For 682 reviews, this critic has graded:
  • 54% higher than the average critic
  • 2% same as the average critic
  • 44% lower than the average critic
On average, this critic grades 2.1 points lower than other critics. (0-100 point scale)

Connie Ogle's Scores

  • Movies
  • TV
Average review score: 58
Highest review score: 100 3:10 to Yuma
Lowest review score: 0 The Man
Score distribution:
682 movie reviews
    • 51 Metascore
    • 63 Connie Ogle
    If you can overlook that last little bit of sports fantasy, you just might like Just Wright.
    • 43 Metascore
    • 63 Connie Ogle
    Sometimes less truly is more, and Love in the Time of Cholera is proof.
    • 45 Metascore
    • 63 Connie Ogle
    The actors, aside from Sevani, were clearly not cast for their mad acting skills.
    • 72 Metascore
    • 63 Connie Ogle
    Easy A is unnecessarily hard on the religious kids. Unlike "Saved," it uses broad caricatures of gospel-singing fanatics to get laughs, and the bug-eyed, over-the-top performance by Bynes (who apparently really should have retired after making this film) doesn't help matters.
    • 63 Metascore
    • 63 Connie Ogle
    This is a film about depression, though, and it comes awfully close to trivializing its subject by suggesting that all Craig needed, really, was a cute girl to like him back.
    • 69 Metascore
    • 63 Connie Ogle
    The film remains relatively entertaining, simply because the scenario hits so close to home, no matter where you work.
    • 56 Metascore
    • 63 Connie Ogle
    Unknown is never boring, and Collet-Serra mostly keeps up a lively pace, but he doesn't do the movie any favors with the flat, dull way he films the scene in which we finally learn what's going on.
    • 37 Metascore
    • 63 Connie Ogle
    It's the sort of film that's entertaining while you're in the theater.
    • 52 Metascore
    • 63 Connie Ogle
    By the time it's over, Insidious is less scary than a mortgage payment.
    • 65 Metascore
    • 63 Connie Ogle
    The film is never more than an amalgamation of other movies.
    • 75 Metascore
    • 63 Connie Ogle
    In the end the film stacks up just this side of twee, as the sort of quirky fare that's passably entertaining without ever offering anything real or remarkable.
    • 47 Metascore
    • 63 Connie Ogle
    Thank Segal in part, because the guy is always funny, and Timberlake gets some of the biggest laughs in a particularly crude sex scene (though the song with which his character woos Miss Squirrel is perhaps the film's funniest moment).
    • 42 Metascore
    • 63 Connie Ogle
    Snow Flower and the Secret Fan moves slowly, languidly; its art direction is often lovely, and despite their truncated screen time Lily and Snow Flower do make you care about their fates. But you would have cared more without all the distraction.
    • 38 Metascore
    • 63 Connie Ogle
    The humor tends to be broad, but the spritely pace doesn't allow for too much lingering on the jokes that don't land (really, we've seen enough morning sickness bits to make us gag).
    • 35 Metascore
    • 63 Connie Ogle
    It's full of lively and crude sexual banter, discussions of hookups and sex and Joel McHale's bare butt. Oddly, all this makes the film funnier and more accessible than you might imagine.
    • 54 Metascore
    • 63 Connie Ogle
    The Iron Lady never delves deeply enough into the politics or the people, preferring instead to make us feel bad about the unfortunate way in which old age levels us all.
    • 69 Metascore
    • 63 Connie Ogle
    Unfortunately, the film's climactic finale grows repetitive and goes on a little too long; once you've seen bodies flying and crashing through buildings once, you've seen it plenty.
    • 41 Metascore
    • 63 Connie Ogle
    The second installment in a likable family franchise, Journey 2: The Mysterious Island makes a nice case to your kids that reading books is a good idea.
    • 53 Metascore
    • 63 Connie Ogle
    Delicacy bears a slight whiff of Anthony Minghella's fantastic "Truly Madly Deeply," but while Minghella's film is a romantic comedy classic, Delicacy hovers just this side of memorable.
    • 82 Metascore
    • 63 Connie Ogle
    The Deep Blue Sea is a suffocating movie, and it's meant to be.
    • 58 Metascore
    • 63 Connie Ogle
    Not a bad movie - everybody wants dreams to come true - but its platitudes sound awfully hollow sometimes.
    • 39 Metascore
    • 63 Connie Ogle
    The most fortunate thing about The Lucky One is that despite a plot hole so big it could generate its own gravity field, it's still not a bad movie.
    • 43 Metascore
    • 63 Connie Ogle
    It's really just a dance movie, interrupted sporadically for PG-13 romance, bad acting, ridiculous dialogue and earnest "let's put on a show to save our homes!" spirit.
    • 76 Metascore
    • 63 Connie Ogle
    Once you get past the intriguing fact that although Whip's job puts hundreds of lives into his hands on a daily basis yet he's cavalier about protecting them, the movie doesn't feel much different than any other exploration of addiction.
    • 73 Metascore
    • 63 Connie Ogle
    Bayona is restrained here in terms of gore, but his landscape is a realistic vision of a hell we never hope to visit.
    • 73 Metascore
    • 63 Connie Ogle
    The movie wanders off course in the final act, as if none of its three screenwriters could quite figure out how to end it.
    • 59 Metascore
    • 63 Connie Ogle
    Zombie lore doesn't allow for redemption, only head shots, and Levine's film, amusing though it may be, is never gory enough to truly become a classic zombie movie. It also ignores the one basic necessity of monster films, even the funny ones: It really ought to be creepy or scary or gross, at least once or twice.
    • 62 Metascore
    • 63 Connie Ogle
    42
    And still 42 persists in entertaining you, even when you’re cringing, because the real story is so compelling.
    • 40 Metascore
    • 63 Connie Ogle
    Jackman's charisma breathes the fire into Wolverine, not the rather pedestrian script or the by-the-numbers action.
    • 71 Metascore
    • 63 Connie Ogle
    A decent thriller made better by good performances and an intriguing setting.

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