more than a modest diversion, lacking the cleverness and imagination required to turn it into more than a one-joke movie.
    • 50 Metascore
    • 50 Connie Ogle
    The cast is impressive, and the story even soapier than "The Tudors," if you like that sort of thing.
    • 72 Metascore
    • 50 Connie Ogle
    As it spins along at a reasonably good clip - no one is going to mistake it for the slicker, more action-packed "Salt" - The Double unravels its secrets, which prove to be its undoing.
    • 68 Metascore
    • 50 Connie Ogle
    If you're making a movie that purports to be about real love, at the very least, you have to make the audience care whether the lovers work out their problems.
    • 22 Metascore
    • 50 Connie Ogle
    New Year's Eve is not unbearable. It's not bad, but it's not good, either. It delivers exactly what you expect: pretty faces, shallow romance and a mythical fanaticism about an event in a friendly Manhattan unblemished by hyper-vigilant security measures, obnoxious drunks or New York Jets fans.

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